You Don't Know Me

The good news is that you may have created my past and screwed up my present, but you have no control over my future. You don't know me at all.

I don't play the tuba. The tuba plays me. My tuba is not actually a tuba, because it has never produced a musical sound. It is actually a giant frog pretending to be a tuba.

Even if it’s dangerous, and painful, and so very, very lonely. One must go on fighting- It is the only honorable thing to do

You stand for nothing. You respect nobody. The music you dance to is devoid of beauty, its lyrics empty of humor or cleverness.

But something cannot be made out of nothing. Dust rose in the air, caught the rays of the sun for a brief moment and sparkled, and then returned to the earth as mere dust.

Are you by any chance acquainted with the words 'steel toe'? Or do the words 'permanent dent' mean anything to you?" My locker door is not intimidated. "My grandfather was a vault at Fort Knox, and if you try to dent me with a kick you will only tear some ligament that will never mend.

Believe me, if Archimedes ever had the grand entrance of a girl as pretty as Gloria to look forward to, he would never have spent so much time calculating the value of Pi. He would have been baking her a Pie! If Euclid had ever beheld a vision of loveliness like the one I see walking into my anti-math class, he would have forgotten all the geometry of lines and planes, and concentrated on the sweet simplicity of soft curves. If Pythagoras had ever had a girl look at him the way Gloria's eyes fix in my direction, he would have given up his calculations on the hypotenuse of right triangles and run for the hills to pick a bouquet of wildflowers.

Allow me to share one simple and very frightening truth with you: your real enemy is someone who knows you. And the better they know you, and the closer they are to you, the greater is their capacity to do you harm. Total strangers who get a little angry and lose control at sporting events are no real threat, if the proper caution is used. Protective fathers of pretty fourteen-year-old girls will shout and sputter, get loud and use strong language, but in the end they will retreat into their warm houses and leave you alone. But a person who shares a part of your life, who lives with you and knows all your habits and has a keen insight into what you value most in all the world - this is the person to fear.

I do not want to alarm her with the thought that we are being stalked by a convicted egg roll felon.

My mother is no longer shouting or shaking me, but she is still holding me very tightly. Even though I didn't speak out loud, she heard me and understood. "Don't you know?" she asks me back. "Don't you know who you are?" Tears are sliding down her cheeks and falling off onto my face. I never knew how hot someone else's tears feel. "You're part of me," she says, as if it is the deepest truth she knows. "You're all the family I have. The only person I can count on. You're flesh of my flesh and blood of my blood, my only baby, and nothing else comes close to that. Nothing." And then she runs out of words, so she just clings to me, and not all the doctors in the world can pull her away.

The piece you have written for us is called "The Gambol of the Caribou." Now, Mr. Steenwilly, I don't mean to be critical. What I know about music could be squeezed into a peanut shell, and there would still be room for the peanut. But I looked up "gambol" in the dictionary, and it means to "skip or jump about playfully." It also means to "caper or frolic." Caribou are large, ponderous, woolly reindeer. They do not gambol. They do not caper. They do not frolic. And they certainly do not skip. It would be an interesting sight to see a herd of caribou skipping down the tundra, but, Mr. Steenwilly, it would never happen. You could write a piece called "The Caribou Standing Still and Freezing Their Butts Off." Or "The March of the Caribou." Or even "The Stampede of the Caribou." But "The Gambol of the Caribou" is not such a great image to build a piece of music around.