Quotes from The Weight of Water

Anita Shreve ·  246 pages

Rating: (23.5K votes)


“Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.”
― Anita Shreve, quote from The Weight of Water


“I learned that night that love is never as ferocious as when you think it is going to leave you. We are not always allowed this knowledge, and so our love sometimes becomes retrospective.”
― Anita Shreve, quote from The Weight of Water


“I wonder this: If you take a woman and push her to the edge, how will she behave?”
― Anita Shreve, quote from The Weight of Water


“There are moments in your life when you know that the sentence that will come next will change your life forever, although you realize, even as you are anticipating this sentence, that your life has already changed. Changed some time ago, and you simply didn't know it.”
― Anita Shreve, quote from The Weight of Water


“Are we, as we age, I wonder, repaid for all our thoughtless gestures”
― Anita Shreve, quote from The Weight of Water



“I can see the years that Thomas and I have had together, the fragility of that life. The creation of a marriage, of a family, not because it has been ordained or is meant to be, but because we have simply made it happen. We have done this thing, and then that thing, and then that thing, and I have come to think of our years together as a tightly knotted fisherman’s net; not perfectly made perhaps, but so well knit I would have said it could never have been unraveled. During”
― Anita Shreve, quote from The Weight of Water


“I think about the hurt that stories cannot ease, not with a thousand tellings.”
― Anita Shreve, quote from The Weight of Water


About the author

Anita Shreve
Born place: in Dedham, Massachusetts
Born date October 7, 1946
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“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
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