“What we are dealing with here is another version of the Lacanian 'il n'y a pas de rapport ...': if, for Lacan, there is no sexual relationship, then, for Marxism proper, there is no relationship between economy and politics, no 'meta-language' enabling us to grasp the two levels from the same neutral standpoint, although—or, rather, because—these two levels are inextricably intertwined.”
― Slavoj Žižek, quote from The Parallax View
“human Reason cannot be reduced to the result of evolutionary adaptation; art is not just a heightened procedure of providing sensual pleasures, but a medium of Truth;”
― Slavoj Žižek, quote from The Parallax View
“in contrast to modern art, which causes displeasure-modern art, by definition, hurts. In this precise sense, modern art is sublime: it causes pleasure-in-pain, it produces its effect through its own failure, insofar as it refers to the impossible Things.”
― Slavoj Žižek, quote from The Parallax View
“art is not just a heightened procedure of providing sensual pleasures, but a medium of Truth;”
― Slavoj Žižek, quote from The Parallax View
“Thus 2t Grams confronts us with the same interpretive dilemma as the one in The Wings of the Dove: is the suicidal sacrificial gesture a true ethical act or not? In contrast to Wings, the answer here is yes: there is no narcissistic staging of one's death at work when Paul shoots himself, no manipulative strategy of using one's death as a gift destined to secretly sabotage what it appears to make possible.”
― Slavoj Žižek, quote from The Parallax View
“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
― Slavoj Žižek, quote from The Parallax View
Slavoj Žižek
Born place: in Ljubljana, Slovenia
Born date March 21, 1949
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“A horse must be a bit mad to be a good cavalry mount, and its rider must be completely so.”
― Steven Pressfield, quote from The Virtues of War: A Novel of Alexander the Great
“Estar enamorada de alguien y amar a alguien son para ella dos estaciones de tren distintas.”
― Zoran Drvenkar, quote from Sorry
“Was it possible, she wondered, to have solitude together? She tried to imagine what he would do if after dinner she went to his study back home with her book or her laptop, and sat on the couch there instead of in the living room as they had in the early years. He might glance over the top of his computer with a look of surprise and then a smile of welcome. Hey there. Or there might be a moment's hesitation. She'd sit quietly nearby, each of them feeling the weight of the other int he room and a dampening of his or her own thoughts, each looking up expectantly when the other shifted in a chair or looked off into the middle distance. She might offer a snippet of commentary about something she was reading, but it would not be easily understood out of context. After an hour or so she would stand and stretch, murmur that sh though she'd call it a night, and the following night she'd go back to the living room. It was a gift, solitude. But solitude with another person, that was an art.”
― Nichole Bernier, quote from The Unfinished Journals of Elizabeth D
“You gonna fight me, faggot?” Ty looked him up and down, then glanced at the men behind him. He shook his head. “Not until you make it a fair fight. Go get more friends. I’ll wait.”
― Abigail Roux, quote from Stars & Stripes
“I understand, trust me, and it’s a noble pursuit. But I don’t believe you can improve humanity’s future by being so obsessed with your work that you ignore the human beings around you.”
― Lindsay Buroker, quote from Beneath the Surface
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