“What we are dealing with here is another version of the Lacanian 'il n'y a pas de rapport ...': if, for Lacan, there is no sexual relationship, then, for Marxism proper, there is no relationship between economy and politics, no 'meta-language' enabling us to grasp the two levels from the same neutral standpoint, although—or, rather, because—these two levels are inextricably intertwined.”
― Slavoj Žižek, quote from The Parallax View
“human Reason cannot be reduced to the result of evolutionary adaptation; art is not just a heightened procedure of providing sensual pleasures, but a medium of Truth;”
― Slavoj Žižek, quote from The Parallax View
“in contrast to modern art, which causes displeasure-modern art, by definition, hurts. In this precise sense, modern art is sublime: it causes pleasure-in-pain, it produces its effect through its own failure, insofar as it refers to the impossible Things.”
― Slavoj Žižek, quote from The Parallax View
“art is not just a heightened procedure of providing sensual pleasures, but a medium of Truth;”
― Slavoj Žižek, quote from The Parallax View
“Thus 2t Grams confronts us with the same interpretive dilemma as the one in The Wings of the Dove: is the suicidal sacrificial gesture a true ethical act or not? In contrast to Wings, the answer here is yes: there is no narcissistic staging of one's death at work when Paul shoots himself, no manipulative strategy of using one's death as a gift destined to secretly sabotage what it appears to make possible.”
― Slavoj Žižek, quote from The Parallax View
“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
― Slavoj Žižek, quote from The Parallax View
Slavoj Žižek
Born place: in Ljubljana, Slovenia
Born date March 21, 1949
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“Privileged men showed off their status by keeping their womenfolk out of public life and hidden from view in the private quarters of their households. The psychology underlying this custom was (I think) the feeling that a man’s honor—which really means his ability to hold his head high among his fellow men—depended on his ability to keep any women associated with him from becoming the objects of other men’s sexual fantasies.”
― Tamim Ansary, quote from Destiny Disrupted: A History of the World Through Islamic Eyes
“The dilemma facing Bush and the Republicans was clear. If Marshall left, they could not leave the Supreme Court an all-white institution; at the same time, they had to choose a nominee who would stay true to the conservative cause. The list of plausible candidates who fit both qualifications pretty much began and ended with Clarence Thomas.
… There was awkwardness about the selection from the start. "The fact that he is black and a minority has nothing to do with this," Bush said. "He is the best qualified at this time." The statement was self-evidently preposterous; Thomas had served as a judge for only a year and, before that, displayed few of the customary signs of professional distinction that are the rule for future justices. For example, he had never argued a single case in any federal appeals court, much less in the Supreme Court; he had never written a book, an article, or even a legal brief of any consequence. Worse, Bush's endorsement raised themes that would haunt not only Thomas's confirmation hearings but also his tenure as a justice. Like the contemporary Republican Party as a whole, Bush and Thomas opposed preferential treatment on account of race—and Bush had chosen Thomas in large part because of his race. The contradiction rankled.”
― Jeffrey Toobin, quote from The Nine: Inside the Secret World of the Supreme Court
“So how do you know when the boy's perfect for you?' Dulcie asked
Betty gave her a tender look. 'You'll just know. That sounds vague, I know, but it's true.”
― Lesley Pearse, quote from Trust Me
“Perhaps it is like a fever that blows in the air, like cholera, like the plague; it blows in the air and settles on men – or a town – or a nation – and everyone in it, or nearly everyone, falls a victim.’ He”
― Winston Graham, quote from The Black Moon
“I was in awe of him. I didn't speak; I listened. He was flawless.”
― Janice Dickinson, quote from No Lifeguard on Duty: The Accidental Life of the World's First Supermodel
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