“What we are dealing with here is another version of the Lacanian 'il n'y a pas de rapport ...': if, for Lacan, there is no sexual relationship, then, for Marxism proper, there is no relationship between economy and politics, no 'meta-language' enabling us to grasp the two levels from the same neutral standpoint, although—or, rather, because—these two levels are inextricably intertwined.”
― Slavoj Žižek, quote from The Parallax View
“human Reason cannot be reduced to the result of evolutionary adaptation; art is not just a heightened procedure of providing sensual pleasures, but a medium of Truth;”
― Slavoj Žižek, quote from The Parallax View
“in contrast to modern art, which causes displeasure-modern art, by definition, hurts. In this precise sense, modern art is sublime: it causes pleasure-in-pain, it produces its effect through its own failure, insofar as it refers to the impossible Things.”
― Slavoj Žižek, quote from The Parallax View
“art is not just a heightened procedure of providing sensual pleasures, but a medium of Truth;”
― Slavoj Žižek, quote from The Parallax View
“Thus 2t Grams confronts us with the same interpretive dilemma as the one in The Wings of the Dove: is the suicidal sacrificial gesture a true ethical act or not? In contrast to Wings, the answer here is yes: there is no narcissistic staging of one's death at work when Paul shoots himself, no manipulative strategy of using one's death as a gift destined to secretly sabotage what it appears to make possible.”
― Slavoj Žižek, quote from The Parallax View
“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
― Slavoj Žižek, quote from The Parallax View
Slavoj Žižek
Born place: in Ljubljana, Slovenia
Born date March 21, 1949
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“Thanks for not talking with your fists,” I said. I have a little sister, and I’m not sure I’d be as understanding with any of her boyfriends.
“I’ve seen you fight,” he said, turning. “It would’ve been a terribly short conversation.”
― Lish McBride, quote from Necromancing the Stone
“When a man likes you, he will be interested in finding out what you like. If he makes you happy, he feels more secure. Everything men do is intended to impress women.”
― Sherry Argov, quote from Why Men Marry Bitches: A Woman's Guide to Winning Her Man's Heart
“I shiver at the command. Why do I love the way he orders me around when I won’t stand the same from another man?”
― Magda Alexander, quote from Storm Ravaged
“It was a question I asked myself each time one of these studies or field observations came to my attention, and I saw, once again, that no mention was made, even in passing, of those wandering tellers of tales, who seemed to me to be the most exquisite and precious exemplars of that people, numbering a mere handful, and who, in any event, had forged that curious emotional link between the Machiguengas and my own vocation (not to say, quite simply, my own life).”
― Mario Vargas Llosa, quote from The Storyteller
“May 1976. I have had some manure delivered for the garden and, since the manure heap is not far from the van, Miss S. is concerned that people passing might think the smell is coming from there. She wants me to put a notice on the gate to the effect that the smell is the manure, not her. I say no, without adding, as I could, that the manure actually smells much nicer.
I am working in the garden when Miss B., the social worker, comes with a boxful of clothes.
Miss S. is reluctant to open the van door, as she is listening to 'Any Answers', but eventually she slides on her bottom to the door of the van and examines the clothes. She is unimpressed.
MISS S.: I only asked for one coat.
MISS B.: Well, I brought three just in case you wanted a change.
MISS S.: I haven't got room for three. Besides, I was planning to wash this coat in the near future. That makes four.
MISS B.: This is my old nursing mac.
MISS S.: I have a mac. Besides, green doesn't suit me. Have you got the stick?
MISS B.: No. That's being sent down. It made to be made specially.
MISS S.: Will it be long enough?
MISS B.: Yes. It's a special stick.
MISS S.: I don't want a special stick. I want an ordinary stick. Does it have a rubber thing on?”
― Alan Bennett, quote from The Lady In The Van
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Room for You
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