“What we are dealing with here is another version of the Lacanian 'il n'y a pas de rapport ...': if, for Lacan, there is no sexual relationship, then, for Marxism proper, there is no relationship between economy and politics, no 'meta-language' enabling us to grasp the two levels from the same neutral standpoint, although—or, rather, because—these two levels are inextricably intertwined.”
― Slavoj Žižek, quote from The Parallax View
“human Reason cannot be reduced to the result of evolutionary adaptation; art is not just a heightened procedure of providing sensual pleasures, but a medium of Truth;”
― Slavoj Žižek, quote from The Parallax View
“in contrast to modern art, which causes displeasure-modern art, by definition, hurts. In this precise sense, modern art is sublime: it causes pleasure-in-pain, it produces its effect through its own failure, insofar as it refers to the impossible Things.”
― Slavoj Žižek, quote from The Parallax View
“art is not just a heightened procedure of providing sensual pleasures, but a medium of Truth;”
― Slavoj Žižek, quote from The Parallax View
“Thus 2t Grams confronts us with the same interpretive dilemma as the one in The Wings of the Dove: is the suicidal sacrificial gesture a true ethical act or not? In contrast to Wings, the answer here is yes: there is no narcissistic staging of one's death at work when Paul shoots himself, no manipulative strategy of using one's death as a gift destined to secretly sabotage what it appears to make possible.”
― Slavoj Žižek, quote from The Parallax View
“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
― Slavoj Žižek, quote from The Parallax View
Slavoj Žižek
Born place: in Ljubljana, Slovenia
Born date March 21, 1949
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“That was a good straightforward point of view, no pretence that games were anything but an outlet for power and aggression; no stuff about their being enjoyable as such. You played a game to demonstrate that you did it better than someone else. If it came to that, I thought how few people do anything for its own sake, from making love to practising the arts.”
― Anthony Powell, quote from A Dance to the Music of Time: 3rd Movement
“How is the birdhouse coming along, Charlie Brown?"
"Well, I'm a lousy carpenter, I can't nail straight, I can't saw straight and I always split the wood... I'm nervous, I lack confidence, I'm stupid, I have poor taste and absolutely no sense of design... So, all things considered, it's coming along okay!”
― Charles M. Schulz, quote from The Complete Peanuts, Vol. 5: 1959-1960
“He made a blushing cital of himself,
And chid his truant youth with such a grace
As if he mastered there a double sprite
Of teaching and of learning instantly.
There did he pause: but let me tell the world:
If he outlive the envy of this day,
England did never owe so sweet a hope,
So much misconstrued in his wantonness.”
― William Shakespeare, quote from King Henry IV, Part 1
“It had seemed so foreign to me - the idea that you could move forward without a painful airing of grievances on both sides. But maybe - maybe it wasn't necessary to pick apart pain. Maybe some things just weren't worth fighting about. Some friends weren't friends anymore, but family - and there were different rules for family. It didn't make sense to sit down with family and detail all the reasons they'd upset you - for many reasons, not least among them the fact that they could whip out a checklist of your transgressions themselves. And after you'd both picked apart the carcasses, why would you want to be friends again? Maybe the important thing was to recognize that everyone felt wronged and slighted - but the point worth concentrating on was that everyone loved each other. If we worked from that premise, we should be fine. Or anyway, I hoped we would.”
― Megan Crane, quote from Frenemies
“For it was Saturday night, the best and bingiest glad-time of the week, one of the fifty-two holidays in the slow-turning Big Wheel of the year, a violent preamble to a prostrate Sabbath. Piled up passions were exploded on Saturday night, and the effect of a week's monotonous graft in the factory was swilled out of your system in a burst of goodwill. You followed the motto of 'be drunk and be happy,' kept your crafty arms around female waists, and felt the beer going beneficially down into the elastic capacity of your guts.”
― Alan Sillitoe, quote from Saturday Night and Sunday Morning
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Sweet Thursday
Residence on Earth
A Map of the Known W...
Sleep, Pale Sister
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