“One tribe moves out and one tribe stays. History broadens, and philosophy shifts, develops a rift, splits one population from the other . . . and a schism happens, minor or major. It’s the way humankind has always proliferated. We go over the next hill, live a few hundred years, change our languages to accommodate things we never saw before—and before we know it, our cousins think we have an accent. Or we think they have a strange attitude. And we don’t really understand our cousins any longer.”
― C.J. Cherryh, quote from Downbelow Station
“What the visual media could not carry into living rooms, the general public could not long remain exercised about.
Statistically, a majority of the electorate could not or did not read complicated issues;
no pictures, no news; no news, no event; no great sympathy on the part of the public nor sustained interest from the media: safe politics for the Company.”
― C.J. Cherryh, quote from Downbelow Station
“A bizarre hysteria, perhaps, that point which many reached here, when anger was all that mattered. It led to self-destruction.”
― C.J. Cherryh, quote from Downbelow Station
“Their minds were geared to the old problems and to their own problems and their own politics.”
― C.J. Cherryh, quote from Downbelow Station
“It was a scientific success, bringing back data enough to keep the analysts busy for years… but there was no glib, slick way to explain the full meaning of its observations in layman’s terms. In public relations the mission was a failure; the public, seeking to understand on their own terms, looked for material benefit, treasure, riches, dramatic findings.”
― C.J. Cherryh, quote from Downbelow Station
C.J. Cherryh
Born place: in St. Louis, Missouri, The United States
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“Los españoles también abusan de las expresiones fuertes. Frente a ellos el mexicano es singularmente pulcro. Pero mientras los españoles se complacen en la blasfemia y la escatología, nosotros nos especializamos en la crueldad y el sadismo. El español es simple: insulta a Dios porque cree en él. La blasfemia, dice Manchado, es una oración al revés. El placer que experimentan muchos españoles, incluso algunos de sus más altos poetas, al aludir a los detrimentos y mezclar la mierda con lo sagrado se parece un poco al de los niños que juegan con lodo. […] El "hijo de la chingada" es el engendro de la violación, del rapto o la burla. SI se compara esta expresión con la española, "hijo de puta", se advierte inmediatamente la diferencia. Para el español la deshonra consiste en ser hijo de una mujer que voluntariamente se entrega, una prostituta; para el mexicano, es ser fruto de una violación.”
― Octavio Paz, quote from The Labyrinth of Solitude and Other Writings
“Oh, make no mistake. I am no callow, ardent youth. I am an elderly man, broken in health and body, and soon to die. I am a scientist and a philosopher. I, as all the generations of philosophers before me, know woman for what she is—her weaknesses and meannesses and immodesties and ignobilities, her earth-bound feet and her eyes that have never seen the stars. But—and the everlasting, irrefragable fact remains: Her feet are beautiful, her eyes are beautiful, her arms and breasts are paradise, her charm is potent beyond all charm that has ever dazzled man; and, as the pole willy nilly draws the needle, just so, willy nilly, does she draw man.”
― Jack London, quote from The Star Rover
“Cuando hay nubes es como si el mundo tuviera una capa de lana. Se está más calentito y eso.”
― Annabel Pitcher, quote from Ketchup Clouds
“There is power in words.
There are words that bid us laugh and make us weep. Words to begin with and words to end by. Words that seize the hearts in our chests and squeeze them tight, that set the skin on our bones to tingling. Words so beautiful they shape us, forever change us, live inside us for as long as we have breath to speak them. There are forgotten words. Killing words. Great and frightening and terrible words. There are True words.
And then there are pictures.”
― Jay Kristoff, quote from Kinslayer
“Mood disorders , in addition to exhibiting seasonal patterns, frequently show pronounced diurnal rhythms as well.”
― Kay Redfield Jamison, quote from Touched with Fire: Manic-Depressive Illness and the Artistic Temperament
Bound by Flames
Noggin
After the Night
The Burn Journals
Moscow to the End of...
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