“One tribe moves out and one tribe stays. History broadens, and philosophy shifts, develops a rift, splits one population from the other . . . and a schism happens, minor or major. It’s the way humankind has always proliferated. We go over the next hill, live a few hundred years, change our languages to accommodate things we never saw before—and before we know it, our cousins think we have an accent. Or we think they have a strange attitude. And we don’t really understand our cousins any longer.”
― C.J. Cherryh, quote from Downbelow Station
“What the visual media could not carry into living rooms, the general public could not long remain exercised about.
Statistically, a majority of the electorate could not or did not read complicated issues;
no pictures, no news; no news, no event; no great sympathy on the part of the public nor sustained interest from the media: safe politics for the Company.”
― C.J. Cherryh, quote from Downbelow Station
“A bizarre hysteria, perhaps, that point which many reached here, when anger was all that mattered. It led to self-destruction.”
― C.J. Cherryh, quote from Downbelow Station
“Their minds were geared to the old problems and to their own problems and their own politics.”
― C.J. Cherryh, quote from Downbelow Station
“It was a scientific success, bringing back data enough to keep the analysts busy for years… but there was no glib, slick way to explain the full meaning of its observations in layman’s terms. In public relations the mission was a failure; the public, seeking to understand on their own terms, looked for material benefit, treasure, riches, dramatic findings.”
― C.J. Cherryh, quote from Downbelow Station
C.J. Cherryh
Born place: in St. Louis, Missouri, The United States
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“When she pulled the ribbon out of her mattress, at first light the next morning, it was brown.”
― Emma Donoghue, quote from Slammerkin
“The Dave Matthews Band’s “Crash into Me” played over the montage, not that the lyrics had anything to do with the images the song was played over but it was “haunting”, it was “moody”, it was “summing things up”, it gave the footage an “emotional resonance” that I guess we were incapable of capturing ourselves. At first my feelings were basically so what? But then I suggested other music: “Hurt” by Nine Inch Nails, but I was told that the rights were sky-high and that the song was “too ominous” for this sequence; Nada Surf’s “Popular” had “too many minor chords”, it didn’t fit the “mood of the piece,” it was – again – “too ominous.” When I told them I seriously did not think things could get any more fucking ominous than they already were, I was told, “Things get very much more ominous, Victor,” and then I was left alone.”
― Bret Easton Ellis, quote from Glamorama
“Terrible grabbed her as she rounded the corner, his lips curved in what would have been a grin on a normal person, which he wasn’t. On his scarred, shadowed face, the smile made him look like he was getting ready to bite.”
― Stacia Kane, quote from Unholy Ghosts
“You've used up all your school sick days," he said, persuing my file. "You've requested to leave school one hundred and thirty days out of the one hudred and forty days of school so far."
So thirty-one might be the magic number?"
Principal Reed and Raven”
― Ellen Schreiber, quote from Vampireville
“But we who live in prison, and in whose lives there is no event but sorrow, have to measure time by throbs of pain, and the record of bitter moments. We have nothing else to think of. Suffering ― curious as it may sound to you ― is the means by which we exist, because it is the only means by which we become conscious of existing; and the remembrance of suffering in the past is necessary to us as the warrant, the evidence, of our continued identity.”
― Oscar Wilde, quote from Complete Works of Oscar Wilde
Mermaid
The Complete Plays
Disruption
The Feast of Love
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