“When I die of heart failure the next time you frighten me like that, you can put that on my gravestone—‘I didn’t mean to startle her.”
― Patricia Briggs, quote from Masques
“It was unsettling to be in love with someone who looked like the face in her nightmares.”
― Patricia Briggs, quote from Masques
“Over the years, she'd learned not to question him too closely—mostly because he wouldn't answer her.”
― Patricia Briggs, quote from Masques
“[C]hildren were a much more difficult audience than adults because no on had yet had a chance to teach them that it was better to be polite than honest.”
― Patricia Briggs, quote from Masques
“The woods grew increasingly dense as Wolf walked farther from the castle. A hoot from an owl just overhead made Aralorn-the-mouse cringe tighter against his neck. “Lots of nasties in these woods,” she said in a mouselike voice devoid of all but a hint of humor.
“And I,” announced Wolf in a grim voice that was designed to let Aralorn know that it was time to be serious, “am the nastiest of all.”
“Are you really?” asked Aralorn in an interested sort of tone. “Oh, I just adore nasties.”
Wolf stopped and looked at the mouse sitting innocently on his shoulder. Most people cowered under that look. Aralorn began, industriously, to clean her whiskers. When Wolf started to walk again, though, she said in a stage whisper, “I really do, you know.”
― Patricia Briggs, quote from Masques
“The thought of herself as decoration was absurd.”
― Patricia Briggs, quote from Masques
Patricia Briggs
Born place: Butte, Montana, The United States
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“Love fails for a million reasons - distance, infidelity, pride, religion, money, illness. Why is this story any more worthy?
It felt like it was. It felt important. Living in this town is suffocating in so many ways.
But if a tree falls in the woods, maybe it makes no sound.
And if a boy falls for the bishop's closeted son, maybe it makes no story.”
― Christina Lauren, quote from Autoboyography
“Apoi, pe neasteptate, stiu ce are de facut. Se indrepta spre teancul de discuri si alese "Arta fugii". "Daca geniul lui nu-mi da curaj, gandi el, trebuie sa renunt imediat." Ramase pe scaun, nemiscat, ascultand cum Bach construia o lume, o popula, o organiza si, pana la urma, lupta impotriva ei si era distrus. Cand muzica se opri, intocmai cum se opreste omul la sosirea mortii, in mijlocul unei fraze, Doc isi regasise curajul. "Bach s-a luptat cu disperare, isi zise el, n-a fost invins. Daca ar mai fi trait, ar fi continuat sa lupte cu imposibilul. [....] "Ce inteleg prin a castiga?" Stiu. Pentru a castiga e suficient sa nu fii tu insuti invins." [....] Simti ca n-are de ce sa se mai teama. "La revedere, le spuse serpilor, urati-mi noroc".”
― John Steinbeck, quote from Sweet Thursday
“Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.”
― Pablo Neruda, quote from Residence on Earth
“I do not tell her about how much I look forward to going to the Wright barn. How those couple of hours in his studio feel like an escape, a refuge. Nor do I tell Rachel that I think Damian has the most beautiful hands I've ever seen, that he walks like a cat, that he has the clearest eyes, which seem able to see absolutely everything about me. That he seems to be the loneliest person I've ever met, and it breaks my heart. All of these things feel private. Precious. And I don't want to share them with Rachel. Not yet, anyway.”
― Lisa Ann Sandell, quote from A Map of the Known World
“Era quel nome... Marta.
Il suo nome era un sospiro, una preghiera, una supplica: sulle labbra di Fanny un bacio, su quelle di Henry un gemito, su quelle di Effie una benedizione di tale potenza che il suo intero essere era soffuso di amore e di desiderio... Marta.
Dopo mezzanotte lei percorreva il corridoio poco illuminato della casa di Crook Street. Quando passava sentivo sulla nuca il suo tocco leggero, ironico. Coglievo il suo profumo sulle tende, udivo il tono piacevolmente roco, la voce con la lieve inflessione dalla finestra aperta, mentre rideva dall'umida nebbia di Londra. La sognavo così come l'avevo vista la prima volta dalla fessura nel muro, un rosa ardente di carne cremisi, una Furia con i capelli in fiamme, che rideva attraverso il fuoco come una pazza o una dea...”
― Joanne Harris, quote from Sleep, Pale Sister
Flash Boys: A Wall S...
Pygmy
The Stories of Breec...
This Shattered World
What If?: Serious Sc...
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