“When I die of heart failure the next time you frighten me like that, you can put that on my gravestone—‘I didn’t mean to startle her.”
― Patricia Briggs, quote from Masques
“It was unsettling to be in love with someone who looked like the face in her nightmares.”
― Patricia Briggs, quote from Masques
“Over the years, she'd learned not to question him too closely—mostly because he wouldn't answer her.”
― Patricia Briggs, quote from Masques
“[C]hildren were a much more difficult audience than adults because no on had yet had a chance to teach them that it was better to be polite than honest.”
― Patricia Briggs, quote from Masques
“The woods grew increasingly dense as Wolf walked farther from the castle. A hoot from an owl just overhead made Aralorn-the-mouse cringe tighter against his neck. “Lots of nasties in these woods,” she said in a mouselike voice devoid of all but a hint of humor.
“And I,” announced Wolf in a grim voice that was designed to let Aralorn know that it was time to be serious, “am the nastiest of all.”
“Are you really?” asked Aralorn in an interested sort of tone. “Oh, I just adore nasties.”
Wolf stopped and looked at the mouse sitting innocently on his shoulder. Most people cowered under that look. Aralorn began, industriously, to clean her whiskers. When Wolf started to walk again, though, she said in a stage whisper, “I really do, you know.”
― Patricia Briggs, quote from Masques
“The thought of herself as decoration was absurd.”
― Patricia Briggs, quote from Masques
“You think he is marrying her for money?'
'Yes, I do. Don't you think so?'
'I should say quite certainly,' said Miss Marple. 'Like young Ellis who married Marion Bates, the rich ironmonger's daughter. She was a very plain girl and absolutely besotted about him. However, it turned out quite well. People like young Ellis and this Gerald Wright are only really disagreeable when they've married a poor girl for love. They are so annoyed with themselves for doing it that they take it out of the girl. But if they marry a rich girl they continue to respect her.”
― Agatha Christie, quote from A Pocket Full of Rye
“Whatever is deeply, essentially female--the life in a woman's expression, the feel of her flesh, the shape of her breasts, the transformations after childbirth of her skin--is being reclassified as ugly, and ugliness as disease. These qualities are about an intensification of female power, which explains why they are being recast as a diminution of power. At least a third of a woman's life is marked with aging; about a third of her body is made of fat. Both symbols are being transformed into operable condition--so that women will only feel healthy if we are two thirds of the women we could be. How can an "ideal" be about women if it is defined as how much of a female sexual characteristic does not exist on the woman's body, and how much of a female life does not show on her face?”
― Naomi Wolf, quote from The Beauty Myth
“The violation of the inner person is the greatest territorial crime of all.”
― George Orwell, quote from Keep the Aspidistra Flying
“He stepped forward and wrapped his arms around the small of my back, tugging me to his chest. I threw my arms around his shoulders, sliding my nails up and down his neck gently. “Stay with me. And with Nathaniel and Lauren. All day. Be happy today.”
“That’s it?”
He bent down and kissed me richly. “Each time I look at you, I want to see a smile on your beautiful face.”
“Will you be looking at me a lot?”
“I’m always stealing glances,” he confessed. “You rarely notice.”
― Courtney Allison Moulton, quote from Wings of the Wicked
“Do you really want me to show you how you're pushing me, Tessnia? What you do to me?”
― Jalpa Williby, quote from Chaysing Dreams
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