Russell Shorto · 384 pages
Rating: (6.6K votes)
“It was possible, as far as they knew, that the western shore, which in fifty years’ time would be christened New Jersey, was in fact the backdoor of China, that India, with its steamy profusion of gods and curries, lay just beyond those bluffs.”
― Russell Shorto, quote from The Island at the Center of the World: The Epic Story of Dutch Manhattan and the Forgotten Colony That Shaped America
“It was the Dutch of this era who invented the idea of the home as a personal, intimate space; one might say they invented coziness.”
― Russell Shorto, quote from The Island at the Center of the World: The Epic Story of Dutch Manhattan and the Forgotten Colony That Shaped America
“This book tells the story of that moment in time. It is a story of high adventure set during the age of exploration—when Francis Drake, Henry Hudson, and Captain John Smith were expanding the boundaries of the world, and Shakespeare, Rembrandt, Galileo, Descartes, Mercator, Vermeer, Harvey, and Bacon were revolutionizing human thought and expression.”
― Russell Shorto, quote from The Island at the Center of the World: The Epic Story of Dutch Manhattan and the Forgotten Colony That Shaped America
“Instead, power went to those who made things happen: businessmen and local magistrates. Over time, human nature being what it is, these men would create a kind of nobility, sometimes even buying titles from cash-poor foreigners, but this in itself underscores the point. Upward mobility was part of the Dutch character: if you worked hard and were smart, you rose in stature. Today that is a byword of a healthy society; in the seventeenth century it was weird.”
― Russell Shorto, quote from The Island at the Center of the World: The Epic Story of Dutch Manhattan and the Forgotten Colony That Shaped America
Russell Shorto
Born place: Johnstown, Pennsylvania, The United States
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“Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the fl esh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mer-cedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tier-garten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their fi rst year reached its end, an event occurred that proved to be one of the most signifi cant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.”
― Erik Larson, quote from In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
“And sometimes through the mirror blue
The knights come riding two and two.”
― Alfred Tennyson, quote from The Lady of Shalott
“Murder develops. Yes, like a photograph, isn't it?”
― Agatha Christie, quote from The Mirror Crack'd from Side to Side
“But even if you have what everyone else wants- if it isn't what you want, it isn't what you want”
― Tammara Webber, quote from Between the Lines
“To vilify a man is the readiest way in which a little man can himself attain greatness,”
― Marie Hall, quote from Her Mad Hatter
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