Quotes from Goat Mountain

David Vann ·  256 pages

Rating: (1.1K votes)


“Low branches, dead and snapping against us. On the lookout for rattlesnakes. But the path was short enough, and soon we were on a kind of terrace. Old lawn overgrown by grass and weed, old concrete cracked in discrete chunks, vast areas overrun. An enchanted place for me, and only for me, because I was too young to remember, and so in my mind this place could become more.”
― David Vann, quote from Goat Mountain


“That night longer than all my life before it. No scale or measure in this world can ever be held constant. We are always slipping.”
― David Vann, quote from Goat Mountain


“We're not supposed to touch the dead. This is why we make a comfortable afterlife for them, so they will not reach out. We hope to distract them, keep them busy. Burial is a hope.”
― David Vann, quote from Goat Mountain


“WE THINK OF CAIN AS THE ONE WHO KILLED HIS BROTHER, but who else was around to kill? They were the first two born. Cain killed what was available. The story has nothing to do with brothers.”
― David Vann, quote from Goat Mountain


“Yalnızca biz değil, bizden önceki herkes için de olduğu gibi, ıstırap çekmenin ve insan ömrünün bir simgesi olarak kendi haçını taşıyan İsa için de olduğu gibi, hayat tekrardan ibarettir. Tüm hikâyelerimizde bizler şu yeryüzünde bir ağırlığı sürükleyip taşırız. Buna Çile denir. İsa, kendimize acımamızın hikâyesidir.”
― David Vann, quote from Goat Mountain



About the author

David Vann
Born place: in Adak, Alaska, The United States
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“finalement, éperdu d'amour et au comble de la frénésie érotique, je m'assis dans l'herbe et j'enlevai un de mes souliers en caoutchouc.

— Je vais le manger pour toi, si tu veux. Si elle le voulait I Ha! Mais bien sûr qu'elle le voulait, voyons! C'était une vraie petite femme. --- Elle posa son cerceau par terre et s'assit sur ses ta-lons. Je crus voir dans ses yeux une lueur d'estime. Je n'en demandais pas plus. Je pris mon canif et enta-mai le caoutchouc. Elle me regardait faire.

— Tu vas le manger cru ?

— Oui.

J'avalai un morceau, puis un autre. Sous son regard enfin admiratif, je me sentais devenir vraiment un homme. Et j'avais raison. Je venais de faire mon apprentissage. J'entamai le caoutchouc encore plus profondément, soufflant un peu, entre les bouchées, et je continuai ainsi un bon moment, jusqu'à ce qu'une sueur froide me montât au front. Je continuai même un peu au-delà, serrant les dents, luttant contre la nausée, ramassant toutes mes forces pour demeurer sur le terrain, comme il me fallut le faire tant de fois, depuis, dans mon métier d'homme.

Je fus très malade, on me transporta à l'hôpital, ma mère sanglotait, Aniela hurlait, les filles de l'atelier geignaient, pendant qu'on me mettait sur un brancard dans l'ambulance. J'étais très fier de moi.

Mon amour d'enfant m'inspira vingt ans plus tard mon premier roman Éducation européenne, et aussi certains passages du Grand Vestiaire.

Pendant longtemps, à travers mes pérégrinations, j'ai transporté avec moi un soulier d'enfant en caoutchouc, entamé au couteau. J'avais vingt-cinq ans, puis trente, puis quarante, mais le soulier était toujours là, à portée de la main. J'étais toujours prêt à m'y attabler, à donner, une fois de plus, le meilleur de moi-même. Ça ne s'est pas trouvé. Finalement, j'ai abandonné le soulier quelque part derrière moi. On ne vit pas deux fois.
(La promesse de l'aube, ch. XI)”
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