“Once you let people know anything about what you think, that's it, you're dead. Then they'll be jumping about in your mind, taking things out, holding them up to the light and killing them, yes, killing them, because thoughts are supposed to stay and grow in quiet, dark places, like butterflies in cocoons.”
― Helen Oyeyemi, quote from The Icarus Girl
“Two hungry people should never make friends. If they do, they eat each other up. It is the same with one person who is hungry and another who is full: they cannot be real, real friends because the hungry one will eat the full one. You understand?”
― Helen Oyeyemi, quote from The Icarus Girl
“Would that be dangerous, to not look while being looked at?”
― Helen Oyeyemi, quote from The Icarus Girl
“Finally, he smiled, and although his smile was bumpy because some of his teeth were jagged and broken, it was a warming, infectious smile that was reflected in his eyes. It made her smile widely in return. She felt as if the room had been lit up. He held out his arms, and she went across the room to him, almost running. She buried her face in his shirt, her nose wrinkling up as the scent of his cologne mixed with the nutty, sourish smell of camphor that filled the room. He put his arms around her, but gently, so that there was space between his forearms and her back, holding her as if she was to fragile to hug properly. Awkwardly, he patted her light, bushy aureole of dark brown hair, repeating: "Good girl. Fine daughter.”
― Helen Oyeyemi, quote from The Icarus Girl
“She had a new bracelet on, stacked with emeralds brighter than her eyes. I hate rich people.”
― Helen Oyeyemi, quote from The Icarus Girl
“But Jess was sliding breathlessly down into the waiting sky, so she couldn't find the words to tell TillyTilly that sisters was something about being held without hands, and the skin-flinch of seeing and simultaneously being seen.”
― Helen Oyeyemi, quote from The Icarus Girl
“Didn’t she know that knowing why doesn’t make things any less scary?”
― Helen Oyeyemi, quote from The Icarus Girl
“What’s the matter, Jess? Why are you sad?’ And she’d have to explain that she wasn’t sad, just tired, though how she could be so tired in the middle of the day with the sun shining and everything, she didn’t know. It made her feel ashamed.”
― Helen Oyeyemi, quote from The Icarus Girl
“Once you let people know anything about what you think, that’s it, you’re dead. Then they’ll be jumping about in your mind, taking things out, holding them up to the light and killing them, yes, killing them, because thoughts are supposed to stay and grow in quiet, dark places, like butterflies in cocoons.”
― Helen Oyeyemi, quote from The Icarus Girl
Helen Oyeyemi
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“We have reached the point where ignorance and neglect are the best we can hope for in a ruler.”
― Lev Grossman, quote from The Magicians
“But in the end it comes down to a matter of respect, and the simplest way that respect is communicated is through tone of voice, and the most corsive tone of voice that a doctor can assume is a dominant tone. ”
― Malcolm Gladwell, quote from Blink: The Power of Thinking Without Thinking
“there's no need for algebra where two and two make five.”
― Thomas Wolfe, quote from Look Homeward, Angel
“Alf pondered his next move. On the one hand, the savages seemed to be responding reasonably well to “How.” On the other hand they really weren’t making much progress.
At least they’re not eating us, he thought.
Ten seconds went by, then twenty, as Alf looked at the older savage, and the older savage looked at Alf. Finally, out of sheer nervousness, and unable to think of what else to do, Alf raised his right hand again. But this time, just as Alf began to speak, the savage rotated his spear from the vertical to the horizontal, pointing it toward Alf’s chest. Alf stopped in mid “How,” staring at the sharp pink spear tip, inches from his heart.
And the savage spoke.
Poking his spear tip against Alf’s chest, he said: “Can we move this conversation along, old chap? I’m getting frightfully tired of “How.”
― Dave Barry, quote from Peter and the Starcatchers
“The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.”
― Dorothy Dunnett, quote from The Game of Kings
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