“You've always lived a life of pretense, not a real life-- a simulated existence, not a genuine existence. Everything about you, everything you are, has always been pretense, never genuine, never real.”
― Thomas Bernhard, quote from Woodcutters
“Träume und Märchen waren ihr eigentlicher Lebensinhalt, dachte ich jetzt. Deshalb hat sie sich auch umgebracht, dachte ich, weil ein Mensch, der nur Träume und Märchen sich zu seinem Lebensinhalt gemacht hat, in dieser Welt nicht überleben kann, nicht überleben darf, dachte ich.”
― Thomas Bernhard, quote from Woodcutters
“In die Natur hineingehen und in dieser Natur ein- und ausatmen und in dieser Natur nichts als tatsächlich und für immer Zuhause zu sein, das empfände er als das höchste Glück. In den Wald gehen, tief in den Wald hinein, sagte der Burgschauspieler, sich gänzlich dem Wald überlassen, das ist es immer gewesen, der Gedanke, nichts anderes, als selbst Natur zu sein.”
― Thomas Bernhard, quote from Woodcutters
“Her mother, an unshapely, chubby-cheeked creature from the rural gentry of Styria, permanently lost her hair at the age of forty after being treated for influenza by her husband, and prematurely withdrew from society. She and her husband were able to live in the Gentzgasse thanks to her mother's fortune, which derived from the family estates in Styria and then devolved upon her. She provided for everything, since her husband earned nothing as a doctor. He was a socialite, what is known as a beau, who went to all the big Viennese balls during the carnival season and throughout his life was able to conceal his stupidity behind a pleasingly slim exterior. Throughout her life Auersberger's mother-in-law had a raw deal from her husband, but was content to accept her modest social station, not that of a member of the nobility, but one that was thoroughly petit bourgeois. Her son-in-law, as I suddenly recalled, sitting in the wing chair, made a point of hiding her wig from time to time--whenever the mood took him--both in the Gentzgasse and at the Maria Zaal in Styria, so that the poor woman was unable to leave the house. It used to amuse him, after he had hidden her wig, to drive his mother-in-law up the wall, as they say. Even when he was going on forty he used to hide her wigs--by that time she has provided herself with several--which was a symptom of his sickness and infantility. I often witnessed this game of hide-and-seek at Maria Zaal and in the Gentzgasse, and I honestly have to say that I was amused by it and did not feel in the least bit ashamed of myself. His mother-in-law would be forced to stay at home because her son-in-law had hidden her wigs, and this was especially likely to happen on public holidays. In the end he would throw the wig in her face. He needed his mother-in-law's humiliation, I reflected, sitting in the wing chair and observing him in the background of the music room, just as he needed the triumph that this diabolical behavior brought him.”
― Thomas Bernhard, quote from Woodcutters
“If we cannot become what we want to become, we resort to another person—inevitably the person closest to us—and make of him what we have been unable to make of ourselves”
― Thomas Bernhard, quote from Woodcutters
“Тако смо блиски с људима да помислимо како је то веза за цео живот, а онда их одједном, преко ноћи, изгубимо што из вида, што из сећања, то је жива истина, помислих у бержери.”
― Thomas Bernhard, quote from Woodcutters
“The forest, the virgin forest, the life of a woodcutter—that has always been my ideal.”
― Thomas Bernhard, quote from Woodcutters
“In Kilb hatten diese künstlerischen Menschen einen grotesken Eindruck gemacht, wenigstens auf mich wirkten sie wie von ihren künstlerischen Vorhaben und von ihrer künstlerischen Tätigkeit verunstaltet, sie hatten einen künstlichen Gang, und sie hatten eine künstliche Stimme, alles an ihnen war künstlich, während ich den Friedhof als das Natürlichste von der Welt empfunden habe. Beugten sie sich vor, beugten sie sich zu weit vor, standen sie auf, standen sie zu früh (oder zu spät) auf, setzen sie nieder, setzen sie zu spät (oder zu früh) nieder, fingen sie an, zu singen, sangen sie zu früh (oder zu spät), nahmen sie ihre Kopfbedeckungen vom Kopf, nahmen sie sie zu früh (oder zu spät) vom Kopf, hatten sie etwas zum Pfarrer gesagt, hatten sie es zu früh (oder zu spät) gesagt. Während die Kilber Bevölkerung, die, wie gesagt wird, sehr zahlreich zum Begräbnis der Joana gekoomen war, alles natürlich gemacht hat, alles natürlich gesagt hat, alles natürlich gesungen hat, immer natürlich gegangen ist und natürlich aufgestanden und natürlich hingestezt hat und immer alles weder zu spät, noch zu früh, noch zu kurz, noch zu lang. Und während die künstlerischen Leute aus Wien auf die grotesk-lächerliche Weise zu diesem Begräbnis angezogen waren, war din Kilber Bevölkerung ganz und gar richtig dazu angezogen, dachte ich auf dem Ohrensessel.”
― Thomas Bernhard, quote from Woodcutters
“We may know for decades that someone close to us is a ridiculous person, but it’s only after a lapse of decades that we suddenly see it.”
― Thomas Bernhard, quote from Woodcutters
“For a long time we see only one side of a person’s personality, because for reasons of self-preservation we do not wish to see any other, I thought, then suddenly we see all sides of their personality and are disgusted by them, I thought.”
― Thomas Bernhard, quote from Woodcutters
“I always make the mistake of not asking the hosts who else is being invited, I thought.”
― Thomas Bernhard, quote from Woodcutters
“insanlarla en içten biçimde arkadaş oluyor ve bunun gerçekten ömür boyu süreceğine inanıyor ve günün birinde bu her şeyden çok taktir ettiğimiz, hayranlık duyduğumuz, hatta sevdiğimiz insanlar tarafından hayal kırıklığına uğratılıyor ve onlardan tiksiniyoruz ve onlardan nefret ediyoruz ve onlarla hiçbir ilişkimiz kalsın istemiyoruz, diye düşündüm berjer koltukta, tıpkı eskiden duyduğumuz eğilim ve sevgi gibi, nefretimizle de onları ömür boyu istemediğimiz için onları tamamen kafamızdan siliyoruz.”
― Thomas Bernhard, quote from Woodcutters
Thomas Bernhard
Born place: in Heerlen, Netherlands
Born date February 9, 1931
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“The thought of killing myself had slowed me down to five miles per hour. The thought of killing someone else stopped me completely.”
― David Sedaris, quote from Naked
“The righteous ones are always exhausting to have around.”
― Alexandra Adornetto, quote from Hades
“Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain.”
― Jim Butcher, quote from Fool Moon
“A medicine cat has no time for doubt. Put your energy into today and stop worrying about the past.”
― Erin Hunter, quote from Rising Storm
“I felt a warm hand on the skin of my lower back.”
I twisted my neck, looked up and there he was.
I held my breath and he asked, “You comin’ or what?”
That was it. That was his pickup line. “You comin’ or what?”
I went.”
― Kristen Ashley, quote from Mystery Man
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