“He was persuaded he could know no happiness but in the society of one with whom he could for ever indulge the melancholy that had taken possession of his soul.”
― Horace Walpole, quote from The Castle of Otranto
“I can forgive injuries, but never benefits.”
― Horace Walpole, quote from The Castle of Otranto
“But alas! my Lord, what is blood! what is nobility! We are all reptiles, miserable, sinful creatures. It is piety alone that can distinguish us from the dust whence we sprung, and whither we must return.”
― Horace Walpole, quote from The Castle of Otranto
“There is no bombast, no similes, flowers, digressions, or unnecessary descriptions. Everything tends directly to the catastrophe.”
― Horace Walpole, quote from The Castle of Otranto
“The gentle maid, whose hapless tale,
these melancholy pages speak;
say, gracious lady, shall she fail
To draw the tear a down from thy cheek?”
― Horace Walpole, quote from The Castle of Otranto
“I fear no bad angel, and have offended no good one.”
― Horace Walpole, quote from The Castle of Otranto
“A bystander often sees more of the game than those that play”
― Horace Walpole, quote from The Castle of Otranto
“It is natural for a translator to be prejudiced in favour of his adopted work. More impartial readers may not be so much struck with the beauties of this piece as I was. Yet I am not blind to my author's defects.”
― Horace Walpole, quote from The Castle of Otranto
“Manfred, Prince of Otranto, had one son and one daughter: the latter, a most beautiful virgin, aged eighteen, was called Matilda. Conrad, the son, was three years younger, a homely youth, sickly, and of no promising disposition; yet he was the darling of his father, who never showed any symptoms of affection to Matilda. Manfred had contracted a marriage for his son with the Marquis of Vicenza’s daughter, Isabella; and she had already been delivered by her guardians into the hands of Manfred, that he might celebrate the wedding as soon as Conrad’s infirm state of health would permit.”
― Horace Walpole, quote from The Castle of Otranto
“Heaven mocks the short-sighted views of man.”
― Horace Walpole, quote from The Castle of Otranto
“Manfred, Prince of Otranto, had one son and one daughter: the latter, a most beautiful virgin, aged eighteen, was called Matilda. Conrad, the son, was three years younger, a homely youth, sickly, and of no promising disposition”
― Horace Walpole, quote from The Castle of Otranto
“This life is but a pilgrimage.”
― Horace Walpole, quote from The Castle of Otranto
“I desired you once before,” said Manfred angrily, “not to name that woman: from this hour she must be a stranger to you, as she must be to me. In short, Isabella, since I cannot give you my son, I offer you myself.”
― Horace Walpole, quote from The Castle of Otranto
“This is a bad world; nor have I had cause to leave it with regret.”
― Horace Walpole, quote from The Castle of Otranto
“I come," replied he, "to thee, Manfred, usurper of the principality of Otranto, from the renowned and invincible Knight, the Knight of the Gigantic Sabre: in the name of his Lord, Frederic, Marquis of Vicenza, he demands the Lady Isabella, daughter of that Prince, whom thou hast basely and traitorously got into thy power, by bribing her false guardians during his absence; and he requires thee to resign the principality of Otranto, which thou hast usurped from the said Lord Frederic, the nearest of blood to the last rightful Lord, Alfonso the Good. If thou dost not instantly comply with these just demands, he defies thee to single combat to the last extremity.”
― Horace Walpole, quote from The Castle of Otranto
“My veracity is dearer to me than my life," said the peasant; "nor would I purchase the one by forfeiting the other.”
― Horace Walpole, quote from The Castle of Otranto
“Deus ex machina not only erases all meaning and emotion, it's an insult to the audience. Each of us knows we must choose and act, for better or worse, to determine the meaning of our lives...Deus ex machina is an insult because it is a lie.”
― Robert McKee, quote from Story: Substance, Structure, Style, and the Principles of Screenwriting
“People can't anticipate how much they'll miss the natural world until they are deprived of it. I have read about submarine crewmen who haunt the sonar room, listening to whale songs and colonies of snapping shrimp. Submarine captains dispense 'periscope liberty'- a chance to gaze at clouds and birds and coastlines and remind themselves that the natural world still exists. I once met a man who told me that after landing in Christchurch, New Zealand, after a winter at the South Pole research station, he and his companions spent a couple days just wandering around staring in awe at flowers and trees. At one point, one of them spotted a woman pushing a stroller. 'A baby!' he shouted, and they all rushed across the street to see. The woman turned the stroller and ran.”
― Mary Roach, quote from Packing for Mars: The Curious Science of Life in the Void
“L'amor che move il sole e l'altre stelle.”
― Dante Alighieri, quote from La Divina Comedia
“The development of inner skills is required, but it is interesting to note that if, while learning tennis, you begin to learn how to focus your attention and how to trust in yourself, you have learned something far more valuable than how to hit a forceful backhand. The backhand can be used to advantage only on a tennis court, but the skill of mastering the art of effortless concentration is invaluable in whatever you set your mind to.”
― W. Timothy Gallwey, quote from The Inner Game of Tennis: The Classic Guide to the Mental Side of Peak Performance
“If you talk to these extraordinary people, you find that they all understand this at one level or another. They may be unfamiliar with the concept of cognitive adaptability, but they seldom buy into the idea that they have reached the peak of their fields because they were the lucky winners of some genetic lottery. They know what is required to develop the extraordinary skills that they possess because they have experienced it firsthand. One of my favorite testimonies on this topic came from Ray Allen, a ten-time All-Star in the National Basketball Association and the greatest three-point shooter in the history of that league. Some years back, ESPN columnist Jackie MacMullan wrote an article about Allen as he was approaching his record for most three-point shots made. In talking with Allen for that story, MacMullan mentioned that another basketball commentator had said that Allen was born with a shooting touch—in other words, an innate gift for three-pointers. Allen did not agree. “I’ve argued this with a lot of people in my life,” he told MacMullan. “When people say God blessed me with a beautiful jump shot, it really pisses me off. I tell those people, ‘Don’t undermine the work I’ve put in every day.’ Not some days. Every day. Ask anyone who has been on a team with me who shoots the most. Go back to Seattle and Milwaukee, and ask them. The answer is me.” And, indeed, as MacMullan noted, if you talk to Allen’s high school basketball coach you will find that Allen’s jump shot was not noticeably better than his teammates’ jump shots back then; in fact, it was poor. But Allen took control, and over time, with hard work and dedication, he transformed his jump shot into one so graceful and natural that people assumed he was born with it. He took advantage of his gift—his real gift. ABOUT”
― K. Anders Ericsson, quote from Peak: Secrets from the New Science of Expertise
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