Richard Brinsley Sheridan · 91 pages
Rating: (5K votes)
“Tale-bearers are as bad as the tale-makers.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“The heart that is conscious of its own integrity is ever slow to credit another´s treachery.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“To pity, without the power to relieve, is still more painful than to ask and be denied.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“If to raise malicious smiles at the infirmities or misfortunes of those who have never injured us be the province of wit or humour, Heaven grant me a double portion of dullness.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“... if Charles is undone, he'll find half his acquaintance ruined too, and that, you know, is a consolation.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“-'tis an old observation, and a very true one; but what's to be done, as I said before? how will you prevent people from talking?...”
― Richard Brinsley Sheridan, quote from The School for Scandal
“Alas! the devil's sooner raised than laid.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“There was no feeling of dedication because it was absolutely involuntary. I do not doubt that if the Marines had asked for volunteers for an impossible campaign such as Guadalcanal, almost everyone now fighting would have stepped forward. But that is sacrifice; that is voluntary. Being expended robs you of the exultation, the self-abnegation, the absolute freedom of self-sacrifice. Being puts one in the role of victim rather than sacrificer, and there is always something begrudging in this. I doubt if Isaac would have accepted the knife of his father, Abraham, entirely without reproach; yet, for the same master, he would have gladly gone to his death a thousand times. The world is full of the sacrifice of heroes and martyrs, but there was only one Victim.”
― Robert Leckie, quote from Helmet for My Pillow
“And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch
And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane.
On the other side, Parker lifts his hand and mouths:
“Hi.”
I mouth “Hi” back.
He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page.
. . . and strange . . .
I lift an eyebrow.
. . . but please hear read me out.
He flips to the next page.
I know I told you I never lied . . .
. . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar.
I lied.
I lied to myself . . .
. . . and to you.
Parker watches as I read. Our eyes meet, and he flips the page.
But only because I had to.
I wasn’t supposed to fall in love with you, Jaden . . .
. . . but it happened anyway.
I clear my throat, and swallow hard, but it’s squeezed shut again, tight.
And it gets worse.
Not only am I a liar . . .
I’m selfish.
Selfish enough to want it all.
And I know if I don’t have you . . .
I hold my breath, waiting.
. . . I don’t have anything.
He turns another page, and I read:
I’m not Parker . . .
. . . and I’m not going to give up . . .
. . . until I can prove to you . . .
. . . that you are the only thing that matters. He flips to the next page.
So keep sending me away . . .
. . . but I’ll just keep coming back to you. Again . . .
He flips to the next page.
. . . and again . . .
And the next:
. . . and again.
Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly.
And if you can ever find it in your (heart) to forgive me . . .
There’s a big, black “heart” symbol where the word should be.
I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart.
I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close.
“You know you’re beautiful? Even when you cry?”
He smiles, holding my face in his hands, smearing the tears away with his thumbs.
I breathe in, lungs shuddering.
“I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.”
“Doesn’t make it right.”
“Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.”
― Katie Klein, quote from Cross My Heart
“Popularity was fickle and elusive, like trying to catch fireflies in a jar. You were either born with it or relegated to wallflower status according to your mysterious and unknowable workings of the universe.”
― Melissa de la Cruz, quote from Keys to the Repository
“I'd learned balance is internal; that there really wasn’t one set formula for how to live your life nor how to handle the wife-mother-businesswoman juggling act. Maybe it was just being tuned in to every role and knowing when one or the other needed to be the focus.”
― Kaira Rouda, quote from Here, Home, Hope
“All men are born free: just not for long.”
― John le Carré, quote from A Murder of Quality
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