Richard Brinsley Sheridan · 91 pages
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“Tale-bearers are as bad as the tale-makers.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“The heart that is conscious of its own integrity is ever slow to credit another´s treachery.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“To pity, without the power to relieve, is still more painful than to ask and be denied.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“If to raise malicious smiles at the infirmities or misfortunes of those who have never injured us be the province of wit or humour, Heaven grant me a double portion of dullness.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“... if Charles is undone, he'll find half his acquaintance ruined too, and that, you know, is a consolation.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“-'tis an old observation, and a very true one; but what's to be done, as I said before? how will you prevent people from talking?...”
― Richard Brinsley Sheridan, quote from The School for Scandal
“Alas! the devil's sooner raised than laid.”
― Richard Brinsley Sheridan, quote from The School for Scandal
“–Levántate y date una ducha, cabrón.
–¿Qué pasa?
–A mí no me vengas con qué pasa. Anoche fumaste marihuana.
–Pero no era nada buena, de todos modos –dije, y me fui al baño.”
― William S. Burroughs, quote from And the Hippos Were Boiled in Their Tanks
“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.”
― Roland Barthes, quote from Mythologies
“you can’t control what others think. The only thing you can control is yourself. Some people will look down on you for your choices in life, no matter what they are. You can’t do anything about that. The only thing you can do is decide how to live your own life. And to hell with everybody else.”
― Marie Sexton, quote from Promises
“Truth and trust are the means by which civilization holds off barbarism.”
― Mercedes Lackey, quote from Alta
“David's was the first face I saw when I woke up from the surgery to sew up my leg." Eve made a face. "It was like a bad rerun. His face is always the first one I see when I wake up from an attack by a homicidal lunatic.”
― Karen Rose, quote from I Can See You
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