“If you are allergic to a thing, it is best not to put that thing in your mouth, particularly if the thing is cats.”
― Lemony Snicket, quote from The Wide Window
“For some stories, it's easy. The moral of 'The Three Bears,' for instance, is "Never break into someone else's house.' The moral of 'Snow White' is 'Never eat apples.' The moral of World War I is 'Never assassinate Archduke Ferdinand.”
― Lemony Snicket, quote from The Wide Window
“Stealing, of course, is a crime, and a very impolite thing to do. But like most impolite things, it is excusable under certain circumstances. Stealing is not excusable if, for instance, you are in a museum and you decide that a certain painting would look better in your house, and you simply grab the painting and take it there. But if you were very, very hungry, and you had no way of obtaining money, it would be excusable to grab the painting, take it to your house, and eat it.”
― Lemony Snicket, quote from The Wide Window
“There are few sights sadder than a ruined book.”
― Lemony Snicket, quote from The Wide Window
“Just because something is typed-whether it is typed on a business card or typed in a newspaper or book-this does not mean that it is true.”
― Lemony Snicket, quote from The Wide Window
“Tears are curious things, for like earthquakes or puppet shows, they can occur at any time, without any warning and without any good reason.”
― Lemony Snicket, quote from The Wide Window
“Grammar is the greatest joy in life, don't you find?”
― Lemony Snicket, quote from The Wide Window
“Frustration is an interesting emotional state, because it tends to bring out the worst in whoever is frustrated.”
― Lemony Snicket, quote from The Wide Window
“It dawned on them that unlike Aunt Josephine, who had lived up in that house, sad and alone, the three children had one another for comfort and support over the course of their miserable lives. And while this did not make them feel entirely safe, or entirely happy, it made them feel appreciative.
They leaned up against one another appreciatively, and small smiles appeared on their damp and anxious faces. They had each other. I'm not sure that "The Beaudelaires had each other" is the moral of this story, but to the three siblings it was enough. To have each other in the midst of their unfortunate lives felt like having a sailboat in the middle of a hurricane, and to the Beaudelaire orphans this felt very fortunate indeed.”
― Lemony Snicket, quote from The Wide Window
“It is very easy to say that the important thing is to try your best, but if you are in real trouble the most important thing is not trying your best, but getting to safety.”
― Lemony Snicket, quote from The Wide Window
“...she was so afraid of everything that she made it impossible to really enjoy anything at all.”
― Lemony Snicket, quote from The Wide Window
“Count Olaf certainly does sound evil. Imagine forcing children to stand near a stove!”
― Lemony Snicket, quote from The Wide Window
“The only thing he cares about.”
― Lemony Snicket, quote from The Wide Window
“If you were upset about an ugly pimple on the end of your nose, you might try to feel better by keeping your pimple in perspective. You might compare your pimple situation to that of someone who was being eaten by a bear, and when you looked in the mirror at your ugly pimple, you could say to yourself, 'Well, at least I'm not being eaten by a bear.”
― Lemony Snicket, quote from The Wide Window
“Frustration is an interesting emotional state, because it tends to bring out the worst in whoever is frustrated. Frustrated babies tend to throw food and make a mess. Frustrated citizens tend to execute kings and queens and make a democracy. And frustrated moths tend to bang up against lightbulbs and make light fixtures all dusty.”
― Lemony Snicket, quote from The Wide Window
“There are two kinds of fears; rational and irrational - or, in simple terms, fears that make sense and fears that don't. For instance, the Baudelaire orphans have a fear of Count Olaf, which makes perfect sense, because he is an evil man who wants to destroy them. But if they were afraid of lemon meringue pie, this would be an irrational fear, because lemon meringue pie is delicious and has never hurt a soul. Being afraid of a monster under the bed is perfectly rational, because there may in fact be a monster under your bed at any time, ready to eat you all up, but a fear of realtors is an irrational fear. Realtors, as I'm sure you know, are people who assist in the buying and selling of houses. Besides occasionally wearing an ugly yellow coat, the worst a realtor can do to you is show you a house that you find ugly, and so it is completely irrational to be terrified of them.”
― Lemony Snicket, quote from The Wide Window
“For Beatrice- I would much prefer it if you were alive and well.”
― Lemony Snicket, quote from The Wide Window
“Business cards, of course, are not proof of anything. Anyone can go to a print shop and have cards made that say anything they like. The king of Denmark can order business cards that say he sells golf balls. Your dentist can order business cards that say she is your grandmother. In order to escape from the castle of an enemy of mine, I once had cards printed that said I was an admiral in the French navy. Just because something is typed - whether it is typed on a business card or typed in a newspaper or book - this does not mean it is true.”
― Lemony Snicket, quote from The Wide Window
“But even if they could go home it would be difficult for me to tell you what the moral of the story is. In some stories, it's easy. The moral of 'The Three Bears', for instance, is "Never break into someone else's house". The moral of 'Snow White' is "Never eat apples". The moral of World War One is "Never assassinate Archduke Ferdinand.”
― Lemony Snicket, quote from The Wide Window
“There are few sights sadder than a ruined book, but Klaus had no time to be sad.”
― Lemony Snicket, quote from The Wide Window
“Their adventure would be exciting and memorable lie being chased by a werewolf through a field of thorny bushes at midnight with nobody around to help you.”
― Lemony Snicket, quote from The Wide Window
“As I’m sure you know, to be in one’s own room, in one’s own bed, can often make a bleak situation a little better.”
― Lemony Snicket, quote from The Wide Window
“For although Violet, Klaus, and Sunny Baudelaire were about to experience events that would be both exciting and memorable, they would not be exciting and memorable like having your fortune told or going to a rodeo. Their adventure would be exciting and memorable like being chased by a werewolf through a field of thorny bushes at midnight with nobody around to help you.”
― Lemony Snicket, quote from The Wide Window
“Never trust anyone without a book.”
― Lemony Snicket, quote from The Wide Window
“Yes,' she said, in a faraway voice, 'he was my husband, but he was much more than that. He was my best friend, my partner in grammar, and the only person I knew who could whistle with crackers in his mouth.”
― Lemony Snicket, quote from The Wide Window
“But you can't invent things like time,' Violet said. 'You can invent things like automatic popcorn poppers. You can invent things like steam-powered window waster. But you can't invent more time.”
― Lemony Snicket, quote from The Wide Window
“I will thank you not to be impertinent," said Aunt Josephine, using a word which here means "pointing out that I'm wrong, which annoys me".”
― Lemony Snicket, quote from The Wide Window
“There are men and women who are experts in the field of handwriting analysis. They are called graphologists, and they attend graphological schools in order to get their degrees in graphology. You might think that this situation would call for a graphologist, but there are time when an expert's opinion in unnecessary. For instance, if a friend of yours brought you her pet dog, and said she was concerned because it wasn't laying eggs, you would not have to be a veterinarian to tell her that dogs do not lay eggs and so there was nothing to worry about.”
― Lemony Snicket, quote from The Wide Window
“I have seen many amazing things in my long and troubled life history. I have seen a series of corridors built entirely out of human skulls. I have seen a volcano erupt and send a wall of lava crawling towards a small village. I have seen a women I loved picked up by an enormous eagle and flown to its high mountain next. But I still cannot imagine what it was like to watch Aunt Josephine's house topple into Lake Lachrymose.”
― Lemony Snicket, quote from The Wide Window
“The good people who are publishing this book have a concern that they have expressed to me. The concern is that readers like yourself will read my history of the Baudelaire orphans and attempt to imitate some of the things they do. So at this point in the story, in order to mollify the publishers - the word 'mollify' here means 'get them to stop tearing their hair out in worry' - please allow me to give you a piece of advice, even though I don't know anything about you. The piece of advice is as follows: If you ever need to get to Curdled Cave in a hurry, do not, under any circumstances, steal a boat and attempt to sail across Lake Lachrymose during a hurricane, because it is very dangerous and the chance of your survival are practically zero.”
― Lemony Snicket, quote from The Wide Window
“It's never too late to come home," he said, and pulled me gently, insistently toward him."All you have to do...is stop moving away.”
― Joanne Harris, quote from Five Quarters of the Orange
“Lebedeva’s eyes shone. “Masha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy, and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied.”
― Catherynne M. Valente, quote from Deathless
“Equally disagreeable is the man who, when leaving in the middle of the night, takes care to fasten the cord of his headdress. This is quite unnecessary; he could perfectly well put it gently on his head without tying the cord. And why must he spend time adjusting his cloak or hunting costume? Does he really think that someone may see him at this time of night and criticize him for not being impeccably dressed?
A good lover will behave as elegantly at dawn as at any other time. He drags himself out of bed with a look of dismay on his face. The lady urges him on: “Come, my friend, it’s getting light. You don’t want anyone to find you here.” He gives a deep sigh, as if to say that the night has not been nearly long enough and that it is agony to leave. Once up, he does not instantly pull on his trousers. Instead, he comes close to the lady and whispers whatever was left unsaid during the night. Even when he is dressed, he still lingers, vaguely pretending to be fastening his sash.
Presently he raises the lattice, and the two lovers stand together by the side door while he tells her how he dreads the coming day, which will keep them apart; then he slips away. The lady watches him go, and this moment of parting will remain among her most charming memories.
Indeed, one’s attachment to a man depends largely on the elegance of his leave-taking. When he jumps out of bed, scurries about the room, tightly fastens his trouser-sash, rolls up the sleeves of his Court cloak, over-robe, or hunting costume, stuffs his belongings into the breast of his robe and then briskly secures the outer sash—one really begins to hate him.”
― Sei Shōnagon, quote from The Pillow Book
“Carmen was bad at loving. She loved too hard.”
― Ann Brashares, quote from The Second Summer of the Sisterhood
“This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book.
"It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest.
It's the boy from my dreams.
The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life.
I scold my heart to settle,but it doesn't obey.
I admonish myself to sit,to act normal, casual-and I just barely succeed.
Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade.
"You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it.
I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother.
I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me.
He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?"
I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too.
He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-"
"The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain.
Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people?
I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.”
― Alyson Noel, quote from Fated
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