“Bloodlines and last names didn't make a man extraordinary — the extraordinary existed in what we did in life, not in who we were.”
― Courtney Alameda, quote from Shutter
“We are not defined by our lack of fear—Dad had said, smiling as Ethan let our four-year-old brother tackle him—but rather by what we choose to do when facing the nightmare.”
― Courtney Alameda, quote from Shutter
“We are not defined by our lack of fear but rather by what we choose to do when facing the nightmare.”
― Courtney Alameda, quote from Shutter
“Fortune favors the bold," he said. "But she'll only fall for a bloke who's got an ace up his sleeve.”
― Courtney Alameda, quote from Shutter
“My people are condemned to wander this eternal twilight”
― Courtney Alameda, quote from Shutter
“The problem with a cross is - It fails the unbeliever.”
― Courtney Alameda, quote from Shutter
“Unlike Dad, she'd always known just the right things to say, and her words felt like bandages or spurs or even ledges, instead of Dad's bullets and knives and nooses.”
― Courtney Alameda, quote from Shutter
Courtney Alameda
Born place: The United States
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“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
“Maybe part of find what you wanted was recognizing what you didn't want. Maybe there was hope for me yet.”
― Claire Cook, quote from Must Love Dogs
“You're kind, someone is going to hurt you really bad someday.”
― Andra Brynn, quote from Where I End and You Begin
“The disabilities of the people who came to him were established so young, in such delicate years, that their tender agonies were, by the time they arrived in his office, thickened into a stunned arrangement of expressions, deflections, and shrewd manipulations. No,”
― Elizabeth Strout, quote from Amy and Isabelle
“When is truth pleasing? It is only when we clothe it's nakedness with rags of imagination, or sweeten it with fiction, that it can please.”
― H. Rider Haggard, quote from Dawn
The Life of Samuel J...
Cage of Stars
To Beguile a Beast
The Death of Artemio...
Stranger than Fictio...
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