Quotes from The Palace of Illusions

“Love comes like lightning, and disappears the same way. If you are lucky, it strikes you right. If not, you'll spend your life yearning for a man you can't have.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“I am buoyant and expansive and uncontainable--but I always was so, only I never knew it!”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Can't you ever be serious?' I said, mortified.
'It's difficult,' he said. 'There's so little in life that's worth it.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Your childhood hunger is the one that never leaves you.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“There was an unexpected freedom in
finding out that one wasn't as important as one had always assumed!”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Because ultimately only the witness -- and not the actors -- knows the truth (Vyasa to Draupadi)”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“The heart itself is beyond control. That is its power, and its weakness.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Expectations are like hidden rocks in your path—all they do is trip you up.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“For men, the softer emotions are always intertwined with power and pride. That was why Karna waited for me to plead with him though he could have stopped my suffering with a single world. That was why he turned on me when I refused to ask for his pity. That was why he incited Dussasan to an action that was against the code of honor by which he lived his life. He knew he would regret it—in his fierce smile there had already been a glint of pain.

But was a woman's heart any purer, in the end?

That was the final truth I learned. All this time I'd thought myself better than my father, better than all those men who inflicted harm on a thousand innocents in order to punish the one man who had wronged them. I'd thought myself above the cravings that drove him. But I, too, was tainted with them, vengeance encoded into my blood. When the moment came I couldn't resist it, no more than a dog can resist chewing a bone that, splintering, makes his mouth bleed.

Already I was storing these lessons inside me. I would use them over the long years of exile to gain what I wanted, no matter what its price.

But Krishna, the slippery one, the one who had offered me a different solace, Krishna with his disappointed eyes—what was the lesson he'd tried to teach?”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“She who sows vengeance must reap its bloody fruit.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Aren't we all pawns in the hands of time, the greatest player of them all?”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“...this time I didn't launch into my usual tirade. Was it a memory of Krishna, the cool silence with which he countered disagreement, that stopped me? I saw something I hadn't realized before: words wasted energy.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Above us our palace waits, the only one I've ever needed. Its walls are space, its floor is sky, its center everywhere. We rise; the shapes cluster around us in welcome, dissolving and forming again like fireflies in a summer evening.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“I saw something I hadn't realized before: words wasted energy. I would use my strength instead to nurture my belief that my life would unfurl uniquely.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Wisdom that isn't distilled in our own crucible can't help us.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“A situation in itself,” he said, “is neither happy nor unhappy. It’s only your response to it that causes your sorrow.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“I tried to hold on to this compassion, sensing its preciousness, but even as I reached to grasp it, it dissipated into wisps. No revelation can endure unless it is bolstered by a calm pure mind- and I'm afraid I didn't possess that.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“A problem becomes a problem only if you believe it to be so. And often others see you as you see yourself.” I”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“time is the great eraser, both of sorrow and of joy.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“You could also call it waking,' Krishna continues. 'Or intermission, as one scene in a play ends and the next hasn't yet begun.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“we cannot force ourselves to love—or to withhold it. At best, we can curb our actions. The heart itself is beyond control. That is its power, and its weakness.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Isn’t that what truth is? The force of a person’s believing seeps into those around him—into the very earth and air and water—until there’s nothing else.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Doesn’t the imagination always exaggerate—or diminish—truth?”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“I broke the first rule, the unwritten one, meant not just for warriors but all of us: I took love and used it as a balm to soothe my ego.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“But truth, when it’s being lived, is less glamorous than our imaginings.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Can our actions change our destiny? Or are they like sand piled against the breakage in a dam, merely delaying the inevitable?”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“I thought that if lokas existed at all, good women would surely go to one where men were not allowed so that they could be finally free of male demands.”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Ii would no longer waste time on regret. I would turn my face to the future and carve it into the shape I wanted. - Panchali”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“Distance is a great promoter of harmony:”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

“The power of a man is like a bull’s charge, while the power of a woman moves aslant, like a serpent seeking its prey. Know the particular properties of your power. Unless you use it correctly, it won’t get you what you want.” His words perplexed me. Wasn’t power singular and simple? In the world that I knew, men just happened to have more of it. (I hoped to change this.)”
― Chitra Banerjee Divakaruni, quote from The Palace of Illusions

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Popular quotes

“Wayside school is falling down, falling down, falling down,
Wayside school is falling down my fair lady.

Kids go splat as they hit the ground, hit the ground, hit the ground,
Kids go splat as the hit the ground my fair lady
.
Broken bones and blood and gore, blood and gore, blood and gore,
Broken bones and blood and gore my fair lady.

We don't have to go to school no more, school no more, school no more,
We don't have to go to school no more my fair lady.”
― Louis Sachar, quote from Wayside School Is Falling Down

“Since coming to Mythos, I'd almost been run through with a sword and mauled to death by a killer kitty cat. Dirty looks didn't faze me anymore.”
― Jennifer Estep, quote from Kiss of Frost

“...nobody makes that much money without taking advantage of somebody. It's much easier to make money if you don't care who you hurt. If you have scruples, it's much harder to get rich.”
― Shari Lapena, quote from The Couple Next Door

“Moral for psychologists. -- Not to go in for backstairs psychology. Never to observe in order to observe! That gives a false perspective, leads to squinting and something forced and exaggerated. Experience as the wish to experience does not succeed. One must not eye oneself while having an experience; else the eye becomes "an evil eye." A born psychologist guards instinctively against seeing in order to see; the same is true of the born painter. He never works "from nature"; he leaves it to his instinct, to his camera obscura, to sift through and express the "case," "nature," that which is "experienced." He is conscious only of what is general, of the conclusion, the result: he does not know arbitrary abstractions from an individual case.
What happens when one proceeds differently? For example, if, in the manner of the Parisian novelists, one goes in for backstairs psychology and deals in gossip, wholesale and retail? Then one lies in wait for reality, as it were, and every evening one brings home a handful of curiosities. But note what finally comes of all this: a heap of splotches, a mosaic at best, but in any case something added together, something restless, a mess of screaming colors. The worst in this respect is accomplished by the Goncourts; they do not put three sentences together without really hurting the eye, the psychologist's eye. Nature, estimated artistically, is no model. It exaggerates, it distorts, it leaves gaps. Nature is chance. To study "from nature" seems to me to be a bad sign: it betrays submission, weakness, fatalism; this lying in the dust before petit faits [little facts] is unworthy of a whole artist. To see what is--that is the mark of another kind of spirit, the anti-artistic, the factual. One must know who one is.

Toward a psychology of the artist. -- If there is to be art, if there is to be any aesthetic doing and seeing, one physiological condition is indispensable: frenzy. Frenzy must first have enhanced the excitability of the whole machine; else there is no art. All kinds of frenzy, however diversely conditioned, have the strength to accomplish this: above all, the frenzy of sexual excitement, this most ancient and original form of frenzy. Also the frenzy that follows all great cravings, all strong affects; the frenzy of feasts, contests, feats of daring, victory, all extreme movement; the frenzy of cruelty; the frenzy in destruction, the frenzy under certain meteorological influences, as for example the frenzy of spring; or under the influence of narcotics; and finally the frenzy of will, the frenzy of an overcharged and swollen will. What is essential in such frenzy is the feeling of increased strength and fullness. Out of this feeling one lends to things, one forces them to accept from us, one violates them--this process is called idealizing. Let us get rid of a prejudice here: idealizing does not consist, as is commonly held, in subtracting or discounting the petty and inconsequential. What is decisive is rather a tremendous drive to bring out the main features so that the others disappear in the process.

In this state one enriches everything out of one's own fullness: whatever one sees, whatever one wills, is seen swelled, taut, strong, overloaded with strength. A man in this state transforms things until they mirror his power--until they are reflections of his perfection. This having to transform into perfection is--art. Even everything that he is not yet, becomes for him an occasion of joy in himself; in art man enjoys himself as perfection.”
― Friedrich Nietzsche, quote from Twilight of the Idols/The Anti-Christ

“You have to quit confusing a madness with a mission.”
― Flannery O'Connor, quote from The Violent Bear It Away

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