Quotes from Ruining You

Nicole Reed ·  215 pages

Rating: (10.3K votes)


“Sometimes the bad things that happen in our lives put us directly on the path to the most wonderful things that will ever happen to us”
― Nicole Reed, quote from Ruining You


“Don't lose out on something that could be forever because you think the timing isn't right. Don't let fate decide.”
― Nicole Reed, quote from Ruining You


“Don't let go now, Jay. One-by-one, place each piece of your soul back together, but this time, make it stronger. Close your eyes and do it.”
― Nicole Reed, quote from Ruining You


“Time is now measured from the night when death stole from me, took my battered heart, and left me behind.”
― Nicole Reed, quote from Ruining You


“You want the truth? Those two years you could have ended your life, but you didn't because you wanted to live. You weren't looking for a way out, Jay. You were looking for a way back in.”
― Nicole Reed, quote from Ruining You



“Believe it or not, I would go through the pain of losing you ten times over for that boy to still be alive. For you Jay, so that you wouldn't have to live with this for the rest of your life.”
― Nicole Reed, quote from Ruining You


“Live every day like it's your last. Treasure the moments you have, and make sure you make them count.”
― Nicole Reed, quote from Ruining You


“He has captured my heart wholly and stolen my soul for eternity.”
― Nicole Reed, quote from Ruining You


“I had to go through hell to get a piece of heaven?”
― Nicole Reed, quote from Ruining You


“What’s about to happen?” I know the answer, but I’m playing with our fire. I want to hear it from his lips.

His eyes widen, but he smiles, figuring out my game. “I’m taking you to my house, and I’m putting you to bed.” His grin gets a little wider before he finishes, “With me in you.”
― Nicole Reed, quote from Ruining You



About the author

Nicole Reed
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Popular quotes

“As soon as he was out of sight, Gui pulled the macaron mixture towards him, and took a deep breath. He whipped it back and forth, beads of sweat springing on his forehead as his arm muscles released and contracted. When it was almost ready, he reached up for the shelf where the spices and colors were kept. Carefully, he brought down the bottle of 'creme de violette,' the jar of delicate, dried violets, their petals sparkling with sugar.
In tiny drops, he measured the purple liqueur into the mixture. He was acting on impulse, yet at the same time he felt certain, as though his first teacher, Monsieur Careme, was with him, guiding his steps. The scent reached up as he stirred, heady and sweet as a meadow, deep as lingering perfume in a midnight room. Hands shaking, he piped the mixture onto a tray in tiny rounds, enough to make six, one for each day that he and Jeanne would have to make it through before they could be together for the rest of their lives.
Maurice was delayed talking to Josef, and by the time he returned, Gui was putting the finishing touches to his creations, filling them with a vanilla cream from the cold room, balancing one, tiny, sugar-frosted violet flower upon each.”
― Laura Madeleine, quote from The Confectioner's Tale


“It was the hour of morning,
when the sun mounts with those stars
that shone with it when God's own love
first set in motion those fair things”
― Dante Alighieri, quote from The Inferno


“You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you?

And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone.

And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water.

But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked.

Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing.

And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.”
― Caitlin Moran, quote from How to Build a Girl


“He preferred her barefoot, he said. She had such lovely feet. Roza didn’t agree. What was lovely about feet that could not take you anywhere? What was lovely about feet that could not run?”
― Laura Ruby, quote from Bone Gap


“A few years ago, long after it had been closed, Eli said he saw a girl swimming in it, coming out of the water in a bikini, laughing at her frigthtened boyfriend, seaweed snaking around her. He said she looked like a mermaid.

Deenie always pictured it like in one of those books of mythology she used to love, a girl rising from the foam gritted with pearls, mussels, the glitter of the sea.

"It looks beautiful", her mother had said once when they were driving by at night, its waters opaline. “It is beautiful. But it makes people sick.”

To Deenie, it was one of many interesting things that adults said would kill you: Easter lilles, jellyfish, copperhead snakes with their diamond heads, tails bright as sulfur. Don't touch, don't taste, don't get too close.

And then, last week.”
― Megan Abbott, quote from The Fever


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