“In this office we do not have problems. We have interesting developments. We have challenges. If we absolute must we may, on occasion, have a slight difficulty. But under no circumstances whatsoever do we have problems.”
― Karen Miller, quote from The Innocent Mage
“What's going on? Not much. My mother's falling to pieces, my sister is a selfish bitch and my father's committing slow suicide for sake of his kingdom. That's all.”
― Karen Miller, quote from The Innocent Mage
“The Innocent Mage is come , and we stand at the beginning of the end of everything”
― Karen Miller, quote from The Innocent Mage
“In the Final Days shall come the Innocent Mage, born to save the world from blood and death.
He shall enter the House of the Usurper
He shall learn their ways
He shall earn their love
He shall lay down his life
And Jervale's Heir shall know him, and guide him, and enlighten him not.”
― Karen Miller, quote from The Innocent Mage
“Until the song is sung and the musicians have all gone home, not even you can tell which notes made the melody.”
― Karen Miller, quote from The Innocent Mage
“The cripple gave him a look. 'I remember that just yesterday you told me I was a cretin and a fool and a disgrace to the memory of my ancestors.'
'Academic hyperbole.' Morg dismissed the complaint with the wave of one hand.'It was merely enthusiastic encouragement, I assure you.'
'Perhaps overenthusiastic would be a more accurate description' muttered the cripple.”
― Karen Miller, quote from The Innocent Mage
Karen Miller
Born place: Vancouver, Canada
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“الحب هو من بين أكثر الأمراض قتلاً ونشراً للعدوى. نحن، المصابين به، يمكن أن يتحقق منا أي شخص. الدوائر الداكنة تحت أعيننا تظهر أننا لا ننام مطلقاً، نبقى مستيقظين ليلة بعد أخرى بسبب المعانقات أوغيابها. نعاني من حمّى مهلكة ويعترينا إلحاح لا يقاوم للتفوه بكلمات غبية.”
― Eduardo Galeano, quote from The Book of Embraces
“The main problem of living in the city that never sleeps that neither did I.”
― Maria Dahvana Headley, quote from The Year of Yes
“If a poet falls in a forest, and there’s nobody there to hear him, does he make a metaphor or simile?”
― Sherman Alexie, quote from Ten Little Indians
“Then you’re not as smart as I think you are,” said Mrs. Wiggins. “What I mean is, if I were the only cow in the world, I might go around thinking I was pretty good looking, because there wouldn’t be any other cows to compare me to. And the Ignormus may be the same way. He doesn’t know what a good looking Ignormus really looks like.”
― quote from Freddy and the Ignormus
“Don't believe that, dear. Don't ever believe that. Nobody's bad just because of the way they look. It's what's inside a person that counts.' 'But, Ma, what's inside a person? When people look different are they different inside, too?' Ma didn't answer, she was looking at her hands now, kneading a ball of dough. Saroj thought she had forgotten her and so she said, 'Ma?' Ma turned her eyes back to Saroj. 'I'll show you in a moment, dear. I'll just finish making these.' Saroj watched the stack of dhal puris grow into a flat round tower and then Ma said she was finished and covered them with a cloth and washed her hands. Then she opened the cupboard where she kept her spare jars and bottles and took out six jars and placed them on the kitchen counter. 'Do you see these jars, Saroj? Are they all the same?' Saroj shook her head. 'No, Ma.' The glasses were all different. There was a short flat one and a tall thin one and a medium-sized one, and other shapes in between. Some were different colours: green or brown or clear. 'All right. Now, just imagine these jars are people. People with different shapes of bodies and colours of skin. Can you do that?' Saroj nodded. 'Right. Well, now the bodies are empty. But look…’ Ma picked up a big glass jug, filled it at the tap and poured water into all the jars. 'See, Saroj? Now all the glasses are filled. All the bodies are alive! They have what we call a spirit. Now, is that spirit the same in all the glasses, or different?' 'It's the same, Ma. So people are —' But Ma broke in. 'Now, can you run into the pantry and get the tin where I keep my dyes? You know it, don't you?' Saroj was back even before Ma had finished speaking. Ma opened the tin and picked up one of the tiny bottles of powdered dye. It was cherry-coloured. Ma held the bottle over one of the jars and tipped a little of the powder into the water. Immediately, the water turned pink-red. Ma returned the cap to the bottle and picked up another one. The water turned lime-green. She did that six times and each time the water turned a different colour so that in the end Ma had six different shaped jars of six different colours. 'So, Saroj, now you answer me. Are these people here all the same inside, or are they all different?' Saroj took her time before answering. She puckered her brow and thought hard. Finally she said, 'Well, Ma, really they're all the same but the colours make them different.' 'Yes, but what is more real, the sameness or the differences?' Saroj thought hard again. Then she said: 'The sameness, Ma. Because the sameness holds up the differences. The differences are only the powders you put in.' 'Exactly. So think of all these people as having a spirit which is the same in each one, and yet each one is also different — that is because each person has a different personality. A personality is made up of thoughts, and everyone has different kinds of thoughts. Some have loving thoughts, some have angry thoughts, some have sad thoughts, some have mean thoughts. Most people have jumbles of thoughts — but everybody's thoughts are different, and so everybody is different. Different outside and different inside. And they see those differences in each other and they squabble and fight, because everyone thinks the way he is, is right. But if they could see through the differences to the oneness beyond, linking them all, then…’ 'Then what, Ma?' 'Then we would all be so wise, Saroj, and so happy!”
― Sharon Maas, quote from Of Marriageable Age
State of Fear
Quintana of Charyn
Two Boys Kissing
The Bride
The Harlequin
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