“We'd better get. But y'all have a nice night,' I say. Apparently, fear turns me Texan. A startling personality insight that I'll jot down later if I'm not dead in a ditch.”
― A.M. Robinson, quote from Vampire Crush
“What bothers you more?' he asks, leaning forward. 'The fact that I'm a vampire or the fact that you have me here, sitting in your bedroom, after midnight? Because I actually think it's the second one.'
He flashes a toothy smile. In any other time, under any other circumstances, I would almost think that he was...
'Are you flirting with me?' I ask, stunned. 'Now?'
I think I see a flicker of disappointment was across his features, but it could just be a shadow. 'Please,' he says coolly. 'I was just curious. And besides, I thought the whole vampire thing was supposed to be sexy. I just wanted to make sure you weren't going to start giggling and twirling your hair.”
― A.M. Robinson, quote from Vampire Crush
“I would definitely want the one with the bed,' I say and then realize how that sounds. I wonder if I will ever be able to flirt intentionally, as opposed to just accidently.
'Really?' he says, a little too innocently.
I can do this— I can say something flirtatious and mean to. 'Or maybe not. You were always horrible at sharing your things,' I tease, but then realize that was just an insult said with an eyebrow wiggle.
James leans in close enough that our arms touch and he smiles, slow and deliberate. 'I've gotten better.'
I think all of my internal organs just evaporated. 'Why do you have a bed if you don't sleep?' I blurt. 'It looks new.'
'Yeah, that's not where I thought this conversation was going at all,' he says before settling back against the wall.”
― A.M. Robinson, quote from Vampire Crush
“Please don't tell your family that I'm here," he says softly. "I want to keep a low profile."
"Done," I say, knowing that the story of how I got caught peeping in his back window like a weirdo will be an easy secret to keep.”
― A.M. Robinson, quote from Vampire Crush
“No one answers when I knock. But I left a cake and a card on the porch last night, and this morning when I was jogging I noticed that it was gone."
"That could mean anything. Maybe raccoons took it," I suggest and then want to do a forehead smack. Discovering vampires has really thrown a wrench in my concept of reality if my first theory is cake-stealing raccoons.”
― A.M. Robinson, quote from Vampire Crush
“That's it, I think, crumpling the pages into one tiny ball of suck. I'm done banging my head against this stone wall; I don't care if I have to begin my article, "Vlad likes three things: fencing, himself, and killing off his siblings." I don't care if I have to lie and —oops— report that Vlad likes finger painting with dolphin blood in his spare time. We're now entering full investigative mode.”
― A.M. Robinson, quote from Vampire Crush
“Did something happen with you and that guy Vlad at that party Friday night?"
Dread creeps over my skin. "Why?"
"Hmm, okay. I don't really know how to put this, but...well, he was telling everybody today that you guys are dating and that you're his soul mate and that you're going to get married."
"What?"”
― A.M. Robinson, quote from Vampire Crush
“I feel like I'm in one of those teen shows where a caring friend lets her naive schoolmate know that the popular guy in school is spreading rumors about her. Of course, those usually end with everyone finding out they have chlamydia instead of a vampire husband, but the concept is the same.”
― A.M. Robinson, quote from Vampire Crush
“curse the genetics that turn me into a lobster after one hour in the sun while everyone else gets to look like a sexy peanut.”
― A.M. Robinson, quote from Vampire Crush
“We’ve reached Vlad’s first day at Thomas Jeff. August 30, 2010 Town of Michigan Infiltration of Thomas Jefferson school successful. The child is here. I can taste her. . . . Why is this woman still talking? If she thinks that I am going to stop wearing my pointed boots, she is sadly mistaken. I let out a loud snort and then turn the page quickly, feeling guilty at being amused by Vlad’s ramblings.”
― A.M. Robinson, quote from Vampire Crush
“I steel myself for a smirk, an arrogant chuckle, or some sort of recognition, but he’s leaning back in his chair, alternating between absently studying his fingernails and writing in the small black journal I first saw in the auditorium. (My guess? “Today I was a total douche for no reason. The End.”)”
― A.M. Robinson, quote from Vampire Crush
“You’re not trying to get them to confess their innermost secrets. If they shot a man in Reno just to watch him die, good for them. We don’t want to know about it.”
― A.M. Robinson, quote from Vampire Crush
“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
“Honest, hopelessly romantic old-fashioned gentleman seeks lady friend who enjoys elegant dining, dancing and the slow bloom of affection.”
― Claire Cook, quote from Must Love Dogs
“Borders. Tresholds. Doorways. Windows. Neither inside nor out. Not one thing any longer, but not yet another. The in between.
Order fails, and ghosts come in.”
― Andra Brynn, quote from Where I End and You Begin
“Spense la sigaretta nel portacenere. Non si sarebbe messa a lamentarsi, non era più una bambina. Ma le restava dentro un dolore. E un suono continuo e sommesso, il debole riverbero qualcosa di simile alla gioia, continuava a vivere ai margini della sua memoria, una qualche specie di desiderio che un tempo aveva trovato risposta e ora, semplicemente, non più.”
― Elizabeth Strout, quote from Amy and Isabelle
“Love to a woman is what the sun is to the world, it is her life, her animating principle, without which she must droop, and, if the plant be very tender, die. Except under its influence, a woman can never attain her full growth, never touch the height of her possibilities, or bloom into the plenitude of her moral beauty. A loveless marriage dwarfs our natures, a marriage where love is develops them to their utmost.”
― H. Rider Haggard, quote from Dawn
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