Quotes from Prep School Confidential

Kara Taylor ·  310 pages

Rating: (3.2K votes)


“Being brave isn’t the same as not being scared, though, it means going through with something even if it totally terrifies you.”
― Kara Taylor, quote from Prep School Confidential


“Why can't I stay away? I think it's partly because he wears Burt's Bees lip balm, and I'm a sucker for a guy with well-conditioned lips.”
― Kara Taylor, quote from Prep School Confidential


“I like to mix it up. Keep things interesting."
I don't say anything, because it sounds like something I'd say, and I don't like when people take my lines.”
― Kara Taylor, quote from Prep School Confidential


“I never was good at staying away from boys who look really good in ties.”
― Kara Taylor, quote from Prep School Confidential


“They all think it's better to exist within a corrupt hierarchy instead of being outside it, trying to fight it.”
― Kara Taylor, quote from Prep School Confidential



About the author

Kara Taylor
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Popular quotes

“Each of us thinks that our own mistake is the worst, because we have made it. We all live with guilt for our actions, Maia. Especially if we have chosen to keep them inside us for as long as you have. I’m sitting here feeling only sadness for you, not disapproval. And I really think that anyone else who heard your story would feel the same. It’s only you who blames yourself.”
― Lucinda Riley, quote from The Seven Sisters


“LABOR IS A RESOURCE and TIME IS A RESOURCE are by no means universal. They emerged naturally in our culture because of the way we view work, our passion for quantification, and our obsession with purposeful ends. These metaphors highlight those aspects of labor and time that are centrally important in our culture. In doing this, they also deemphasize or hide certain aspects of labor and time. We can see what both metaphors hide by examining what they focus on. In viewing labor as a kind of activity, the metaphor assumes that labor can be clearly identified and distinguished from things that are not labor. It makes the assumptions that we can tell work from play and productive activity from nonproductive activity. These assumptions obviously fail to fit reality much of the time, except perhaps on assembly lines, chain gangs, etc. The view of labor as merely a kind of activity, independent of who performs it, how he experiences it, and what it means in his life, hides the issues of whether the work is personally meaningful, satisfying, and humane. The quantification of labor in terms of time, together with the view of time as serving a purposeful end, induces a notion of LEISURE TIME, which is parallel to the concept LABOR TIME. In a society like ours, where inactivity is not considered a purposeful end, a whole industry devoted to leisure activity has evolved. As a result, LEISURE TIME becomes a RESOURCE too—to be spent productively, used wisely, saved up, budgeted, wasted, lost, etc. What is hidden by the RESOURCE metaphors for labor and time is the way our concepts of LABOR and TIME affect our concept of LEISURE, turning it into something remarkably like LABOR. The RESOURCE metaphors for labor and time hide all sorts of possible conceptions of labor and time that exist in other cultures and in some subcultures of our own society: the idea that work can be play, that inactivity can be productive, that much of what we classify as LABOR serves either no clear purpose or no worthwhile purpose.”
― George Lakoff, quote from Metaphors We Live By


“Christian ethics is not a matter of discovering what's going on in the world and getting in tune with it. It isn't a matter of doing things to earn God's favor. It is not about trying to obey dusty rulebooks from long ago or far away. It is about practicing, in the present, the tunes we shall sing in God's new world.”
― N.T. Wright, quote from Simply Christian: Why Christianity Makes Sense


“Life may not be fair, but when you have someone to believe in, life can be managed, and sometimes, even miraculous.”
― Julia Scheeres, quote from Jesus Land: A Memoir


“Life was about to take her away from here. Fro the place where she'd become herself. This sold little village that never changed but helped its inhabitants to change. She's arrived straight from art college full of avant-garde ideas, wearing shades of gray and seeing the world in black and white. So sure of herself. But here, in the middle of nowhere, she'd discovered color. And nuance. She'd learned this from the villagers, who'd been generous enough to lend her their souls to paint. Not as perfect human beings, but as flawed, struggling men and women. Filled with fear and uncertainty and, in at least one case, martinis.”
― Louise Penny, quote from The Brutal Telling


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