“I have seen what comes of being patient," Amanda said with a boding look. "And I have no opinion of it."
"What does come of it?" Inquired Sir Gareth.
"Nothing!”
― Georgette Heyer, quote from Sprig Muslin
“After eyeing her for a moment or two, he said: ‘If you let this chance of achieving a respectable alliance slip, you are a bigger fool than I take you for, Hester!’ Her eyes came round to his face, a smile quivered for an instant on her lips. ‘No, how could that be, Papa?”
― Georgette Heyer, quote from Sprig Muslin
“But perhaps I might feel strange, and unlike myself. It wouldn't be comfortable, not to be acquainted with myself.”
― Georgette Heyer, quote from Sprig Muslin
“I too have been badly deceived in myself," he said, shaking his head. "Would you believe it?—I had no notion that I was such a monster of inhumanity as I have proved myself to be”
― Georgette Heyer, quote from Sprig Muslin
“The sight which met her eyes held her frozen on the threshold, and the thought flashed across her mind that she knew now how it felt to die”
― Georgette Heyer, quote from Sprig Muslin
“When I think of all the pretty and lovely girls who have done their best to attach him, and he tells me that he has offered for an insipid female who has neither fortune nor any extraordinary degree of beauty, besides being stupidly shy and dowdy, I – oh, I could go into strong hysterics!”
― Georgette Heyer, quote from Sprig Muslin
Georgette Heyer
Born place: in The United Kingdom
Born date August 16, 1902
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“WHERE ONCE THE WATERS ON YOUR FACE
Where once the waters of your face
Spun to my screws, your dry ghost blows,
The dead turns up its eye;
Where once the mermen through your ice
Pushed up their hair, the dry wind steers
Through salt and root and roe.
Where once your green knots sank their splice
Into the tided cord, there goes
The green unraveller,
His scissors oiled, his knife hung loose
To cut the channels at their source
And lay the wet fruits low.
Invisible, your clocking tides
Break on the lovebeds of the weeds;
The weed of love’s left dry;
There round about your stones the shades
Of children go who, from their voids,
Cry to the dolphined sea.
Dry as a tomb, your coloured lids
Shall not be latched while magic glides
Sage on the earth and sky;
There shall be corals in your beds,
There shall be serpents in your tides,
Till all our sea-faiths die.”
― Dylan Thomas, quote from Collected Poems
“And, before long, he'd got fat and his stall was decked out with chrome and plate glass, and glittering automats had been installed. Getting hog-fat on pfennigs, getting bossy though only a few months before he'd been forced to obsequiously lower the price of a lemonade by two pfennigs, meanwhile whispering anxiously, 'But don't tell anyone else.'
No feelings would come to him as he went rocking on in No. 11 through the old town, the new town, past allotment gardens and gravel pits to Blessenfeld. He had heard the names of the stops four thousand times: Boisserée Street, North Park, Bleisscher Station, Inner Ring. They sounded strange, the names, as if out of dreams which others had dreamed and vainly tried to let him share; they sounded like calls for help in a heavy fog, while the almost empty streetcar went on toward the end of the line in the afternoon summer sun.”
― Heinrich Böll, quote from Billiards at Half-Past Nine
“Spectacle is the sun that never sets over the empire of modern passivity”
― Guy Debord, quote from The Society of the Spectacle
“in my four months of legal cramming I’d learned the law is full of technicalities. Technicalities are what screw up justice. Wilcox”
― Frank W. Abagnale, quote from Catch Me If You Can: The True Story of a Real Fake
“I would like to point out, though, Lady Georgiana," he continued, "that you have decided to stay in a household with five single gentlemen, three of them adults."
"Four," Andrew broke in, coloring. "I'm seventeen. That's older than Romeo was when he married Juliet."
"And it's younger than I am, which is what counts," Tristan countered, sending his brother a stern look.”
― Suzanne Enoch, quote from The Rake
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