“We know that the war against intelligence is always waged in the name of common sense.”
“What I claim is to live to the full the contradiction of my time, which may well make sarcasm the condition of truth.”
“I think that cars today are almost the exact equivalent of the great Gothic cathedrals; I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.”
“A light without shadow generates an emotion without reserve.”
“To see someone who does not see is the best way to be intensely aware of what he does not see.”
“Justice is always ready to lend you a spare brain in order to condemn you without a second thought”
“This book has two determinants: on the one hand, an ideological critique of the language of so-called mass culture; on the other, an initial semiological dismantling of that language: I had just read Saussure and emerged with the conviction that by treating “collective representations” as sign systems one might hope to transcend pious denunciation and instead account in detail for the mystification which transforms petit bourgeois culture into a universal nature.”
“[T]he most repugnant bastard there is: the bastard-octopus.”
“The cultural work done in the past by gods and epic sagas is now done by laundry-detergent commercials and comic-strip character”
“In wrestling, nothing exists unless it exists totally, there is no symbol, no allusion, everything is given exhaustively; leaving nothing in shadow, the gesture severs every parasitical meaning and ceremonially presents the public with a pure and full signification, three dimensional, like Nature. Such emphasis is nothing but the popular and ancestral image of the perfect intelligibility of reality. What is enacted by wrestling, then, is an ideal intelligence of things, a euphoria of humanity, raised for a while out of the constitutive ambiguity of everyday situations and installed in a panoramic vision of a univocal Nature, in which signs finally correspond to causes without obstacle, without evasion, and without contradiction.”
“To instil into the Established Order the complacent portrayal of its drawbacks has nowadays become a paradoxical but incontrovertible means of exalting it.”
“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.”
“Robar a un hombre su lenguaje en nombre del propio lenguaje: todos los crímenes legales comienzan así.”
“I tell myself that I know you,
and then when I think about it, I realize that I don't.”
When I was just as far as I could walk
From here today
There was an hour
When leaning with my head against a flower
I heard you talk.
Don't say I didn't for I heard you say
You spoke from that flower on the window sill-
Do you remember what it was you said '
'First tell me what it was you thought you heard.'
'Having found the flower and driven a bee away
I leaned my head
And holding by the stalk
I listened and I thought I caught the word
What was it
Did you call me by my name
Or did you say
Someone said "Come"
I heard it as I bowed.'
'I may have thought as much but not aloud.'
Well so I came.”
“The trouble was that he was talking in philosophy but they were listening in gibberish.”
“I don't know if mama was right, that we each have a destiny, or if if was Lt Dan, that we are all just floating around, accidental, like on a breeze, but I think... I think... maybe... it's both happening at the same time.”
“Now, let's never talk about you being related to her again. Because I'm technically still engaged to her, and that's really weird."
Cinder couldn't help laughing, even exhaustedly, even just to cover up the screaming inside, as he bound her up in his arms again. Her headache began to fade, replaced with the strength of his heartbeat and the way she felt almost delicate when she was pressed up against him like this.
Almost like a princess.”
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