“Like all men who look this good, Frank has no interest in women.”
― Dennis Sharpe, quote from Blood & Spirits
“Pretending to care what men think is an art. It takes moments to learn, but lifetimes to master. I’d like to believe I’m an expert.”
― Dennis Sharpe, quote from Blood & Spirits
“See, I can talk to the pretty man like a real grown up if I try hard enough.”
― Dennis Sharpe, quote from Blood & Spirits
“Standing in front of him I wipe his liquid from the corner of my mouth and stare deeply. I can see the panic in his eyes. I can smell his fear, deep, rich and growing, and for the first time tonight I’m actually aroused.”
― Dennis Sharpe, quote from Blood & Spirits
“I try to keep in mind” I recite dryly as I run the front sight of my pistol over his face, “that my life is only as significant, as I am to the lives of others.”
He’s sobbing and won’t look up from the floor so I lean close to his ear and ask softly, “Would you say that I’m significant to your life?”
― Dennis Sharpe, quote from Blood & Spirits
“We can go somewhere more private if you’d like… Buck” I whisper softly in his ear, pulling back almost as slowly as the wicked grin spreads across my face. His perverse smile hides nothing. I have him now, hook, line and zipper.”
― Dennis Sharpe, quote from Blood & Spirits
“Inching into the room, it’s clear something is wrong here. There’s a tingling sensation up my legs and back before I can even really focus on the parlor’s details. There are silhouettes of people, but I can see through them. It’s like shadows were cast and left behind to do as they please. Lost in the surreal sight of them for a moment, I inch further into the room without noticing that some were now moving behind me.
There is no warning. I’m suddenly in the air, and moving backward rapidly toward the wall. It’s almost a full second before my body registers the actual pain of the blow my stomach just took. Being hit by a car doesn't even compare to this, and I didn't even see it coming.
“For a shadow, you hit like a sledgehammer!” The words barely escape before something else slams into the base of my skull embedding most of my upper body in the wall and all but removing my head. These things are like Lucy; the disembodied dead who haven’t moved on. I've never met others that can actually touch things physically, they must be fairly potent.
I pull my face out of the hole it had been planted in, letting plaster dust fall, coating my chest and legs like snow. Looking around quickly I try to gauge my surroundings. I can’t see them, but I know they’re there. Is one easy night, without a huge dry-cleaning bill, too much to ask for these days?
I only have time to dwell on it a moment before my head is bouncing off the hardwood floor; once, twice, and then a third time in quick succession. Now ‘pick splinters out of my forehead’ can be added to my Saturday night to-do list. Damn it, this is not going as planned.”
― Dennis Sharpe, quote from Blood & Spirits
Dennis Sharpe
Born place: in The United States
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“Unconventional,” said Jenkins. “What is conventional?” asked Andrew. “Living in a dream? Living for a memory? you must be weary of it.” “Not”
― Clifford D. Simak, quote from City
“I know of nothing in all drama more incomparable from the point of view of art, nothing more suggestive in its subtlety of observation, than Shakespeare's drawing of Rosencrantz and Guildenstern. They are Hamlet's college friends. They have been his companions. They bring with them memories of pleasant days together. At the moment when they come across him in the play he is staggering under the weight of a burden intolerable to one of his temperament. The dead have come armed out of the grave to impose on him a mission at once too great and too mean for him. He is a dreamer, and he is called upon to act. He has the nature of the poet, and he is asked to grapple with the common complexity of cause and effect, with life in its practical realisation, of which he knows nothing, not with life in its ideal essence, of which he knows so much. He has no conception of what to do, and his folly is to feign folly. Brutus used madness as a cloak to conceal the sword of his purpose, the dagger of his will, but the Hamlet madness is a mere mask for the hiding of weakness. In the making of fancies and jests he sees a chance of delay. He keeps playing with action as an artist plays with a theory. He makes himself the spy of his proper actions, and listening to his own words knows them to be but 'words, words, words.' Instead of trying to be the hero of his own history, he seeks to be the spectator of his own tragedy. He disbelieves in everything, including himself, and yet his doubt helps him not, as it comes not from scepticism but from a divided will.
Of all this Guildenstern and Rosencrantz realise nothing. They bow and smirk and smile, and what the one says the other echoes with sickliest intonation. When, at last, by means of the play within the play, and the puppets in their dalliance, Hamlet 'catches the conscience' of the King, and drives the wretched man in terror from his throne, Guildenstern and Rosencrantz see no more in his conduct than a rather painful breach of Court etiquette. That is as far as they can attain to in 'the contemplation of the spectacle of life with appropriate emotions.' They are close to his very secret and know nothing of it. Nor would there be any use in telling them. They are the little cups that can hold so much and no more.”
― Oscar Wilde, quote from De Profundis and Other Writings
“I'm just scared that you've fallen for the way he's treating you rather than for the man himself.”
― Jane Green, quote from Mr. Maybe
“You'll blow up a helicopter, but you won't go out with me? What is wrong with you?”
― Meg Cabot, quote from When Lightning Strikes
“[John] Belushi was an extreme experience even by my standards.”
― Keith Richards, quote from Life
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