“Its the fate of all creators: They fall in love with their creations.”
― Michael Grant, quote from Eve & Adam
“Todo el mundo tendría que tener defectos. ¿No es eso lo que nos hace interesantes? ¿No es eso lo que nos impide ser copias de carbón de los demás?”
― Michael Grant, quote from Eve & Adam
“Oh, Snap," I say.
"What?"
"Sorry. I was flashing back to 2005.”
― Michael Grant, quote from Eve & Adam
“Here's the thing: I am not beautiful. I'm pretty. I'll allow that much. Pretty. But I'm not the girl boys long for.”
― Michael Grant, quote from Eve & Adam
“I have good shoulders, might as well reveal them. I know she's checking me out. Fair enough, because I'm checking her out.
"Ah ahh ahhhh!"
Eve cries out suddenly. She's in pain. Bad pain. so it's possible she's not really checking me out.”
― Michael Grant, quote from Eve & Adam
“You like blue eyes, huh?"
"Yes. I do. I like blue eyes.”
― Michael Grant, quote from Eve & Adam
“The computer's password protected. I try the basics: 1,2,3,4. QWERTY. YTREWQ, which is qwerty backward. PASSWORD. A few others. Whoever uses this computer isn't quite that dumb. They are, however, dumb enough to write it down in the corner of the desk blotter.”
― Michael Grant, quote from Eve & Adam
“This much I know already: When Tommy and the Big Brains, in whispered, wry asides, talk about Project 88715, they call it something else. They call it the "Adam Project.”
― Michael Grant, quote from Eve & Adam
“We could do muscles first, then brains,: Aislin suggests.
"It's not all genetic, you know: he would have to work out."
"Make him right and I'll work him out," she says with a trace of her confident leer.
"Without a brain?"
She sighs. "They're better off without one.”
― Michael Grant, quote from Eve & Adam
“Some other part of me is hoping Solo's returned, so I can scream at him and then, quite possibly, kiss him for several days.”
― Michael Grant, quote from Eve & Adam
“Every single person I've seen in the past few days asks me about the Leg.
How is it?
How's the Leg?
The Leg is attached. Thanks for asking. There's The Leg right there. It's on display, always outside of the sheets and blanket, although the whole thing is still so wrapped up it looks like I borrowed The Leg from some ancient Egyptian mummy.
How's The Leg?
It seems a bit mummyish, thanks.”
― Michael Grant, quote from Eve & Adam
“It's not like I've spent my life beating he boys back with a flaming torch.”
― Michael Grant, quote from Eve & Adam
“There's no hurry. I'm not a pint of half-and-half about to expire. I can wait until I meet the right person.”
― Michael Grant, quote from Eve & Adam
“The best part is that you can use any number of different interfaces." Tap, tap, drag. "This one's made of Lego blocks, for younger kids. See how there's a Lego representation of the DNA?”
― Michael Grant, quote from Eve & Adam
“He's here and real and beautiful and I made him beautiful. And this is why Solo would destroy my mother? Is this boy, this man, is his existence really some kind of a crime?
In what mad, unholy universe could this work of art - my work of art - be a crime?”
― Michael Grant, quote from Eve & Adam
“Mientras algo exista, la nada es imposible. De hecho, es la nada la que no puede persistir. La nada da paso a algo. La nada que precedió al Big Bang fue erradicada. Nada se convirtió en algo.”
― Michael Grant, quote from Eve & Adam
“No es que crea que soy una especie de premio.
No, espera, eso no es verdad. Sí creo que soy una especie de premio. Soy inteligente y ocasionalmente graciosa y linda. No veo porque debería pasar largas citas con un tipo que se expresa en una sola sílaba y quiere ver películas de terror.”
― Michael Grant, quote from Eve & Adam
“I am too perfect for Evening," Adam volunteers. "But that's all right." He smiles shyly at Aislin. "I am not too perfect for Aislin.”
― Michael Grant, quote from Eve & Adam
“I'm not a machine, Evening. I'm a man. And you made me to be free. You did that, right?"
"Yes. Yes." I made him to be free? No responsibility there. Yes, I made him to be free. I wonder what else I made him to be.”
― Michael Grant, quote from Eve & Adam
“Last week during Life Drawing, Ms Franklin asked me if I'd ever considered majoring in art instead of biology.
I asked her for a new eraser.”
― Michael Grant, quote from Eve & Adam
“I know she's checking me out. Fair enough, because I'm checking her out.
"Ah ahhh ahhhh!"
Eve cries out suddenly. She's in pain. Bad pain. So it's possible she's not really checking me out.”
― Michael Grant, quote from Eve & Adam
“I know something must be very wrong, or just possibly very right?”
― Michael Grant, quote from Eve & Adam
“There is no always," I say. "Nothing persists forever."
"Nothingness persists," she says. She is testing me.
"No. So long as anything exists, nothingness is impossible. In fact, it's nothingness that cannot persist. Nothingness gives way to somethingness. The nothingness that preceded the Big Bang was obliterated. Nothing became something.”
― Michael Grant, quote from Eve & Adam
“No, wait, that’s not true. I do think I’m some kind of prize. I’m smart and occasionally funny and I’m pretty. I don’t see why I should spend long dates with some guy who expresses himself in single syllables and wants to go to slasher movies.”
― Michael Grant, quote from Eve & Adam
“―¡Pero míralo!―Urge Solo― Soy completamente hetero y se lo haría.”
― Michael Grant, quote from Eve & Adam
“We are at a turning point of revolution species. Evolution has blindly felt its way forward , now, we, the product of evolution are taking the wheel. We soon will have the ability to design and create the new human, evolution still, but guided evolution...of course, only on computer simulation.”
― Michael Grant, quote from Eve & Adam
“You sound like a college freshman taking his first philosophy class way too seriously, but that's good.”
― Michael Grant, quote from Eve & Adam
“I have been in many dugouts, Ludwig,” he goes on. “And we were all young men who sat there around one miserable slush lamp, waiting, while the barrage raged overhead like an earthquake. We were none of your inexperienced recruits, either; we knew well enough what we were waiting for and we knew what would come. —But there was more in those faces down in the gloom there than mere calm, more than good humour, more than just readiness to die. There was the will to another future in those hard, set faces; and it was there when they charged, and still there when they died. —We had less to say for ourselves year by year, we shed many things, but that one thing still remained. And now, Ludwig, where is it now? Can’t you see how it is perishing in all this pig’s wash of order, duty, women, routine, punctuality and the rest of it that here they call life? —No, Ludwig, we lived then! And you tell me a thousand times that you hate war, yet I still say, we lived then. We lived, because we were together, and because something burned in us that was more than this whole muck heap here!” He is breathing hard. “It must have been for something, Ludwig! When I first heard there was revolution, for one brief moment I thought: Now the time will be redeemed—now the flood will pour back, tearing down the old things, digging new banks for itself—and, by God, I would have been in it! But the flood broke up into a thousand runnels; the revolution became a mere scramble for jobs, for big jobs and little jobs. It has trickled away, it has been dammed up, it has been drained off into business, into family, and party. —But that will not do me. I’m going where comradeship is still to be found.” Ludwig stands up. His brow is flaming, his eyes blaze. He looks Rahe in the face. “And why is it, Georg? Why is it? Because we were duped, I tell you, duped as even yet we hardly realize; because we were misused, hideously misused. They told us it was for the Fatherland, and meant the schemes of annexation of a greedy industry. —They told us it was for Honour, and meant the quarrels and the will to power of a handful of ambitious diplomats and princes. —They told us it was for the Nation, and meant the need for activity on the part of out-of-work generals!” He takes Rahe by the shoulders and shakes him. “Can’t you see? They stuffed out the word Patriotism with all the twaddle of their fine phrases, with their desire for glory, their will to power, their false romanticism, their stupidity, their greed of business, and then paraded it before us as a shining ideal! And we thought they were sounding a bugle summoning us to a new, a more strenuous, a larger life. Can’t you see, man? But we were making war against ourselves without knowing it! Every shot that struck home, struck one of us! Can’t you see? Then listen and I will bawl it into your ears. The youth of the world rose up in every land, believing that it was fighting for freedom! And in every land they were duped and misused; in every land they have been shot down, they have exterminated each other! Don’t you see now? —There is only one fight, the fight against the lie, the half-truth, compromise, against the old order. But we let ourselves be taken in by their phrases; and instead of fighting against them, we fought for them. We thought it was for the Future. It was against the Future. Our future is dead; for the youth is dead that carried it. We are merely the survivors, the ruins. But the other is alive still—the fat, the full, the well content, that lives on, fatter and fuller, more contented than ever! And why? Because the dissatisfied, the eager, the storm troops have died for it. But think of it! A generation annihilated! A generation of hope, of faith, of will, strength, ability, so hypnotised that they have shot down one another, though over the whole world they all had the same purpose!” His”
― Erich Maria Remarque, quote from The Road Back
“If I did something to hurt Frankie and she said that I was never getting near her heart again, I’d spent the rest of my life trying anyway. That’s the difference between you and me, Tom. I’d go back to the moment it all fell apart and I’d start there.”
― Melina Marchetta, quote from The Piper's Son
“Mirror, Standard, Telegraph, Birmingham Post, Sketch, all careful to report accurately the events without editorial comment. Unlike some countries, the British press must be exceedingly careful not to try a man in the newspapers and magazines before he comes to court. In such cases when a newspaper becomes an accuser or prejudger, turning public sentiment, the paper can be named as a defendant to the action. It keeps journalism honest.”
― Leon Uris, quote from QB VII
“Chris may be imperfect, and he makes mistakes, but I can feel his heart, and I know that he is mine.”
― Jessica Park, quote from Left Drowning
“But before she could speak another word, he crushed his mouth against hers.”
― Morgan Rhodes, quote from Rebel Spring
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