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“14. Muddy Road
Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling.
Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection.
"Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud.
Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?"
"I left the girl there," said Tanzan. "Are you still carrying her?”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“If the feet of enlightenment moved, the great ocean would overflow; If that head bowed, it would look down upon the heavens.
Such a body has no place to rest. . . .
Let another continue this poem.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“It is too clear and so it is hard to see. A dunce once searched for a fire with a lighted lantern. Had he known what fire was, He could have cooked his rice much sooner.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“When the mouth opens All are wrong.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“Meeting a Zen master on the road, Face him neither with words nor silence. Give him an uppercut And you will be called one who understands Zen.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“Mamiya concentrated upon what the sound of one hand might be. “You are not working hard enough,” his teacher told him. “You are too attached to food, wealth, things, and that sound. It would be better if you died. That would solve the problem.” The next time Mamiya appeared before his teacher he was again asked what he had to show regarding the sound of one hand. Mamiya at once fell over as if he were dead. “You are dead all right,” observed the teacher. “But how about that sound?” “I haven’t solved that yet,” replied Mamiya, looking up. “Dead men do not speak,” said the teacher. “Get out!” 43.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“Gutei raised his finger whenever he was asked a question about Zen. A boy attendant began to imitate him in this way. When anyone asked the boy what his master had preached about, the boy would raise his finger. Gutei heard about the boy’s mischief. He seized him and cut off his finger. The boy cried and ran away. Gutei called and stopped him. When the boy turned his head to Gutei, Gutei raised up his own finger. In that instant the boy was enlightened.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“When there is no place for Zen in the head of our generation, it is in grievous trouble.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“2015 Caldecott Honor winner; and Battle Bunny, written with Jon Scieszka and illustrated by Matthew Myers. He also writes the”
― Mac Barnett, quote from The Terrible Two Get Worse
“Venus of Eryx, from her mountain throne,
Saw Hades and clasped her swift-winged son, and said:
'Cupid, my child, my warrior, my power,
Take those sure shafts with which you conquer all,
And shoot your speedy arrows to the heart
Of the great god to whom the last lot fell
When the three realms were drawn. Your mastery
Subdues the gods of heaven and even Jove,
Subdues the ocean's deities and him,
Even him, who rules the ocean's deities.
Why should Hell lag behind? Why not there too
Extend your mother's empire and your own....?
Then Cupid, guided by his mother, opened
His quiver of all his thousand arrows
Selected one, the sharpest and the surest,
The arrow most obedient to the bow,
And bent the pliant horn against his knee
And shot the barbed shaft deep in Pluto's heart.”
― Ovid, quote from The Metamorphoses
“It’ll all end in tears and coal dust, you see if it doesn’t.”
― Gail Carriger, quote from Waistcoats & Weaponry
“Real isn't how you are made,' said the Skin Horse. 'It's a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.'
'Does it hurt?' asked the Rabbit.
'Sometimes,' said the Skin Horse, for he was always truthful. 'When you are Real you don't mind being hurt.'
'Does it happen all at once, like being wound up,' he asked, 'or bit by bit?'
'It doesn't happen all at once,' said the Skin Horse. 'You become. It takes a long time. That's why it doesn't happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don't matter at all, because once you are Real you can't be ugly, except to people who don't understand.”
― Margery Williams Bianco, quote from The Velveteen Rabbit
“She was smart and funny and vulnerable and just so goddamned beautiful, the kind of beautiful that was worth being shot down over.”
― Jonathan Tropper, quote from How To Talk To A Widower
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