216 pages
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“14. Muddy Road
Tanzan and Ekido were once traveling together down a muddy road. A heavy rain was still falling.
Coming around a bend, they met a lovely girl in a silk kimono and sash, unble to cross the intersection.
"Come on, girl," said Tanzan at once. Lifting her in his arms, he carriedher over the mud.
Ekido did not speak again until that night when they reached a lodging temple. Then he could no longer restrain himself. "We monks don't go near females," he told Tanzan, "especially not young and lovely ones. It is dangerous. Why did you do that?"
"I left the girl there," said Tanzan. "Are you still carrying her?”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“If the feet of enlightenment moved, the great ocean would overflow; If that head bowed, it would look down upon the heavens.
Such a body has no place to rest. . . .
Let another continue this poem.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“It is too clear and so it is hard to see. A dunce once searched for a fire with a lighted lantern. Had he known what fire was, He could have cooked his rice much sooner.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“When the mouth opens All are wrong.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“Meeting a Zen master on the road, Face him neither with words nor silence. Give him an uppercut And you will be called one who understands Zen.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“Mamiya concentrated upon what the sound of one hand might be. “You are not working hard enough,” his teacher told him. “You are too attached to food, wealth, things, and that sound. It would be better if you died. That would solve the problem.” The next time Mamiya appeared before his teacher he was again asked what he had to show regarding the sound of one hand. Mamiya at once fell over as if he were dead. “You are dead all right,” observed the teacher. “But how about that sound?” “I haven’t solved that yet,” replied Mamiya, looking up. “Dead men do not speak,” said the teacher. “Get out!” 43.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“Gutei raised his finger whenever he was asked a question about Zen. A boy attendant began to imitate him in this way. When anyone asked the boy what his master had preached about, the boy would raise his finger. Gutei heard about the boy’s mischief. He seized him and cut off his finger. The boy cried and ran away. Gutei called and stopped him. When the boy turned his head to Gutei, Gutei raised up his own finger. In that instant the boy was enlightened.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“When there is no place for Zen in the head of our generation, it is in grievous trouble.”
― quote from Zen Flesh, Zen Bones: A Collection of Zen and Pre-Zen Writings
“You can lose a lot when you travel too much.”
― Gloria Naylor, quote from Linden Hills
“This, I think, is the crux of evil in this world, Majesty: those who feel entitled to whatever they want, whatever they can grab. Such people never ask themselves if they have the right. They consider no cost to anyone but themselves.”
― Erika Johansen, quote from The Invasion of the Tearling
“Wild Ones Tip #238
It’s rare we have feelings. Don’t fuck with them when we do.”
― quote from Becoming A Vincent
“Why do you never find anything written about that idiosyncratic thought you advert to, about your fascination with something no one else understands? Because it is up to you. There is something you find interesting, for a reason hard to explain. It is hard to explain because you have never read it on any page; there you begin. You were made and set here to give voice to this, your own astonishment. "The most demanding part of living a lifetimes as an artist is the strict discipline of forcing oneself to work steadfastly along the nerve of one's own most intimate sensitivity." Anne Truitt, the sculptor, said this. Thoreau said it another way: know your own bone. "Pursue, keep up with, circle round and round your life....Know your own bone: gnaw at it, bury it, unearth it, and gnaw at it still.”
― Annie Dillard, quote from The Writing Life
“You ask me whether the Orient is up to what I imagined it to be. Yes, it is; and more than that, it extends far beyond the narrow idea I had of it. I have found, clearly delineated, everything that was hazy in my mind. Facts have taken the place of suppositions - so excellently so that it is often as though I were suddenly coming upon old forgotten dreams.”
― Gustave Flaubert, quote from Flaubert in Egypt: A Sensibility on Tour
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