176 pages
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“Every man-made thing, be it a chair, a text, or a school, is thought made substance. It is the expression of someone's, or some groups, ideas and beliefs. The two-hundred year old double hung, six light sash window in the wall opposite my desk, out of which I am looking at this moment embodies ideas about houses and how we should live in them, tools, technologies, standards of craftsmanship, nature and much else. It is a material manifestation of the collective consciousness of its time and place channeled through the individuals who commissioned and made it".”
― quote from Why We Make Things and Why It Matters: The Education of a Craftsman
“When I look at a piece of furniture from across a room, I see form, style, scale, context, and intended use. As I approach it, I distinguish material, joinery, and proportions. When I get close enough to touch it, I take in details such as hardware, textures, finish, edge treatments, wood grain, quality, and comfort.”
― quote from Why We Make Things and Why It Matters: The Education of a Craftsman
“I was becoming aware that a good life was not some Shangri-La waiting to be stumbled upon. One constructed it from the materials at hand.”
― quote from Why We Make Things and Why It Matters: The Education of a Craftsman
“Only as I approached adulthood did I realize that life is a process of continual becoming.”
― quote from Why We Make Things and Why It Matters: The Education of a Craftsman
“there are three different contexts in which one can participate in a creative field. For shorthand, I call them the first-person, second-person, and third-person voices. You”
― quote from Why We Make Things and Why It Matters: The Education of a Craftsman
“skilled manual work offered spiritual rewards to which academic institutions and my parent’s social milieu were oblivious.”
― quote from Why We Make Things and Why It Matters: The Education of a Craftsman
“He had a colorless translucence about him that made him seem as if he were in the earliest stages of progressive invisibility.”
― Laura Hillenbrand, quote from Seabiscuit: An American Legend
“I'm just tired of everything…even of the echoes. There is nothing in my life but echoes…echoes of lost hopes and dreams and joys. They're beautiful and mocking.”
― L.M. Montgomery, quote from Anne of Avonlea
“There is a horrifying loneliness at work in this time. No, listen to me. We lived six and seven to a room in those days, when I was still among the living. The city streets were seas of humanity; and now in these high buildings dim-witted souls hover in luxurious privacy, gazing through the television window at a faraway world of kissing and touching. It is bound to produce some great fund of common knowledge, some new level of human awareness, a curious skepticism, to be so alone.”
― Anne Rice, quote from The Queen of the Damned
“She felt all right. Her heart was like a drum hanging from piano wire in her chest, slowly, slowly beaten. Her hands and feet were numb, not with cold but with a sultry torpor. Thoughts moved with a tranquil lethargy, her brain a leisurely machine imbedded in swaths of woolly packing.
She felt all right.”
― Richard Matheson, quote from I Am Legend and Other Stories
“Myrna was part of a ballet troupe and Jack had seen her and the other dancers perform—his mother often made him go with her and it was mostly boring stuff, like church or Sunrise Semester on TV. But he had never seen Myrna in practice . . . never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stage, where everyone seemed to either glide or mince effortlessly on the tips of their pointes, and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music—only the choreographer rhythmically clapping his hands and yelling harsh criticisms. No praise; only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it was, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer’s clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living; they were killing themselves. Most of all he remembered their expressions—all that exhausted concentration, all that pain . . . but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it had scared Jack because it had seemed inexplicable. What kind of person could get off by subjecting himself or herself to such steady, throbbing, excruciating pain?”
― Stephen King, quote from The Talisman
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