Virginia Woolf · 480 pages
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“No need to hurry. No need to sparkle. No need to be anybody but oneself.”
― Virginia Woolf, quote from A Room of One's Own / Three Guineas
“For books continue each other, in spite of our habit of judging them separately.”
― Virginia Woolf, quote from A Room of One's Own / Three Guineas
“Dünya kadına, erkeklere dediği gibi 'istersen yaz, umurumda değil' demiyordu. Dünya kaba kaba gülerek, 'yazmak mı' diyordu. 'yazman ne işe yarıyor?'
Entelektüel özgürlük maddi şeylere bağlıdır. Şiir de entelektüel özgürlüğe bağlıdır. Kadınlarsa hep yoksul olmuşlardır, sadece iki yüzyıldır değil, dünya kurulalı beri. Kadınlar Atinalı kölelerin çocukları kadar bile entelektüel özgürlüğe sahip olmadılar. O zaman kadınların şiir yazmak için en ufak bir şansları bile yoktu. İşte bu yüzden paranın ve kendine ait bir odanın önemini vurguladım.”
― Virginia Woolf, quote from A Room of One's Own / Three Guineas
“-çünkü eğer kadın gerçeği söylemeye başlarsa aynadaki görüntü büzülür; erkek hayata uyum sağlayamaz olur.”
― Virginia Woolf, quote from A Room of One's Own / Three Guineas
“(kadın için) -böylece çok garip ve karışık bir varlık çıkıyor ortaya. Hayal edildiğinde çok önemli, pratikte ise tamamen önemsiz. Şiir kitaplarını baştan sona istila etmiş, tarihte ise adı geçmiyor. Kurmacalarda, kralların ve fatihlerin hayatlarına hükmediyor; gerçek hayatta ailesinin parmağına yüzüğü taktığı herhangi bir delikanlının kölesi. Dudaklarından, edebiyatın en ilham verici sözcükleri, en derin duygularından bazıları dökülüyor, gerçek hayatta okuması yazması neredeyse yok, zor heceliyor sözcükleri ve kocasının malı durumunda.”
― Virginia Woolf, quote from A Room of One's Own / Three Guineas
“Sheakspeare'in zamanında bir kadının onunki gibi bir yeteneğe sahip olması mümkün değildi. Çünkü Sheakspeare gibi dahiler çalışan, eğitimsiz, alt sınıftan insanların arasından çıkmazlar.
On altıncı yüzyılda büyük bir yetenekle doğan her kadın mutlaka delirirdi, kendini vururdu, ya da köyün dışındaki sessiz bir kulübede geçirirdi hayatının son günlerini, yarı cadı yarı büyücü sanılır, korkulur ve alay edilirdi.”
― Virginia Woolf, quote from A Room of One's Own / Three Guineas
“ “Shut up!” I say, laughing hysterically. Alice transforms back to an inanimate jade piece as I toss her. My aim is off and she plops into Morpheus’s tea, splattering him and the chessboard.
With a graceful sweep of his hand, he retracts his magic. Tea drizzles down his face as his inky eyes turn up to mine, alight with something both dangerous and daring, shifting moods faster than I can blink.
“Careful, plum.” It’s his deep cockney accent now. He wipes his face with a napkin. “Don’t start something you have no intention of finishing.”
“Oh, I’ll finish it,” I say—spurred by the dark confidence fluttering at the edge of my psyche. The side of me that knows I’m his match in every way. “And you know I’ll win.” I rise from my chair to scope out the room for weapons, vaguely aware of the prisms of glittery light reflected off my skin onto the surroundings.
“I know I’ll let you win,” Morpheus says, standing up. “I won’t even put up a fight.” His white-toothed smile spans to something forebodingly provocative, as though mimicking the spread of his wings. “Well, perhaps a small one, just for sport.” ”
― A.G. Howard, quote from Ensnared
“King sighed. “Always with the questions, Pup.” He tucked my wet hair behind my ears in a move that was both soft and intimate. “I missed your annoying ass questions.” “I”
― T.M. Frazier, quote from Tyrant
“the reason we lose people we care about is so we’re more grateful for the ones we still have.”
― Jodi Picoult, quote from Small Great Things
“I was not aware of the moment when I first crossed the threshold of this life. What was the power that made me open out into this vast mystery like a bud in the forest at – midnight? When in the morning I looked upon the light I felt in a moment that I was no stranger in this world, that the inscrutable without name and form had taken me in irs arms in the form of my own mother. Even so, in death the same unknown will appear as ever known to me. And because I love this life, I know I shall love death as well. The child cries out when from the right breast the mother takes it away, in the very next moment to find in the left one its consolation.”
― Rabindranath Tagore, quote from Gitanjali: Song Offerings
“Structural factors are those such as ownership and control, dependence on other major funding sources (notably, advertisers), and mutual interests and relationships between the media and those who make the news and have the power to define it and explain what it means. The propaganda model also incorporates other closely related factors such as the ability to complain about the media’s treatment of news (that is, produce “flak”), to provide “experts” to confirm the official slant on the news, and to fix the basic principles and ideologies that are taken for granted by media personnel and the elite, but are often resisted by the general population.1 In our view, the same underlying power sources that own the media and fund them as advertisers, that serve as primary definers of the news, and that produce flak and proper-thinking experts, also play a key role in fixing basic principles and the dominant ideologies. We believe that what journalists do, what they see as newsworthy, and what they take for granted as premises of their work are frequently well explained by the incentives, pressures, and constraints incorporated into such a structural analysis. These structural factors that dominate media operations are not allcontrolling and do not always produce simple and homogeneous results.”
― Noam Chomsky, quote from Manufacturing Consent: The Political Economy of the Mass Media
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