Migrations
Quotes from the Book
But here is the nature of life. That we must love things with our whole selves, knowing they will die.
Maybe we will drown or burn or starve one day, but until then we get to choose if we’ll add to that destruction or if we will care for each other.
I understand it so simply now, it is a love that lives in the body but unlike the body it never dissolves. It lasts forever.
But the dandelion—this single flower that has given nourishment to countless other living creatures—is considered a weed.
To live for your children seems a normal thing, a respectable one; to live because of your children is something else.
What a mystery it was to me then: how she knew what temperature to keep the room overnight and what to dress the babies in so they’d be warm but not overly so, how she knew when to give paracetamol for a fever, and what times they needed to sleep depending on how old they were, and when to bring them into our beds for cuddles and when to be strict about sleep skills, and what the fuck sleep skills are, and not to use soap in their baths, and to try olive oil for the cradle cap, and which foods were safe for starting solids, and exactly how to serve them. How did she know all of this? It must have been built in, that’s what I thought. When Orly came along and it was just me, I realized how she’d known. She’d fucking learned. She’d had to, because somebody had to keep the babies alive, and so she bloody well got on with it.
Maybe that's what being a parent is. Expanding to be more. Asking of yourself more, for them.
I close my eyes, drinking it all in, knowing it is a place in time that I will never forget. The world is dangerous and we will not survive it. But there is this. Impermanent as it may be.
I think I finally understand your words. It’s just a body. They hold on or they don’t. You’re right, it’s nothing to be frightened of. Mine will become the salt of this water. And every time you swim it will be me upon your skin.
There is such peril in loving things at all, and he feels sort of proud, in fact, that he just keeps on doing it.
Here is the nature of life, we must love things with our whole selves knowing they will die.
Most of what I do with my days is repair things that are gonna break again soon. I just fix them and then when they break I fix them again. It’s like pushing shit up a hill.” “So why do you do it?” “Because someone has to, or everything just stays broken.
It is really fucking sad that it should take loss to know the precise quality of love.
I think of this life, of my life, of the things I built and planted. I have been lucky to know such richness. But I also think of how my husband taught me something else, something so wrong I am stunned that I ever believed it: that in the face of the world's end love should shrink. (p.290)
But what is the use of safety if it deprives you of everything else?
I am astounded at the unlikelihood of bringing my children to a place so remote and still have something so terrible happen to her. Maybe it is not unlikely at all. Where men go there is harm.
she isn't frightened of the dead. It is only the living who have the power to harm.
I think, deep in the darkest hours, that even if she survives this night that ocean will have her back one day.
In the years we have been together it has become very clear to me that he does not see me at all. I am actually not so bothered by this; what an ordeal it would be, to be known.
Loving a place is the same as having a child. They are both too much an act of hope, of defiance. And those are a fool’s weapons.
What I miss is having someone to look at in moments like these, someone who understands not just the talent or cleverness of our children but the wisdom, the immensity of feeling they hold within. Instead I marvel at them alone.
But as night falls and we slide wearily into bed, I hear the patter of small feet and there is a boy climbing in with me, and he tells me the story of the dinosaur trees. And I can understand why he might not, in fact, be alright. Why maybe none of us will be, because we have, all of us humans, decided what to save, and that is ourselves.
think my husband loved me as a vessel. Not consciously, I don’t think so little of him that I believe he could be conscious of this. But somewhere deep within. A buried truth in the darkness. He never took the time to discover my body, he never explored it for what it could offer aside from the obvious, he never found in me, in my essence, a purpose other than to carry children, and when I admitted I couldn’t do this for him he turned away from me. He had no more use for my limbs or my skin, my muscles or tongue or fingertips. He couldn’t even see me anymore, my flesh. I’m not sure that such a turning away could exist in the same body as love. I’m not sure it’s possible to make so small a thing of love. I think love expands when it needs to, it adapts, it embraces.
The world is dangerous and we will not survive it. But there is this. Impermanent as it may be.
And I can understand why he might not, in fact, be alright. Why maybe none of us will be, because we have, all of us humans, decided what to save, and that is ourselves.
What I miss most is not any of the things I expected. It’s having someone to talk to about our children. The hilarious things they say and do, the insights with which they blow my mind and the ways they change frequently and without mercy. I need her to help me process and deliberate and delight in. I want to laugh with her. To be awestruck with her. I want her to look at me in wonder, acknowledging what profound creations we have made together. What I miss is having someone to look at in moments like these, someone who understands not just the talent or cleverness of our children but the wisdom, the immensity of feeling they hold within. Instead I marvel at them alone.
He wonders if this is what he is, all that he is, a leaf battered by one wind or the other.
There is a land of the living and a land of the dead and the bridge is love, the only survival, the only meaning. —THORNTON WILDER, THE BRIDGE OF SAN LUIS REY
I remember a morning, one of many that all bleed together in my mind. A morning I rose, shattered by grief and weariness, stumbling into our living room in the city. I remember wondering why I could hear no crying, no morning calls for a bottle, and then seeing my son on his back in a shaft of sunlight, with the small lean bodies of my older children laid around him, I remember their fingers tickling his belly and his smile, his first smile. They looked up at me with such awe, such delight. A smile, Dad! He's smiling! And I thought, this is why we survive.
Did you know?
- The novel was inspired by Macquarie Island, a remote subantarctic island that Charlotte McConaghy visited.
- Shearwater Island in the book is home to the world's largest seed bank, a detail central to its conservation themes.
- It was selected as a Reese's Book Club pick.
- The book was a New York Times bestseller.
- Library Journal named it one of the best novels of 2025.
- The audiobook is narrated by Cooper Mortlock with a full cast and received a starred Booklist review.
About Charlotte McConaghy
More by Charlotte McConaghy
Migrations
Avery
About the book
Wild Dark Shore is Charlotte McConaghy's 2025 novel set on Shearwater, a tiny, storm-battered island near Antarctica that is home to the world's largest seed bank. Once full of researchers, the island now has only a single family left to care for it: Dominic Salt and his three children. When a woman named Rowan washes ashore during the worst storm the island has seen, the family nurses her back to health, but neither Rowan nor Dominic is telling the whole truth about who they are and why they are there.
At its heart the book braids together conservation, grief, isolation, and the secrets families keep. Rising seas threaten to swallow the island and the irreplaceable seeds it protects, and McConaghy uses that precarious setting to explore human resilience and our fraught relationship with the natural world. The Salt children each bond with the wildness around them, and the slow unspooling of buried truths gives the literary story the pull of a thriller.
The novel was a New York Times bestseller and was chosen as a Reese's Book Club pick, broadening its reach. It earned starred reviews from Booklist and Kirkus Reviews, was named one of Library Journal's best novels of 2025, and won the Australian Indie Book Awards Book of the Year. Critics praised the way it blends propulsive storytelling with a sobering message about climate change and conservation.
Key characters
- RowanA woman who washes ashore during a storm, harboring her own secret reason for coming to the island
- Dominic SaltThe widowed caretaker and patriarch of the island, hiding a past that haunts him
- Raff SaltDominic's eldest child, drawn to the whales and their songs
- Fen SaltDominic's daughter and middle child, who bonds with the island's seals
- Orly SaltDominic's nine-year-old youngest child, who tends and knows the seed bank better than anyone
Book details
- First published
- 2025
- Length
- 320 pages
- Reading time
- 5 hours
- Author
- Charlotte McConaghy
- Genre
- Fiction
- Goodreads rating
- 4.07 (531k ratings)
Critical reception
- Became a New York Times bestseller and a Reese's Book Club pick.
- Received starred reviews from Booklist and Kirkus Reviews.
- Named one of Library Journal's best novels of 2025.
- Won the Australian Indie Book Awards Book of the Year.
Keep reading
Migrations
The Dark and Hollow Places
In the Wild Light
The Dead-Tossed Waves
The Dog Stars
These Silent Woods
The Forest of Hands and Teeth
Bomb Shelter: Love, Time, and Other Explosives
High Tide in Tucson
The Goldfinch
Light Years
As Long as the Lemon Trees Grow
Love Is the Higher Law
Iris & Ruby
Our Wives Under the Sea
What Is the What
Send Me Their Souls
I'll Be Seeing You
Crossed
Goodbye Days
The Bright Years
Broken Country
This World We Live In
The Carrying
Where the Lost Wander
Kafka on the Shore
Sister of My Heart
The World and Other Places: Stories
Aquarium
Perfect Ruin
Delirium
Shadow Man
Animal Dreams
Deep Creek: Finding Hope in the High Country
The Beekeeper of Aleppo
Future Home of the Living God
Dream Count
The Space Between Worlds
The First Time She Drowned
Requiem
Sever
All the Water in the World
Chain of Thorns
Some Assembly Required: A Journal of My Son's First Son
The End of Men
Simply Love
All the Little Live Things
The Secrets She Keeps
You Have Seven Messages
The Serpent King
Pandemonium
We Are Water
My Mother's Secret
Ruins
Heart Bones
The Sea, the Sea
How High We Go in the Dark
Belong to Me
Banyan Moon

