Vanishing Girls
Quotes from the Book
Sometimes I feel like if you just watch things, just sit still and let the world exist in front of you - sometimes I swear that just for a second time freezes and the world pauses in its tilt. Just for a second. And if you somehow found a way to live in that second, then you would live forever.
The flip side of freedom is this: When you're completely free, you're also completely on your own.
I wonder if this is how people always get close: They heal each other's wounds; they repair the broken skin.
If you’re smart, you care. And if you care, you love.
But you can build a future out of anything. A scrap, a flicker. The desire to go forward, slowly, one foot at a time. You can build an airy city out of ruins.
But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.
Love, the deadliest of all deadly things. It kills you. Alex. When you have it. Alex. And when you don't. Alex.
That's the thing: We didn't really care. A world without love is also a world without stakes.
Grief is like sinking, like being buried. I am in water the tawny color of kicked-up dirt. Every breath is full of choking. There is nothing to hold on to, no sides, no way to claw myself up. There is nothing to do but let go. Let go. Feel the weight all around you, feel the squeezing of your lungs, the slow, low pressure. Let yourself go deeper. There is nothing but bottom. There is nothing but the taste of metal, and the echoes of old things, and days that look like darkness.
We all need mantras, I guess - stories we tell ourselves to keep us going.
I need him to know that I came for him. I need him to know that somehow, at some point in the tunnels, I began to love him.
I want to know." His words are a whisper, barely audible. "I want to know with you.
This is what hatred is. It will feed you and at the same time turn you to rot.
Something must die so that others can live.
Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me." "I promise," I say. Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her.
I’ve been trying so hard not to think his name, not to even breathe the idea of him
Alex loved books. He was the one who first introduced me to poetry. That's another reason I can't read anymore.
Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me." "I promise," I say. Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her." The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pleasure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
I read once about a kind of fungus that grows in trees. The fungus begins to encroach on the systems that carry water and nutrients up from the roots to the branches. It disables them one by one―it crowds them out. Soon, the fungus―and only the fungus―is carrying the water, and the chemicals, and everything else the tree needs to survive. At the same time it is decaying the tree slowly from within, turning it minute by minute to rot. That is what hatred is. It will feed you and at the same time turn you to rot. It is hard and deep and angular, a system of blockades. It is everything and total.
We can never understand. We can only try, fumbling our way through the tunneled places, reaching for light.
people themselves are full of tunnels: winding, dark spaces and caverns; impossible to know all the places inside of them. Impossible even to imagine.
The only thing worse than having no friends is being pitied for having no friends.
In a world without love, this is what people are to each other: values, benefits, and liabilities, numbers and data. We weigh, we quantify, we measure, and the soul is ground to dust.
There is no before. There is only now, and what comes next.
Live free or die. Four words. Thirteen letters. Ridges, bumps, swirls under my fingertips. Another story. We cling tightly to it, and our belief turns it to truth.
When I’m running, there’s always this split second when the pain is ripping through me and I can hardly breathe and all I see is color and blur—and in that split second, right as the pain crests, and becomes too much, and there’s a whiteness going through me, I see something to my left, a flicker of color […]—and I know then, too, that if I only turn my head he’ll be there, laughing, watching me, and holding out his arms. I don’t ever turn my head to look, of course. But one day I will. One day I will, and he’ll be back, and everything will be okay. And until then: I run.
We're on the other side of the fence now, Lena,' she says, tiredly, as she passes. "Don't you get it? You can't tell me what to feel.
I guess there are some things you never get used to.
This is the world we live in, a world of safety and happiness and order, a world without love. A world where children crack their heads on stone fireplaces and nearly gnaw off their tongues and the parents are concerned. Not heartbroken, frantic, desperate. Concerned, as they are when you fail mathematics, as they are when they are late to pay their taxes.
Did you know?
- Pandemonium is the second book in Lauren Oliver's Delirium trilogy, following Delirium and preceding Requiem.
- The novel is set in a dystopian United States where love is treated as a disease called 'amor deliria nervosa.'
- The story is told in two alternating timelines labeled 'Then' and 'Now.'
- It was published by HarperTeen, an imprint of HarperCollins, on February 28, 2012.
- Kirkus Reviews and School Library Journal both gave the novel starred reviews.
About Lauren Oliver
More by Lauren Oliver
All books by Lauren Oliver →About the book
Pandemonium is a 2012 dystopian young adult novel by Lauren Oliver, the second book in her Delirium trilogy, set in a near-future United States where romantic love has been classified as a disease and citizens undergo a mandatory procedure to be 'cured' of it. Having escaped across the border fence at the close of Delirium, the narrator Lena Haloway must survive alone in the lawless Wilds before being taken in by a band of resistance fighters. The story unfolds in two alternating timelines, labeled 'Then' and 'Now,' that trace her passage from near-death in the wilderness to a covert life inside a growing rebellion against the state.
In the 'Now' thread, Lena has infiltrated the pro-cure movement in New York City, where she crosses paths with Julian Fineman, the young public face of the Deliria-Free America organization, and the two are thrown together when they are abducted underground. Across the book Oliver deepens the trilogy's central conflict between an authoritarian society that prizes safety and control and the individuals who choose the risk and disorder of feeling. Themes of freedom, self-reinvention, grief, and the cost of loyalty run throughout, as Lena remakes herself into a hardened member of the resistance.
As the middle installment of a bestselling series, Pandemonium received largely positive notices, including starred reviews from Kirkus Reviews and School Library Journal, and helped cement Oliver's standing in the young-adult dystopian wave that followed The Hunger Games. It sets up the trilogy's concluding volume, Requiem, and its dual-timeline structure and cliffhanger ending were widely discussed by readers. The book remains a staple of Oliver's body of work alongside her earlier novel Before I Fall.
Key characters
- Lena HalowayProtagonist and narrator, a young woman who has fled to the Wilds and joined the resistance
- Julian FinemanYoung public leader of the pro-cure Deliria-Free America movement and Lena's love interest
- RavenHardened leader in the Wilds who takes Lena in and trains her
- TackResistance fighter in the Wilds and Raven's partner
Book details
- First published
- 2012
- Length
- 383 pages
- Reading time
- 6 hours
- Author
- Lauren Oliver
- Genre
- Fantasy
- Goodreads rating
- 4.02 (247k ratings) →
- First line
- “I'm pushing aside the memory of my nightmare, pushing aside thoughts of Alex, pushing aside thoughts of Hana and my old school, push, push, push, like Raven taught me to do.”
Series & reading order
- 1 Delirium
- 2 Pandemonium
- 3 Requiem
Keep reading
Requiem
Delirium
House of Leaves
Invisibility
This Is Where the World Ends
The Dark and Hollow Places
Beautiful Chaos
The Dead-Tossed Waves
The Burning World
After the Quake
Kafka on the Shore
Fever
Robopocalypse
Sputnik Sweetheart
Choke
Goodbye Days
Holding Up the Universe
Watchmen
Revolution
The Infinite Sea
The Dream of Perpetual Motion
A Million Little Pieces
Crossed
Love from A to Z
The Unbound
The Handmaid's Tale
The Magus
A Reaper at the Gates
Turtles All the Way Down
Nocte
Paper Towns
Love Is the Higher Law
Fall for Anything
Smilla's Sense of Snow
The Blind Assassin
Warm Bodies
The Sea, the Sea
A Fraction of the Whole
Sever
Wolf in White Van
Everything Is Illuminated
What Is the What
Fragments
Acceptance
The Dog Stars
Vanishing Girls
Haunted
Something Wicked This Way Comes
This World We Live In
Mosquitoland
Six Years
Perfect Ruin
The Serpent King
The Graveyard Book
The Shock of the Fall
Unteachable
We
The Fault in Our Stars
Life After Death
The Tent

