A Small Indiscretion
Quotes from the Book
It’s strange, the patchwork stories we tell someone when we want them to catch up, a shortcut to knowing us, as if such a thing were possible.
You have to fool yourself into thinking you already are the thing you want to become.
For Frank, Love Beth If the man could hear me, I would tell him this: It was instant, Dad It was instant. No pain The sorrow was all your own. Enough now. I would tell him that. Lives should be measured in intensity. Remember mine For its glory-stretch of furious light and wondrous beauty. The world we love-lived Is earth Is dust Is me, Dad.
This is a love story with too many beginnings. I refuse to think about how it is going to end.
Frank and I dance around each other’s sadness. Any couple who has lost a child will tell you the same. You see it in the other, of course you do, but it’s like you’re on a seesaw of grief, and all you want is to avoid tipping the other one down.
Lives should be measured in intensity. Remember mine For its glory-stretch of furious light and wondrous beauty.
Do you think, Gabriel says, if we are careful, we could have this for a little while? Because, what we had before, you and I, it was more than most people ever have.
The swoop of disappointment as I watch him walk away is almost as pronounced as my relief.
There can be no greater intoxication, no purer feeling, than the moment when you meet your child after all the months of wondering and hoping and dreaming.
We didn’t take enough photos of Bobby, we didn’t understand photos would be the only thing we’d have left.
Lives should be measured in intensity.
I feel my face flush with anger. Day in, day out, men are admired for their sexual prowess, for the “conquests” notched upon their bedposts. Whereas women, who dare to do the same, are derided, and, most often, it is other women dishing out the derision.
You can never change back once you’ve had a child, even if that child no longer exists.
Why do adults do this? Why do they promise things they have no way of being able to deliver?
This is a love story and it is better, by far, than any of the ones I have dreamed up in the past. If I’m allowed a wish, just one, then it is this: I wish for our story to have a happy ending.
I find myself in this situation often: managing other people’s awkwardness around my grief, my loss.
I’d forgotten how young children, much like animals, can sense your pain without being afraid of it.
He is facing away from me, but I hear the smile in his voice. “Our siblings know us best, don’t they? They know exactly how to hit where it hurts.
Is it normal to love one person your whole life like you and Daddy?" Bobby asks me out of the blue. "Or can you love other people first?" - "It's simplest when you do," I say. "But the only thing that matters is finding the right person to spend the rest of your life with. However you get there.
Perhaps that’s what it is, this feeling never experienced before, elation, excitement, a furious kind of happiness. Perhaps this is love.
But we are not who we once were. He is a father, and I was a mother, our identities as merged as they once were separated. You can never change back once you’ve had a child, even if that child no longer exists.
When the tree is a foot in the air, I see the first flash of red cotton and the sound that comes from me has no human in it, spirit shriek, ancient, guttural cry.
Ours was a complicated tale with many pieces to fit together. All of us were to blame in some way—Gabriel and me, Frank, Leo, and Jimmy too. Everyone played a part in the tragedy. And everything was about Bobby, really, when you dug deep enough.
Pause after the recounting, take the time to taste again the euphoria of that day, when everything was ahead.
It’s not that I haven’t thought about it. Part of me craves a newborn, that blissful, insular vacuum, coexistence in a sleep-deprived parallel universe, as closely connected as you were when the tiny creature was in your womb. The scent of them, the shape of them, the warm weight cradled in your arms, the delicate sound of their breathing.
she does before she falls asleep. She pauses for a second or two, assessing the man walking up the field toward us. Then she screams, “Daddy!” and she begins to run, her sheep abandoned. I watch her racing down the field, elbows pumping. She is wearing pink shorts and red wellies and her hair trails behind her in a dark cloud. I watch Frank as he opens his arms, as she flies into them. As he swoops her up and spins her around. I can hear them laughing. I watch as Frank throws his head back and yells at the gray clouds passing overhead. “I am home. I AM HOME.” As Grace tries it, resting her neck against her father’s shoulder, face upturned to the sky. “I AM HOME. I AM HOME.” As they laugh and yell and laugh some more, this father and daughter who are meeting for the first time. Then they turn to me. Frank stretches out his right arm and Grace, cottoning on instantly, holds out her left. A giant man and girl scarecrow.
The pain of that. There is nothing I can say. My whole life moving forward will be filled with people who never knew my son.
Don’t say that. You have to fool yourself into thinking you already are the thing you want to become.
Did you know?
- Clare Leslie Hall is a pen name for the British novelist Clare Empson.
- The book was selected as a Reese's Book Club pick in March 2025.
- Rights to the novel were sold in around 30 countries.
- It was named one of Amazon's Best Books of 2025.
- A film adaptation was set up with Sony's 3000 Pictures and Reese Witherspoon's Hello Sunshine.
About Clare Leslie Hall
About the book
Broken Country is a 2025 literary thriller and love story by British author Clare Leslie Hall (a pen name for Clare Empson). Set in rural Dorset, it follows Beth, a farmer's wife still grieving the death of her young son, whose quiet life with her husband Frank is upended when her wealthy childhood sweetheart Gabriel, now a successful novelist, returns to the area. Moving between the 1950s and 1960s, the novel braids first love, marriage and grief together with a murder trial whose victim and culprit the reader learns only gradually.
Hall's central concerns are the pull of old love against the loyalty of a settled marriage, the long shadow of class difference in mid-century England, and the way grief can reshape a person and a relationship. The dual timeline lets the book examine how choices made in youth echo across decades, while a courtroom frame turns questions of love and fidelity into questions of guilt and consequence.
The novel was a major commercial and critical success, selling rights in roughly 30 countries and being chosen as a Reese's Book Club pick in March 2025. It spent many weeks on the New York Times bestseller list and was named to Amazon's Best Books of 2025. Reviewers including Kirkus and Publishers Weekly praised its elegant prose and complex heroine, and a film adaptation was set up with Sony's 3000 Pictures and Reese Witherspoon's Hello Sunshine.
Key characters
- BethThe protagonist, a farmer's wife and former aspiring writer grieving her late son
- FrankBeth's husband, a Dorset sheep farmer
- GabrielBeth's upper-class childhood sweetheart, now a successful novelist who returns to the area
- LeoGabriel's young son, who reminds Beth of her deceased child Bobby
Book details
- First published
- 2025
- Length
- 320 pages
- Reading time
- 5 hours
- Author
- Clare Leslie Hall
- Genre
- Fiction
- Goodreads rating
- 4.28 (652k ratings)
- First line
- “The farmer is dead, he is dead and all anyone wants to know is who killed him.”
Critical reception
- Chosen as a Reese's Book Club pick in March 2025.
- Spent many weeks on the New York Times Hardcover Fiction bestseller list.
- Kirkus Reviews called it 'elegantly written.'
- Publishers Weekly described Beth as a 'fascinatingly complex' lead.
Movie & TV adaptations
- IMDb
Keep reading
A Small Indiscretion
Banyan Moon
Belong to Me
The Shock of the Fall
Requiem
First Love
Goodbye Days
Crossed
What Is the What
Petals on the Wind
The Smell of Other People's Houses
The Valley of Amazement
Aftermath
I Keep My Exoskeletons to Myself
The Girl Before
The Story of Us
The Fact of a Body: A Murder and a Memoir
What I Loved
The Deal of a Lifetime
The Bright Years
The Names They Gave Us
How To Talk To A Widower
Matched
The Revolution of Ivy
The Forest of Hands and Teeth
Loving Frank
After You
The Return
Ramona Blue
The Night Diary
Reminders of Him
I'll Be Seeing You
Dream Count
The Sweet Hereafter
Never Let Me Go
The Party Crasher
The Guest List
The Death of Vivek Oji
Six Years
A Thousand Pieces of You
Fixing Delilah
Imagine Me Gone
When We Collided
Disgrace
Leaving Time
Jellicoe Road
The Inexplicable Logic of My Life
Twenty Boy Summer
These Silent Woods
We Are Okay
Left Drowning
Enduring Love
Trust: Betrayed
Where One Goes
Fall for Anything
The Love That Split the World
This is Where I Leave You
The Resurrection of Aubrey Miller
The End of Men

