“I caught a pebble in the moonlight.”
― David Gemmell, quote from Waylander
“There is evil in all of us, and it is the mark of a man how he defies the evil within.”
― David Gemmell, quote from Waylander
“My enemies can soar into the night like invisible demons, conjure wolf creatures from hell, and read minds. On our side is a god that can lead a man to a ferry!”
― David Gemmell, quote from Waylander
“Once I loved life ad the sun was a golden joy. But joy is sometimes short lived, priest. And when it dies, a man will seek inside himself and ask: Why? Why hate is so much stronger than love? Why the wicked reap such rich rewards? Why do strenght and speed count for more than morality and kindness? And then the man realizes...there are no answers. None. And for the sake of his sanity the man must change perceptions. Once I was a lamb, playing in a green field. Then the wolves came. Now I am a eagle, and I fly in a different universe.'
'And now you kill the lambs', whispered Dardalion.
Waylander chuckled and turned over.
'No, priest. No one pays for lambs”
― David Gemmell, quote from Waylander
“No, but if you will forgive me, let me say this: all children are creatures of joy, and all people are capable of love. You feel you lost everything, but there was a time before your joy when your children did not exist and your wife was unknown to you. Could it not be that there is a woman somewhere who will fill your life with love, and bear you children to bring you joy?”
― David Gemmell, quote from Waylander
“I still say this is madness,’ whispered Jonat.
‘I know – at this moment I’m inclined to agree with you.’
‘But we’ll go anyway,’ muttered Jonat. ‘One of these days someone is going to listen to my advice and I’ll probably die of the shock!”
― David Gemmell, quote from Waylander
“They had shared much of their pasts, most of their fears, and all of their tenuous and fragile hopes, but Deborah had noticed over the years that whenever she mentioned her art, or something on which she was working, a subtle change would come over Carla. Her face would harden almost imperceptibly; her manner would edge toward coolness. Because it was a subtle emotion in a world of erratic oscillations of feeling, of violence, and of lies told by every sense of perception, Deborah had not noticed it in their sick times. But one day the world had cleared enough so that she realised that at any mention of her art, her friend drew back. In their new eagerness for experience and reality, the strange aloofness stood out clearly.
[...]
She had a dream.
In the dream it was winter and night. The sky was thick blue-black and the stars were frozen in it, so that they glimmered. Over the clean white and windswept hills the shadows of snowdrifts drew long. She was walking on the crust of snow, watching the star-glimmer and the snow-glimmer and the cold tear-glimmer in her own eyes. A deep voice said to her, "You know, don't you, that the stars are sound as well as light?"
She listened and heard a lullaby made by the voices of the stars, sounding so beautiful together that she began to cry with it.
The voice said, "Look out there."
She looked toward the horizon. "See, it is a sweep, a curve." Then the voice said, "This night is a curve of darkness and the space beyond it is a curve of human history, with every single life an arch from birth to death. The apex of all of these single curves determines the curve of history and, at last, of man."
"I cannot show you yours," the voice said, "but I can show you Carla's. Dig here, deep in the snow. It is buried and frozen - Dig deep."
Deborah pushed the snow aside with her hands. It was very cold, but she worked with a great intensity as if there were salvation in it. At last her hand struck something and she tore it up from burial. It was a piece of bone, thick and very strong and curved in a long, high, steady curve.
"Is this Carla's life?" she asked. "Her creativity?"
"It is bone-deep with her, though buried and frozen." The voice paused a moment and then said, "It's a fine one - a fine solid one!"
[...]
"Please don't be angry," she said, and then told Carla the dream.
[...]
She wiped her eyes. "It was only a dream, your dream..."
"It's true anyway," Deborah said.
"The one place I could never go..." Carla said musing, "...the one hunger I could never admit."
When Deborah finished, Furii said, "You always took your art for granted, didn't you? I used to read in the ward reports all the time how you managed to do your drawing in spite of every sort of inconvenience and restriction.”
― quote from I Never Promised You a Rose Garden
“Now these ashes have grown cold, we open the old book.
These oil-stained pages recount the tales of the Fallen,
a frayed empire, words without warmth. The hearth
has ebbed, its gleam and life's sparks are but memories
against dimming eyes - what cast my mind, what hue my
thoughts as I open the Book of the Fallen
and breathe deep the scent of history?
Listen, then, to these words carried on that breath.
These tales are the tales of us all, again yet again.
We are history relived and that is all, without end that is all.”
― Steven Erikson, quote from Gardens of the Moon
“They lurk in the cold and dark.Hungry and,wicked,they wait for their one chance to devour the weak on Sorry Night.Then the vours feast on a banquet of fear.Your fear.They steal your soul but your body remains.No one knows the difference.”
― Simon Holt, quote from The Devouring
“But why must all the operations in life be performed without an anesthetic?”
― Ernest Hemingway, quote from To Have and Have Not
“الفقر هو صنو الجهل وصنو المرض , ومتى اجتمع الثلاثة كفر الشعب بالدولة ومات فى النفوس كل شعور وطنى.”
― Adolf Hitler, quote from Mein Kampf
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