“How we remember changes how we have lived.
Time runs both ways. We make stories of our lives.”
― Guy Gavriel Kay, quote from Under Heaven
“The world could bring you poison in a jewelled cup, or surprising gifts. Sometimes you didn't know which of them it was.”
― Guy Gavriel Kay, quote from Under Heaven
“Full moon is falling through the sky.
Cranes fly through clouds.
Wolves howl. I cannot find rest
Because I am powerless
To amend a broken world.
Sima Zian added, "I love the man who wrote that, I told you before, but there is so much burden in Chan Du. Duty, assuming all tasks, can betray arrogance. The idea we can know what must be done, and do it properly. We cannot know the future, my friend. It claims so much to imagine we can. And the world is not broken any more than it always, always is.”
― Guy Gavriel Kay, quote from Under Heaven
“Branching paths. The turning of days and seasons and years. Life offered you love sometimes, sorrow often. If you were very fortunate, true friendship. Sometimes war came.
You did what you could to shape your own peace, before you crossed over to the night and left the world behind, as all men did, to be forgotten or remembered, as time or love allowed.”
― Guy Gavriel Kay, quote from Under Heaven
“Truth" when examining events and records of the past was always precarious, uncertain. No man could say for certain how the river of time would have flowed, cresting or receding, bringing floods or gently watering fields, had a single event, or even many, unfolded differently.
It is in the nature of existence under heaven, the dissenting scholars wrote, that we cannot know these things with clarity. We cannot live twice, or watch as moments of the past unfurl, like a courtesan's silk fan. The river flows, the dancers finish their dance. If the music starts again it is starting anew, not repeating itself.”
― Guy Gavriel Kay, quote from Under Heaven
“There was some sadness in how that could happen, Tai thought: falling out of love with something that had shaped you. Or even people who had? But if you didn't change at least a little, where were the passages of a life? Didn't learning, changing, sometimes mean letting go of what had once been seen as true?”
― Guy Gavriel Kay, quote from Under Heaven
“I love the way folktale and fantasy tap into the roots of story telling. The paradox, for me, is that by moving a story into the fantastic we can actually bring it closer to the reader, not move it further away. It is more than an escape. When we read of the only daughter of a fisherman (or the third son of a woodcutter) in a fairy tale, we are all that character. That's the underlying pulse beat of such tales. Using the fantastic as a prism for the past, if done properly, removes the tale from distancing specificity. It can't just be read as unique to a time and place; it is universalized in interesting, powerful ways. When I wrote Tigana, about the way tyranny tries to erase identity in conquered peoples, the fantasy setting seems to have done exactly that: I'm asked in places ranging from Korea to Poland to Croatia to Quebec, "Were you writing about us?"
I was. All of them. That is the point. The fantastic is a tool in the writer's arsenal, as potentially powerful as any there is, and any tool we have works to the benefit of the reader.”
― Guy Gavriel Kay, quote from Under Heaven
“I didn't ask to be made a princess."
This time all three of them laugh, although it is gentle enough.
"Who chooses their fate?" It is the third one, the tallest. "Who asks to be born into the times that are theirs?"
"Well, who accepts the world only as it comes to them?" she says, too quickly.”
― Guy Gavriel Kay, quote from Under Heaven
“The world could bring you poison in a jewelled cup, or surprising gifts. Sometimes you didn’t know which of them it was.”
― Guy Gavriel Kay, quote from Under Heaven
“And it is always difficult, even with the best will in the world, to look back a long way and see anything resembling the truth.”
― Guy Gavriel Kay, quote from Under Heaven
“Full moon is falling through the sky. Cranes fly through clouds. Wolves howl. I cannot find rest Because I am powerless To amend a broken world.”
― Guy Gavriel Kay, quote from Under Heaven
“We cannot know the future, my friend. It claims so much to imagine we can. And the world is not broken any more than it always, always is.”
― Guy Gavriel Kay, quote from Under Heaven
“Here the world is all the world may be”
― Guy Gavriel Kay, quote from Under Heaven
“There was a new hole in the world where sorrow could enter.”
― Guy Gavriel Kay, quote from Under Heaven
“One of the pleasures of dealing with intelligent men, Lin Fong decided, watching seven people ride out the eastern gate in early-morning sunlight, was how much did not have to be spoken.”
― Guy Gavriel Kay, quote from Under Heaven
“I want to kill someone," Tai said.
A pause to consider this. "I am familiar with the desire. It is sometimes effective. Not invariably.”
― Guy Gavriel Kay, quote from Under Heaven
“Men changed during wars or conflict, sometimes beyond recognition. Tai”
― Guy Gavriel Kay, quote from Under Heaven
“The world is not something to be understood. It is vanity, illusion to even try.”
― Guy Gavriel Kay, quote from Under Heaven
“He’d stopped permitting himself to be unhappy about it.”
― Guy Gavriel Kay, quote from Under Heaven
“Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck.
There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual.
Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming.
Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines.
Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress.
Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.”
― Patricia MacLachlan, quote from The Facts and Fictions of Minna Pratt
“Honest, hopelessly romantic old-fashioned gentleman seeks lady friend who enjoys elegant dining, dancing and the slow bloom of affection.”
― Claire Cook, quote from Must Love Dogs
“Borders. Tresholds. Doorways. Windows. Neither inside nor out. Not one thing any longer, but not yet another. The in between.
Order fails, and ghosts come in.”
― Andra Brynn, quote from Where I End and You Begin
“To be watched made her uneasy, as though she had to compete with every other person he might gaze upon, and she had known for quite some time that competing was not what she did best. Even as a child this had been true; the game of musical chairs had filled her with panic — that dreadful, icy knowledge that when the music stopped someone would be out. It was better when she stopped trying, because there were so many things a young person was required to endure: spelling bees, endless games in gym class; in all these things she had stopped trying, or if she tried, she did so with little expectation of herself, so was not disappointed to misspell “glacier” in a fourth-grade spelling bee, or to strike out in softball because she never swung the bat. It became a habit, not trying, and in junior high, when the biggest prize of course was to be popular among the right friends, Amy found she lacked the fortitude once more to get in there and swing. Arriving at the point where she felt almost invisible, she was aware that her solitude was something she might have brought upon herself. But here was Mr. Robertson and she was not invisible to him. Not when he looked at her like that—she couldn't be. (Still, there was her inner tendency to flee, the recrudescence of self-doubt.) But his hand came forward and touched her elbow.”
― Elizabeth Strout, quote from Amy and Isabelle
“I do not wish to preach, but perhaps, after all, this terrible misfortune may lead you to something better. Thank God, there is forgiveness for us all.”
― H. Rider Haggard, quote from Dawn
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.