“Not a frog, I hope?” he asked…She shook her head. “No. And if it was I wouldn’t kiss it, I promise you. I might kiss a prince if I could be sure he’d turn into a frog, but not the other way around.”
“What are you afraid of then?
Not Being able to see, I think not seeing because your obsessed by something that blots out the world.”
“She stood looking carefully at the labeled portraits Ursala had put up: Little Crow, Chief of the Santees, Geronimo, last of the Apaches, and Ursala's favorite, Big Foot, dying in the snow at Wounded Knee.
"Isn't that where the massacre was?" asked Ellen.
"Yes. I'm going to go there when I'm grown up. To Wounded Knee."
"That seems sensible," said Ellen.”
“What about you, Ellen?' he asked. 'What does music mean to you?'
It was a while before she answered. 'When I was at school... quite little still... there was a girl there who had perfect pitch and a lovely voice and she played the piano. I used to hear people talking about her.' She paused, lacing her fingers together. '"She's musical," they used to say, "Deirdre's musical," and it was as if they'd said: "She's angelic." That's how it seemed to me to be musical: to be angelic.'
Isaac turned to her. 'My God, Ellen,' he said huskily, 'it is you who are angelic. If there's anyone in the world who is angelic it is you.”
“Herr Altenburg, I can't; I have vertigo.' And Marek looked at him: 'All right - I'll get the chemist to fix me something.”
“What are you afraid of then?'
She pondered. He had already noticed that it was her hands which indicated what she was thinking of quite as much as her face and now he watched as she cupped them, making them ready to receive her thoughts.
'Not being able to see, I think,' she said.
'Being blind, you mean?'
'No, not that. That would be terrible hard but Homer managed it and our blind piano tuner is one of the serenest people I know. I mean ... not seeing because you're obsessed by something that blots out the world. Some sort of mania of belief. Or passion. That awful kind of love that makes leaves and birds and cherry blossom invisible because it's not the face on some man.”
“It was a heavenly summer, the summer in which France fell and the British Expeditionary Force was evacuated from Dunkirk. Leaves were never such an intense and iridescent green; sunlight glinted on flower-studded meadows as the Germans encircled the Maginot Line and overran not only France but Belgium and Holland. Birdsong filled the air in the lull between bursts of gunfire and accompanied the fleeing refugees who blocked the roads. It was as though the weather was preparing a glorious requiem for the death of Europe.”
“Adorno echoed the words and works of Karl Marx in his music. Whereas Marx focused on the economic aspect, Adorno placed his emphasis on the role played by culture in maintaining the politically apathetic status quo. Music of the 12-atonal métier would be even more powerful than Marx’s economic assault on western capitalism. Adorno was of course a serious student and polished writer and performer of classical music. He was, perhaps, the most important music “new ground” philosopher, an intellectual giant in modernism in music. While attending the University of Frankfurt in Germany, he became friends with Alban Berg and studied composition under him from 1924. There Adorno learned the “dialectics” of George Hegel and applied it to his compositions. Adorno became Professor of Philosophy at the University of Frankfort.”
“(I) want to do everything and see everything, sense everything and feel everything and taste everything; to know that life is an enormous experience and must be used. To be in the world, and of the world, and never to stand aside and watch.”
“But the habit patterns, inevitably, had survived. To the air, with a wry grin, he murmured, “How long, O Lord? How long?” In his private estimation: not long now.”
“St Germain, now a ‘messiah’ figure to many New Agers, was a friend of William of Hesse-Hanau, and his brother, Karl. Apparently, Karl wrote that Germain, an alchemist and magician, had been raised by the de Medici (Black Nobility) family in Italy.8 Many New Agers today talk about the Great White Brotherhood of ‘master souls’, including Germain, who are communicating ‘guidance’ to channellers about the coming transformation. This is yet another mind control operation by the Brotherhood to misdirect and imprison the more extreme of the New Age mentality and to stop it getting off its collective arse (and the ceiling) and so making a real difference.”
“The present is never tidy, or certain, or reasonable, and those who try to make it so once it becomes the past succeed only in making it seem implausible.”
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