“[T]hat state, love, is so utterly alien to that other idea without which we cannot live as human beings --- the idea of justice. It is only because love is so profoundly the enemy of justice that our minds, shrinking in horor from its true nature, try to tame it by uniting it with its opposite [...] in the hope that if we apply all the metaphors of normality, that if we heap them high enough, we shall, in the end, be able to approximate that state metaphorically.”
― Amitav Ghosh, quote from The Shadow Lines
“There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper. . . . In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face.”
― Amitav Ghosh, quote from The Shadow Lines
“I know nothing of this silence except that it lies outside the reach of my intelligence, beyond words - that is why this silence must win, must inevitably defeat me, because it is not a presence at all.”
― Amitav Ghosh, quote from The Shadow Lines
“That unthinkable, adult truth: that need is not transitive, that one may need without oneself being needed.”
― Amitav Ghosh, quote from The Shadow Lines
“One could never know anything except through desire, real desire, which was not the same thing as greed or lust; a pure, painful and primitive desire, a longing for everything that was not in oneself, a torment of the flesh, that carried one beyond the limits of one's mind to other times and other places, and even, if one was lucky, to a place where there was no border between oneself and one's image in the mirror.”
― Amitav Ghosh, quote from The Shadow Lines
“You see, in our family we don't know whether we're coming or going - it's all my grandmother's fault. But, of course, the fault wasn't hers at all: it lay in language. Every language assumes a centrality, a fixed and settled point to go away from and come back to, and what my grandmother was looking for was a word for a journey which was not a coming or a going at all; a journey that was a search for precisely that fixed point which permits the proper use of verbs of movement.”
― Amitav Ghosh, quote from The Shadow Lines
“People like my grandmother, who have no home but in memory, learn to be very skilled in the art of recollection.”
― Amitav Ghosh, quote from The Shadow Lines
“I could not persuade her that a place does not merely exist, that it has to be invented in one's imagination.”
― Amitav Ghosh, quote from The Shadow Lines
“Which was more real, their dirty bathtubs and shared bedrooms or that other reality, waiting one week away? Most of all he would despair because he could not imagine what it would be like to confront the most real of their realities: that within two years three of the four of them would be dead. The realities of the bombs and torpedoes and the dying was easy enough to imagine--mere events, after all, recorded in thousands of films and photographs and comic books. But not that other infinitely more important reality: the fact that they knew; that even walking down that street, that evening, they knew what was coming--not the details, nor the timing perhaps, but they knew, all four of them, that their world, and in all probability they themselves, would not survive the war. What is the colour of that knowledge? Nobody knows, nobody can ever know, not even in memory, because there are moments in time that are not knowable: nobody can ever know what it was like to be young and intelligent in the summer of 1939 in London or Berlin.”
― Amitav Ghosh, quote from The Shadow Lines
“Nobody knows, nobody can ever know, not even in memory, because there are moments in time that are not knowable.”
― Amitav Ghosh, quote from The Shadow Lines
“I thought of how much they all wanted to be free; how they went mad wanting their freedom; I began to wonder whether it was I that was mad because I was happy to be bound; whether I was alone in knowing that I could not live without the clamour of the voices within me.”
― Amitav Ghosh, quote from The Shadow Lines
“Need is not transitive, one may need without oneself being needed.”
― Amitav Ghosh, quote from The Shadow Lines
“I wanted to watch her walking, unselfconscious, for as long as possible.”
― Amitav Ghosh, quote from The Shadow Lines
“I was already well schooled in looking away, the jungle-craft of gentility.”
― Amitav Ghosh, quote from The Shadow Lines
“For Ila the current was the real: it was as though she lived in a present which was like an airlock in a canal, shut away from the tidewaters of the past and the future by steel floodgates.”
― Amitav Ghosh, quote from The Shadow Lines
Amitav Ghosh
Born place: in Calcutta, India
Born date July 11, 1956
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“Which one are you?" I whispered.
"What?" he asked.
"Are you the good guy, the sweet guy who takes care of me or are you this guy who's kind of a jerk?"
His answer was instantaneous. "I'm both those guys, babe. Your job is to get used to it."
There it was, another order. Not even an ultimatum. Just, "get used to it".”
― Kristen Ashley, quote from Sweet Dreams
“They are English,” Merriman said. “Quite right,” said Will’s father. “Splendid in adversity, tedious when safe. Never content, in fact. We’re an odd lot.”
― Susan Cooper, quote from The Dark Is Rising
“I thought about telling him the truth: 'Oh, nothing. Just having my soul exorcised so I can roam around
purgatory, looking for the ghost of the dead cowboy who used to live in my bedroom.”
― Meg Cabot, quote from Darkest Hour
“Anger is precious. A silverback uses his anger to maintain order and warn his troop of danger. When my father beat his chest, it was to say, Beware, listen, I am in charge. I am angry to protect you, because that is what I was born to do.
Here in my domain, there is no one to protect.”
― Katherine Applegate, quote from The One and Only Ivan
“Be’... – disse lei, rigirandosi compiaciuta sulla schiena. – Mi piace mangiare roba buona, bistecche e patate rosolate, cose cosí. Mi piace leggere libri e riviste, viaggiare in treno di notte e quelle volte che ho viaggiato in aereo –. Fece una pausa. – Naturalmente non sto elencando le cose in ordine di preferenza. Dovrei pensarci meglio per elencarle in ordine di preferenza. Però mi piace, viaggiare in aereo. C’è un momento quando ci si stacca da terra in cui hai la sensazione che qualsiasi cosa succeda, andrà bene –. Gli passò una gamba sopra la caviglia. – Mi piace stare alzata fino a notte alta e poi restare a letto fino a tardi il giorno dopo. Vorrei tanto potessimo farlo sempre, invece che una volta ogni tanto. E poi mi piace il sesso. Mi piace essere toccata di tanto in tanto quando non me l’aspetto. Mi piace andare al cinema e farmi una birra con le amiche dopo. Mi piace avere amiche. Janice Hendricks mi piace un sacco. Mi piacerebbe andare a ballare almeno una volta a settimana. E avere sempre dei bei vestiti. Mi piacerebbe poter comprare bei vestiti anche per i bambini ogni volta che gli servono, senza dover aspettare. Per esempio Laurie ha bisogno di un vestito nuovo adesso per Pasqua. E mi piacerebbe comprare a Gary un completino o qualcosa del genere. Ormai è grandicello. Vorrei che anche tu avessi un completo nuovo. Anzi, tu ne hai veramente piú bisogno di Gary. E mi piacerebbe che avessimo una casa tutta nostra. Vorrei piantarla di traslocare ogni anno, due anni al massimo. Ma soprattutto vorrei tanto che io e te potessimo vivere una buona vita onesta, senza doverci sempre preoccupare dei conti, dei soldi e roba del genere. Ma tu dormi, – disse. – No che non dormo, – disse lui. – Non riesco a pensare ad altre cose. Ora tocca a te. Dimmi che cosa piacerebbe a te. – Non so. Un sacco di cose, – bofonchiò lui. – Be’, dimmele. Si fa tanto per parlare, no? – Vorrei tanto che mi lasciassi in pace, Nan –. Si rigirò dalla sua parte e lasciò penzolare il braccio oltre il bordo.”
― Raymond Carver, quote from Where I'm Calling From: New and Selected Stories
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