“Billy didn't need someone to pour him his drinks, he needed someone to tell him that living isn't poetry. It isn't prayer. To tell him and convince him. And none of us could do it because every one of us thought that as long as Billy believed it was, as long as he kept himself believing it, then maybe it could still be true.”
― Alice McDermott, quote from Charming Billy
“so your husband's home with the little ones?—it'll be good for him, let him see what it's like with kids all day, right? men never understand until you ask them to do it and then they say, Well, the kids only act like this with me, it has to be much easier when you're with them, isn't that the truth? They're really thinking, You can't possibly put up with this day after day, can you?”
― Alice McDermott, quote from Charming Billy
“In the arc of an unremarkable life, a life whose triumphs are small and personal, whose trials are ordinary enough, as tempered in their pain as in their resolution of pain, the claim of exclusivity in love requires both a certain kind of courage and a good dose of delusion. Irish Mary, Eva's sister, would have been happy enough to accept my father's ring, I suppose, had Eva not chosen to stay in Ireland and marry Tom. My mother's first fiancé would have married her gladly if he hadn't been kept too long overseas by the Navy, if my father hadn't beaten him home, on points, a full year before. It might have been Cody or John in the car with your father, that day on Long Island. I might have been gone. Those of us who claim exclusivity in love do so with a liar's courage: there are a hundred opportunities, thousands over the years, for a sense of falsehood to seep in, for all that we imagine as inevitable to become arbitrary, for our history together to reveal itself as only a matter of chance and happenstance, nothing irrepeatable, or irreplaceable, the circumstantial mingling of just one of the so many million with just one more.”
― Alice McDermott, quote from Charming Billy
“There was... her capacity to believe. There was as well her capacity to be deceived, since you can't have one without the other...”
― Alice McDermott, quote from Charming Billy
“Enough is as good as a feast.”
― Alice McDermott, quote from Charming Billy
“In the arc of an unremarkable life, a life whose triumphs are small and personal, whose trials are ordinary enough, as tempered in their pain as in their resolution of pain, the claim of exclusivity in love requires both a certain kind of courage and a good dose of delusion.”
― Alice McDermott, quote from Charming Billy
“Dan Lynch was chuckling, his hand around his small glass. 'I remember Billy saying that AA was a Protestant thing when you came right down to it. Started by a bunch of Protestants. He said he didn't like the chummy way some of them were always calling Our Lord by his first name. I drove him to the first meeting and waited to take him home, 'cause Maeve didn't want him driving, and when he came out he said you could tell who the Catholics were because they'd all been bowing their heads every ten seconds while the Protestants bantered on about Jesus, Jesus Jesus.'
(And sure enough, up and down our stretch of table, heads bobbed at the name.)”
― Alice McDermott, quote from Charming Billy
“Well,” he said, “and this is only my own way of thinking, mind, but when you’re doing something you love—really love—you can’t let the way others play the game get in the way of that, if you follow. It don’t matter if your coach is hassling you, or whether you don’t like how some of your teammates indulge in the sport. When you’re out there, you’ve got a goal to accomplish, and you can’t see to letting all that mishmash weigh you down.”
― Jaida Jones, quote from Havemercy
“– Tonton Gabriel, dit Zazie paisiblement, tu m'as pas encore espliqué si tu étais un hormosessuel ou pas, primo, et deuzio où t'avais été pêcher toutes les belles choses en langue forestière que tu dégoisais tout à l'heure? Réponds.
– T'en as dla suite dans les idées pour une mouflette, observa Gabriel languissamment.”
― Raymond Queneau, quote from Zazie in the Metro
“The scene had been a nightmare, one of those insane nightmares where the most normal objects become infinitely menacing.”
― Philippa Gregory, quote from The Favored Child
“What’s going on, Helen?” Polydeuces came up behind us, followed closely by Castor. They’d been working hard down among the oarsmen again, and it was no pleasure to stand too near them on that windless day.
“The usual, from the look of things,” Castor said, glancing at Milo’s sagging body at the rail. He gave the boy an encouraging pat on the back. “Try to drink something, even if you can’t keep your food down, lad,” he said. “Shall I bring you a little watered wine?”
Milo lifted his sallow, haggard face and tried to thank my brother for his kindness but had to turn away quickly and spew over the side again.
Polydeuces sighed. “How can he still do that? I haven’t seen him eat a bite of food since we boarded. You’d think his gut would be empty by now.”
“Maybe it’s a sacred mystery and only the gods know the answer,” Castor said, smiling. “Like the horn of the she-goat who suckled the infant Zeus, the horn he broke off and blessed as soon as he was king of the gods so that it poured out a never-ending stream of food and drink.”
“I always thought it was a strange way to thank the poor beast, breaking off one of her horns, Polydeuces said. “But it’s not my place to question the gods.” He, too, patted Milo’s shivering back and added, “So, boy, how does it feel to be pouring out a never-ending stream of--?”
“Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?”
“To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider.
Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.”
― Esther M. Friesner, quote from Nobody's Princess
“The key point, as Epicurus’ disciple Lucretius wrote in verses of unrivalled beauty, was to abandon the anxious and doomed attempt to build higher and higher walls and to turn instead toward the cultivation of pleasure.”
― Stephen Greenblatt, quote from The Swerve: How the World Became Modern
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