Quotes from Dark Tide

Jennifer Donnelly ·  392 pages

Rating: (3.7K votes)


“Lots of things are impossible,” she said softly. “Until they’re not.”
― Jennifer Donnelly, quote from Dark Tide


“good warrior knows when to lose a battle so she can live to fight the war.”
― Jennifer Donnelly, quote from Dark Tide


“If you wait for someone else to make things better, you'll be waiting a very long time”
― Jennifer Donnelly, quote from Dark Tide


“But here, surrounded by friends who wanted her, she recognized for the first time that there was only one voice that truly mattered. Only one she had to listen to. Her own.”
― Jennifer Donnelly, quote from Dark Tide


“Her eyes drank in the colors of home—the soft gray of an arctic gull’s wing. The clear blue heart of an ice floe.”
― Jennifer Donnelly, quote from Dark Tide



“And a good warrior knows when to lose a battle so she can live to fight the”
― Jennifer Donnelly, quote from Dark Tide


“I’ve been in contact with her. She approached me months ago. I know the terms of her deal. She’s going to tell Ragnar that Ondalina’s attack on Miromara was an act of war and that he must surrender. Either he accepts Lucia”
― Jennifer Donnelly, quote from Dark Tide


“Volnero as the new ruler of Ondalina or Miromara obliterates our entire realm. I will advise Ragnar to accept her terms.”
― Jennifer Donnelly, quote from Dark Tide


“The blue whale was so magnificent and her song so beautiful, that Becca’s heart swelled. She felt Marco’s hand tighten on hers and knew he felt the same way. She turned to him, but Marco wasn’t looking at the whale anymore, he was looking at her. He was still holding her hand and was floating close to her now.”
― Jennifer Donnelly, quote from Dark Tide


About the author

Jennifer Donnelly
Born place: The United States
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Popular quotes

“The only stupid question, my cullies, is the one you don't ask.”
― Stephen King, quote from The Wind Through the Keyhole


“I meant to behave. There were just too many other options.--T-SHIRT”
― Darynda Jones, quote from Fourth Grave Beneath My Feet


“Life is better without the walls, everyone agrees. Still, sometimes I'm afraid of the outside world, and every so often in my private thoughts I wish the walls were still there to protect me. It feels like growing up, as if the safety of the childhood has been stripped away, and I've woken up on the edge of something dangerous. The walls are gone and I can do as I please. It's a freedom I'm not so sure I'm ready for.”
― Patrick Carman, quote from The Dark Hills Divide


“From her handbag she takes a round gilt compact with violets on the cover. She opens it, unclosing her other self, and runs her fingertip around the corners of her mouth, left one, right one; then she unswivels a pink stick and dots her cheeks and blends them, changing her shape, performing the only magic left to her.

Rump on a packsack, harem cushion, pink on the cheeks and black discreetly around the eyes, as red as blood as black as ebony, a seamed and folded imitation of a magazine picture that is itself an imitation of a woman who is also an imitation, the original nowhere, hairless lobed angel in the same heaven where God is a circle, captive princess in someone's head. She is locked in, she isn't allowed to eat or shit or cry or give birth, nothing goes in, nothing comes out. She takes her clothes off or puts them on, paper doll wardrobe, she copulates under strobe lights with the man's torso while his brain watches from its glassed-in control cubicle at the other end of the room, her face twists into poses of exultation and total abandonment, that is all. She is not bored, she has no other interests.”
― Margaret Atwood, quote from Surfacing


“The idea that modern labour has an ascetic character is of course not new. Limitation to specialized work, with a renunciation of the Faustian universality of man which it involves, is a condition of any valuable work in the modern world; hence deeds and renunciation inevitably condition each other to-day. This fundamentally ascetic trait of middle-class life, if it attempts to be a way of life at all, and not simply the absence of any, was what Goethe wanted to teach, at the height of his wisdom, in the Wanderjahren, and in the end which he gave to the life of his Faust. For him the realization meant a renunciation, a departure from an age of full and beautiful humanity, which can no more be repeated in the course of our cultural development than can the flower of the Athenian culture of antiquity.”
― Max Weber, quote from The Protestant Ethic and the Spirit of Capitalism


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