Quotes from the Book

Can you define "plan" as "a loose sequence of manifestly inadequate observations and conjectures, held together by panic, indecision, and ignorance"? If so, it was a very good plan.
Besides, if you're going to die horribly, you might as well do it with style.
Then again, Solomon was human. And that meant he was flawed (Go on, take a look at yourself in the mirror. A good long look, if you can bear it. See? Flawed's putting it mildly, isn't it?)
Hippo in a skirt: this was a comic reference to one of Solomon's principal wives, the one from Moab. Childish? Yes. But in the days before printing we had limited opportunities for satire.
Not bad in short, though the last one [understanding the language of animals], isn't half as useful as you might expect, since when all's said and done the language of the beasts tends to revolve around: a) the endless hunt for food, b) finding a warm bush to sleep in the evening, and c) the sporadic satisfication of certain glands. (Many would argue that the language of human kind boils down to this too)
It's the same with spirit guises; show me a sweet little choirboy or a smiling mother and I'll show you the hideous fanged strigoi it really is. (Not always. Just sometimes. *Your* mother is absolutely fine, for instance. Probably.)
In recent weeks it has come to my attention that many caravans have met with disaster; they have not gotten through." I grunted wisely. "Probably ran out of water. That's the thing about deserts. Dry." "Indeed. A fascinating analysis. But survivors reaching Hebron report differently: monsters fell upon them in the wastes." "What, fell upon them in a squashed-them kind of way?" "More the leaped-out-and-slew-them kind. (...)
Her clarity gave her purpose and her purpose gave her clarity.
Me, I was still in the pygmy hippo in a skirt, singing lusty songs about Solomon's private life and a giant stone back and forth through the air as I climbed out of the quarry at the edge of the site.
Zealots: Wild eyed persons afflicted with incurable certainty about the workings of the world, a certainty that can lead to violence when the world doesn't fit.
The Evasive Cartwheel ™ © etc., Bartimaeus of Uruk, circa. 2800 B.C.E. Often imitated, never surpassed. As famously memorialized in the New Kingdom tomb paintings of Ramses III— you can just see me in the background of The Dedication of the Royal Family before Ra, wheeling out of sight behind the pharaoh.
Ich für meinen Teil denke während einer Verfolgungsjagd gern nach. Keiner stört einen, man ist allein und all die Problemchen werden bedeutungslos. Das wichtigste Thema heißt natürlich: "Wie bleibe ich am Leben?", aber auch andere Dinge sieht man in neuem Licht, was zu ganz neuen und manchmal überraschenden Erkenntnissen führt.

About Jonathan Stroud

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