The Amulet of Samarkand
Quotes from the Book
Can you define "plan" as "a loose sequence of manifestly inadequate observations and conjectures, held together by panic, indecision, and ignorance"? If so, it was a very good plan.
Besides, if you're going to die horribly, you might as well do it with style.
Then again, Solomon was human. And that meant he was flawed (Go on, take a look at yourself in the mirror. A good long look, if you can bear it. See? Flawed's putting it mildly, isn't it?)
Hippo in a skirt: this was a comic reference to one of Solomon's principal wives, the one from Moab. Childish? Yes. But in the days before printing we had limited opportunities for satire.
Not bad in short, though the last one [understanding the language of animals], isn't half as useful as you might expect, since when all's said and done the language of the beasts tends to revolve around: a) the endless hunt for food, b) finding a warm bush to sleep in the evening, and c) the sporadic satisfication of certain glands. (Many would argue that the language of human kind boils down to this too)
It's the same with spirit guises; show me a sweet little choirboy or a smiling mother and I'll show you the hideous fanged strigoi it really is. (Not always. Just sometimes. *Your* mother is absolutely fine, for instance. Probably.)
In recent weeks it has come to my attention that many caravans have met with disaster; they have not gotten through." I grunted wisely. "Probably ran out of water. That's the thing about deserts. Dry." "Indeed. A fascinating analysis. But survivors reaching Hebron report differently: monsters fell upon them in the wastes." "What, fell upon them in a squashed-them kind of way?" "More the leaped-out-and-slew-them kind. (...)
Her clarity gave her purpose and her purpose gave her clarity.
Me, I was still in the pygmy hippo in a skirt, singing lusty songs about Solomon's private life and a giant stone back and forth through the air as I climbed out of the quarry at the edge of the site.
Zealots: Wild eyed persons afflicted with incurable certainty about the workings of the world, a certainty that can lead to violence when the world doesn't fit.
The Evasive Cartwheel ™ © etc., Bartimaeus of Uruk, circa. 2800 B.C.E. Often imitated, never surpassed. As famously memorialized in the New Kingdom tomb paintings of Ramses III— you can just see me in the background of The Dedication of the Royal Family before Ra, wheeling out of sight behind the pharaoh.
Ich für meinen Teil denke während einer Verfolgungsjagd gern nach. Keiner stört einen, man ist allein und all die Problemchen werden bedeutungslos. Das wichtigste Thema heißt natürlich: "Wie bleibe ich am Leben?", aber auch andere Dinge sieht man in neuem Licht, was zu ganz neuen und manchmal überraschenden Erkenntnissen führt.
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Pyramids
Ptolemy's Gate
Skinny Legs and All
Henderson the Rain King
King Solomon's Mines
Maldoror and the Complete Works
The Etched City
Perelandra
Bring Up the Bodies
A Canticle for Leibowitz
The Chrysalids
Letters from the Earth: Uncensored Writings
The Book of Mirdad: The Strange Story of a Monastery Which Was Once Called the Ark
The Hundred Thousand Kingdoms
Herzog
Toll the Hounds
Sword & Citadel
People of the Book
Arm of the Sphinx
Sometimes a Great Notion
Song of Solomon
Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World
The Memoirs of Cleopatra
Speaking from Among the Bones
Children of God
Dust of Dreams
The Blood Mirror
The Way of Kings
The Hangman's Replacement: Sprout of Disruption
Good Omens
The Enchantress of Florence
The Man in the High Castle
The Manticore
I, Lucifer
Spiderlight
Horns
Cat's Cradle
The Gone-Away World
Egg & Spoon
Paladin of Souls
Unseen Academicals
Towers of Midnight
Out of Oz
The Inquisitor's Tale: Or, The Three Magical Children and Their Holy Dog
House of Chains
The Hour I First Believed
V.
Eifelheim
Xenocide
Quicksilver
The Instructions
Lord of Light
Manalive
The Moonstone
The Sparrow
The Curse of Chalion
The Penelopiad
The Napoleon of Notting Hill
The Broken Eye

