“There's no need to talk about it, because the truth of what one says lies in what one does.”
― Bernhard Schlink, quote from The Reader
“I'm not frightened. I'm not frightened of anything. The more I suffer, the more I love. Danger will only increase my love. It will sharpen it, forgive its vice. I will be the only angel you need. You will leave life even more beautiful than you entered it. Heaven will take you back and look at you and say: Only one thing can make a soul complete and that thing is love.”
― Bernhard Schlink, quote from The Reader
“Why? Why does what was beautiful suddenly shatter in hindsight because it concealed dark truths? Why does the memory of years of happy marriage turn to gall when our partner is revealed to have had a lover all those years? Because such a situation makes it impossible to be happy? But we were happy! Sometimes the memory of happiness cannot stay true because it ended unhappily. Because happiness is only real if it lasts forever? Because things always end painfully if they contained pain, conscious or unconscious, all along? But what is unconscious, unrecognized pain?”
― Bernhard Schlink, quote from The Reader
“It wasn't that I forgot Hanna. But at a certain point the memory of her stopped accompanying me wherever I went. She stayed behind, the way a city stays behind as a train pulls out of the station. It's there, somewhere behind you, and you could go back and make sure of it. But why should you?”
― Bernhard Schlink, quote from The Reader
“Sometimes the memory of happiness cannot stay true because it ended unhappily..”
― Bernhard Schlink, quote from The Reader
“Now to escape involves not just running away, but arriving somewhere.”
― Bernhard Schlink, quote from The Reader
“Is this what sadness is all about? Is it what comes over us when beautiful memories shatter in hindsight because the remembered happiness fed not just on actual circumstances but on a promise that was not kept?”
― Bernhard Schlink, quote from The Reader
“Does everyone feel this way? When I was young, I was perpetually overconfident or insecure. Either I felt completely useless, unattractive, and worthless, or that I was pretty much a success, and everything I did was bound to succeed. When I was confident, I could overcome the hardest challenges. But all it took was the smallest setback for me to be sure that I was utterly worthless. Regaining my self-confidence had nothing to do with success...whether I experienced it as a failure or triumph was utterly dependent on my mood.”
― Bernhard Schlink, quote from The Reader
“When we open ourselves
you yourself to me and I myself to you,
when we submerge
you into me and I into you
when we vanish
into me you and into you I
Then
am I me
and you are you.”
― Bernhard Schlink, quote from The Reader
“I thought that if the right time gets missed, if one has refused or been refused something for too long, it's too late, even if it is finally tackled with energy and received with joy. Or is there no such thing as "too late"? Is there only "late," and is "late" always better than "never"? I don't know.”
― Bernhard Schlink, quote from The Reader
“I took all the blame. I admitted mistakes I hadn't made, intentions I'd never had. Whenever she turned cold and hard, I begged her to be good to me again, to forgive me and love me. Sometimes I had the feeling that she hurt herself when she turned cold and rigid. As if what she was yearning for was the warmth of my apologies, protestations, and entreaties. Sometimes I thought she just bullied me. But either way, I had no choice.”
― Bernhard Schlink, quote from The Reader
“...So I stopped talking about it. There's no need to talk, because the truth of what one says lies in what one does.”
― Bernhard Schlink, quote from The Reader
“The tectonic layers of our lives rest so tightly one on top of the other that we always come up against earlier events in later ones, not as matter that has been fully formed and pushed aside, but absolutely present and alive. I understand this. Nonetheless, I sometimes find it hard to bear.”
― Bernhard Schlink, quote from The Reader
“Desires, memories, fears, passions form labyrinths in which we lose and find and then lose ourselves again.”
― Bernhard Schlink, quote from The Reader
“What is law? Is it what is on the books, or what is actually enacted and obeyed in a society? Or is law what must be enacted and obeyed, whether or not it is on the books, if things are to go right?”
― Bernhard Schlink, quote from The Reader
“What a sad story, I thought for so long. Not that I now think it was happy. But I think it is true, and thus the question of whether it is sad or happy has no meaning whatever.”
― Bernhard Schlink, quote from The Reader
“But then she was not awkward, she was slow-flowing, graceful, seductive - a seductiveness that had nothing to do with breast and hips and legs, but was an invitation to forget the world in the recesses of the body”
― Bernhard Schlink, quote from The Reader
“In the past, I had particularly loved her smell. She always smelled freshed, freshly washed or of freshed laundry or fresh sweat or freshly loved”
― Bernhard Schlink, quote from The Reader
“...I had to point at Hanna. But the finger I pointed at her turned back to me. I had loved her. I tried to tell myself that I had known nothing of what she had done when I chose her. I tried to talk myself into the state of innocence in which children love their parents. But love of our parents is the only love for which we are not responsible. ...And perhaps we are responsible even for the love we feel for our parents.”
― Bernhard Schlink, quote from The Reader
“So I was still guilty. And if I was not guilty because one cannot be guilty of betraying a criminal, then I was guilty of having loved a criminal.”
― Bernhard Schlink, quote from The Reader
“Or is there no such thing as 'too late'? Is there only 'late' and is 'late' always better than 'never'? I don't know.”
― Bernhard Schlink, quote from The Reader
“She was struggling, as she always had struggled, not to show what she could do but to hide what she couldn't do. A life made up of advances that were actually frantic retreats and victories that were concealed defeats.”
― Bernhard Schlink, quote from The Reader
“...if something hurts me, the hurts I suffered back then come back to me, and when I feel guilty, the feelings of guilt return; if I yearn for something today, or feel homesick, I feel the yearnings and homesickness from back then. The tectonic layers of our lives rest so tightly one on top of the other that we always come up against earlier events in later ones, not as matter that has been fully formed and pushed aside, but absolutely present and alive.”
― Bernhard Schlink, quote from The Reader
“I know that I found it beautiful. But I cannot recapture it's beauty.”
― Bernhard Schlink, quote from The Reader
“I asked her about life, and it was as if she rummaged around in a dusty chest to get me the answers.”
― Bernhard Schlink, quote from The Reader
“What should our second generation have done, what should it do with the knowledge of the horrors of the extermination of the Jews? We should not believe we can comprehend the incomprehensible, we may not compare the incomparable, we may not inquire because to inquire is to make the horrors an object of discussion, even if the horrors themselves are not questioned, instead of accepting them as something in the face of which we can only fall silent in revulsion, shame and guilt. Should we only fall silent in revulsion, shame and guilt? To what purpose?”
― Bernhard Schlink, quote from The Reader
“It was more dangerous not to go; I was running the risk of becoming trapped in my own fantasies. So I was doing the right thing by going. She would behave normally, I would behave normally, and everything would be normal again.”
― Bernhard Schlink, quote from The Reader
“I didn't like the way I looked, the way I dressed and moved, what I achieved and what I felt I was worth. But there was so much energy in me, such belief that one day I'd be handsome and clever and superior and admired, such anticipation when I met new people and new situations. Is that what makes me sad? The eagerness and belief that filled me then and exacted a pledge from life that life could never fulfill? Sometimes I see the same eagerness and belief in the faces of children and teenagers and the sight brings back the same sadness I feel in remembering myself.”
― Bernhard Schlink, quote from The Reader
“The Odyssey is the story of motion both purposeful and purposeless, successful and futile. What else is the history of law?”
― Bernhard Schlink, quote from The Reader
“Which animal do you see when you hold me and close your eyes and think of animals?”
― Bernhard Schlink, quote from The Reader
“Will you make a song for him?' the woman asked.
'He has a song,' the man replied. 'He is the prince that was promised, and his is the song of ice and fire.”
― George R.R. Martin, quote from A Clash of Kings
“I REMEMBER the day the Aleut ship came to our island. At first it seemed like a small shell afloat on the sea. Then it grew larger and was a gull with folded wings. At last in the rising sun it became what it really was—a red ship with two red sails. My brother and I had gone to the head of a canyon that winds down to a little harbor which is called Coral Cove. We had gone to gather roots that grow there in the spring. My brother Ramo was only a little boy half my age, which was twelve. He was small for one who had lived so many suns and moons, but quick as a cricket. Also foolish as a cricket when he was excited. For this reason and because I wanted him to help me gather roots and not go running off, I said nothing about the shell I saw or the gull with folded wings. I went on digging in the brush with my pointed stick as though nothing at all were happening on the sea. Even when I knew for sure that the gull was a ship with two red sails. But Ramo’s eyes missed little in the world. They were black like a lizard’s and very large and, like the eyes of a lizard, could sometimes look sleepy. This was the time when they saw the most. This was the way they looked now. They were half-closed, like those of a lizard lying on a rock about to flick out its tongue to catch a fly. “The sea is smooth,” Ramo said. “It is a flat stone without any scratches.” My brother liked to pretend that one thing was another. “The sea is not a stone without scratches,” I said. “It is water and no waves.” “To me it is a blue stone,” he said. “And far away on the edge of it is a small cloud which sits on the stone.” “Clouds do not sit on stones. On blue ones or black ones or any kind of stones.” “This one does.” “Not on the sea,” I said. “Dolphins sit there, and gulls, and cormorants, and otter, and whales too, but not clouds.” “It is a whale, maybe.” Ramo was standing on one foot and then the other, watching the ship coming, which he did not know was a ship because he had never seen one. I had never seen one either, but I knew how they looked because I had been told. “While you gaze at the sea,” I said, “I dig roots. And it is I who will eat them and you who will not.” Ramo began to punch at the earth with his stick, but as the ship came closer, its sails showing red through the morning mist, he kept watching it, acting all the time as if he were not. “Have you ever seen a red whale?” he asked. “Yes,” I said, though I never had. “Those I have seen are gray.” “You are very young and have not seen everything that swims in the world.” Ramo picked up a root and was about to drop it into the basket. Suddenly his mouth opened wide and then closed again. “A canoe!” he cried. “A great one, bigger than all of our canoes together. And red!” A canoe or a ship, it did not matter to Ramo. In the very next breath he tossed the root in the air and was gone, crashing through the brush, shouting as he went. I kept on gathering roots, but my hands trembled as I dug in the earth, for I was more excited than my brother. I knew that it was a ship there on the”
― Scott O'Dell, quote from Island of the Blue Dolphins
“Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body.”
― Robert A. Heinlein, quote from Stranger in a Strange Land
“You never kill anyone you want to kill in a war, he said to himself.”
― Ernest Hemingway, quote from For Whom the Bell Tolls
“I keep forgetting that rules are only for little nice people.”
― Bill Watterson, quote from The Complete Calvin and Hobbes
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