“You were dropped as a child, weren't you?" Varen asked her.
"Maybe once or twice," Gwen said, "but at least I wasn't raised by highly literate vampires who, every night just before bed, fed me a steady diet of dark sarcasm and gothic horror fiction."
"Every morning before bed," Varen corrected. Stepping forward, he moved toward the headstone. "We slept during the day.”
― Kelly Creagh, quote from Oblivion
“He hated himself," Gwen said. "You just got caught in the cross fire.”
― Kelly Creagh, quote from Oblivion
“Isobel had entrusted the note to Gwen just before Baltimore. And the small scrap of paper still remained her only tangible evidence that Varen had loved her.
Expect...he didn't anymore.”
― Kelly Creagh, quote from Oblivion
“She was still waiting for him to come back to her, even though he wasn't going to. She was still holding out for something that wasn't going to happen. She was good at waiting. That seemed like a sad thing to be good at.”
― Ann Brashares, quote from Girls in Pants: The Third Summer of the Sisterhood
“I think perhaps education doesn’t do us much good unless it is mixed with sweat.”
― Barack Obama, quote from Dreams from My Father: A Story of Race and Inheritance
“... je t'emmènerais dans une contrée resplendissante et prospère, au foyer d'une famille aristocratique des lettrés, fastueux domaine où abondent les fleurs et les saules, terroir de la douceur, de richesse et d'honneurs, pour t'installer dans la joie et en toute sécurité.
Cao Xueqin, "Le Rêve dans le pavillon rouge", trad, fr. par Li Tche-Houa, J. Alézaïs, révision par A. D'Hormon, Paris, Gallimard, "Bibliothèque de la Pléiade", 1981, vol. 1, p. 8.”
― Cao Xueqin, quote from The Dream of the Red Chamber
“Liberty medals...Are they trying to bribe me with coloured ribbons? I wouldn't kill a man for one of those things. Or go and be killed. Any shooting I do is to save my own life, and not for a ribbon and a hunk of bronze. [says Mäkelä]”
― Väinö Linna, quote from The Unknown Soldier
“And the strange thing was he had never loved her more than in that moment, because at that moment she had become himself.
But thats not love, he thought, thats not what she wants, not what any of them want, they do not want you to find yourself in them, they want instead that you should lose yourself in them. And yet, he thought, they are always trying to find themselves in you. [...]
And it seemed to him then that every human was always looking for himself, in bars, in railway trains, in offices, in mirrors, in love, especially in love, for the self of him that is there, someplace, in every other human. Love was not to give oneself, but find oneself, describe oneself. And that the whole conception had been written wrong. Because the only part of any man that he can ever touch or understand is that part of himself he recognises in him. And that he is always looking for the way in which he can expose his sealed bee cell and reach the other airtight cells with which he is connected in the waxy comb.
And the only way he had ever found, the only code, the only language by which he could speak and be heard by other men, could communicate himself, was with a bugle. If you had a bugle here, he told himself, you could speak to her and be understood, you could play Fatigue Call for her, with its tiredness, its heavy belly going out to sweep somebody else's streets when it would rather stay home and sleep, she would understand it then.
But you havent got a bugle, himself said, not here nor any other place. Your tongue has been ripped out. All you got is two bottles, one nearly full, one nearly empty.”
― James Jones, quote from From Here to Eternity
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