“You cannot find peace by avoiding life.”
― Michael Cunningham, quote from The Hours
“Dear Leonard. To look life in the face. Always to look life in the face and to know it for what it is. At last to know it. To love it for what it is, and then, to put it away. Leonard. Always the years between us. Always the years. Always the love. Always the hours.”
― Michael Cunningham, quote from The Hours
“Beauty is a whore, I like money better.”
― Michael Cunningham, quote from The Hours
“I remember one morning getting up at dawn. There was such a sense of possibility. You know, that feeling. And I... I remember thinking to myself: So this is the beginning of happiness, this is where it starts. And of course there will always be more...never occurred to me it wasn't the beginning. It was happiness. It was the moment, right then.”
― Michael Cunningham, quote from The Hours
“How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself.
Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port.
Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together.
It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.”
― Michael Cunningham, quote from The Hours
“There is a beauty in the world, though it's harsher than we expect it to be.”
― Michael Cunningham, quote from The Hours
“There is just this for consolation: an hour here or there, when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined , though everyone but children (and perhaps even they) knows these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning, we hope, more than anything, for more. Heaven only knows why we love it so.”
― Michael Cunningham, quote from The Hours
“These days, Clarissa believes, you measure people first by their kindness and their capacity for devotion. You get tired, sometimes, of wit and intellect; everybody's little display of genius.”
― Michael Cunningham, quote from The Hours
“What does it mean to regret when you have no choice? It's what you can bear. And there it is... It was death. I chose life.”
― Michael Cunningham, quote from The Hours
“I don't have any regrets, really, except that one. I wanted to write about you, about us, really. Do you know what I mean? I wanted to write about everything, the life we're having and the lives we might have had. I wanted to write about all the ways we might have died.”
― Michael Cunningham, quote from The Hours
“You cannot find peace by avoiding life, Leonard.”
― Michael Cunningham, quote from The Hours
“Take me with you. I want a doomed love. I want streets at night, wind and rain, no one wondering where I am.”
― Michael Cunningham, quote from The Hours
“She is, above all else, tired; she wants more than anything to return to her bed and her book. The world, this world, feels suddenly stunned and stunted, far from everything.”
― Michael Cunningham, quote from The Hours
“I don't think two people could have been happier than we have been.”
― Michael Cunningham, quote from The Hours
“She could have had a life as potent and dangerous as literature itself.”
― Michael Cunningham, quote from The Hours
“What a thrill, what a shock, to be alive on a morning in June, prosperous, almost scandalously privileged, with a simple errand to run.”
― Michael Cunningham, quote from The Hours
“But there are still the hours, aren't there? One and then another, and you get through that one and then, my god, there's another.”
― Michael Cunningham, quote from The Hours
“We live our lives, do whatever we do, and then we sleep - it's as simple and ordinary as that. A few jump out of windows or drown themselves or take pills; more die by accident; and most of us, the vast majority, are slowly devoured by some disease or, if we're very fortunate, by time itself. There's just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we've ever imagined, though everyone but children (and perhaps even they) knows these hours will inevitably be followed by others, far darker and more difficult. Still, we cherish the city, the morning; we hope, more than anything, for more.”
― Michael Cunningham, quote from The Hours
“He insists on a version of you that is funnier, stranger, more eccentric and prfound thatn you suspect yourself to be--capable of doing more good and more harm in the world than you've ever imagined--it is all but impossible not to believe, at least in his presence and a while after you've left him, that he alone sees through your essence, weighs your true qualities . . . and appreciates you more fully than anyone else ever has.”
― Michael Cunningham, quote from The Hours
“There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more.”
― Michael Cunningham, quote from The Hours
“What I wanted to do seemed simple. I wanted something alive and shocking enough that it could be a morning in somebody's life. The most ordinary morning. Imagine, trying to do that.”
― Michael Cunningham, quote from The Hours
“That is what we do. That is what people do. They stay alive for each other.”
― Michael Cunningham, quote from The Hours
“She is not a writer at all, really; she is merely a gifted eccentric.”
― Michael Cunningham, quote from The Hours
“There are times when you don't belong and you think you're going to kill yourself. Once I went to a hotel. Later that night I made a plan. The plan was I would leave my family when my second child was born. And that's what I did. I got up one morning, made breakfast, went to the bus stop, got on a bus. I'd left a note. I got a job in a library in Canada. It would be wonderful to say you regretted it. It would be easy. But what does it mean? What does it mean to regret when you have no choice? It's what you can bear. There it is. No-one's going to forgive me. It was death. I chose life." -Laura Brown-”
― Michael Cunningham, quote from The Hours
“She will remain sane and she will live as she was meant to live, richly and deeply, among others of her kind, in full possession and command of her gifts.”
― Michael Cunningham, quote from The Hours
“Clarissa will be bereaved, deeply lonely, but she will not die. She will be too much in love with life, with London. Virginia imagines someone else, yes, someone strong of body but frail-minded; someone with a touch of genius, of poetry, ground under by the wheels of the world, by war and government, by doctors; a someone who is, technically speaking insane, because that person sees meaning everywhere, knows that trees are sentient beings and sparrows sing in Greek. Yes, someone like that. Clarissa, sane Clarissa -exultant, ordinary Clarissa - will go on, loving London, loving her life of ordinary pleasures, and someone else, a deranged poet, a visonary, will be the one to die.”
― Michael Cunningham, quote from The Hours
“I don't know if I can face this. You know. The party and the ceremony, and then the hour after that, and the hour after that."
"You don't have to go to the party. You don't have to go to the ceremony. You don't have to do anything at all."
"But there are still the hours, aren't there? One and then another, and you get through that one and then, my god, there's another. I'm so sick.”
― Michael Cunningham, quote from The Hours
“Should I have held them down and poured boiling water over them until they talked? Really, I’d like your expert advice.
“Of course not. You would use boiling oil.”
― Kresley Cole, quote from If You Dare
“Perhaps Mother Nature is punishing us, he thought, for our greed and selfishness. We torture her at all hours by iron and wood, fire and stone. We dig her up and dump her in the sea. We sink mineshafts into her and drag out her entrails - and all for a jewel to wear on a pretty finger. Who can blame her if she occasionally quivers with anger?”
― Robert Harris, quote from Pompeii
“Durante a rápida estação em que a mulher permanece em flor, os caracteres da sua beleza servem admiravelmente bem à dissimulação à qual a sua fraqueza natural e as leis sociais a condenam. Sob o rico colorido do seu viçoso rosto, sob o fogo dos seus olhos, sob a fina textura das suas feições tão delicadas, com tantas linhas curvas ou retas, mas puras e perfeitamente determinadas, todas as suas comoções podem permanecer secretas: o rubor então nada revela, aumentando ainda mais cores já tão vivas; todos os focos interiores concordam tão bem com a luz desses olhos brilhantes de vida que a fugaz chama de um sofrimento aparece apenas como um encanto a mais. Por isso, na da há mais discreto do que um rosto juvenil, porque também não há nada mais imóvel. A fisionomia de uma jovem tem a serenidade, o polido, o frescor da superfície de um lago; a das mulheres só se revela aos trinta anos. Até essa idade, o pintor só lhes acha no rosto róseos e brancos sorrisos e expressões que repetem um mesmo pensamento, pensamento de mocidade e de amor, pensamento uniforme e sem profundidade; mas, na velhice, tudo na mulher fala, as paixões incrustaram-se-lhe no rosto; foi amante, esposa, mãe; as mais violentas expressões de alegria e de dor acabaram por alterar-lhe, torturar-lhe o rosto, formando aí mil rugas, tendo todas uma linguagem; e uma fronte de mulher torna-se, então, sublime pelo horror, bela pela melancolia, ou magnífica pela serenidade; se se permite desenvolver esta estranha metáfora, o lago seco deixa então ver todos os traços das torrentes que o produzi ram; uma fronte de mulher velha já então não pertence nem ao mundo, que, frívolo, se assusta de ver a destruição de todas as idéias de elegância a que está habituado, nem aos artistas vulgares, que nada descobrem por aí; mas, sim, aos verdadeiros poetas, àqueles que possuem o sentimento de uma beleza independente de todas as convenções sobre as quais repousam tantos preconceitos sobre a arte e a formosura.”
― Honoré de Balzac, quote from A Woman Of Thirty
“La vita non è perfetta. O prevedibile. Non aspettatevi che lo sia.
Un minuto prima state nuotando nell'oceano. L'acqua è liscia e tranquilla, siete rilassati. E un attimo dopo, senza alcun preavviso, una risacca vi trascina a fondo.
È quello che farete dopo a contare. Farete tutto il possibile? Scalcerete per tornare a galla, anche se le braccia e le gambe vi fanno male? O vi arrenderete e vi lascerete annegare?
È il modo in cui reagite agli imprevisti della vita a fare la differenza.”
― Emma Chase, quote from Twisted
“Eden, Eden, I was dead without you. Oh God, I've been walking around like a ghost—half in this world, and half in the other. Eden . . ." I moaned out the words,”
― Mia Sheridan, quote from Finding Eden
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