August Moon: Humor and Hijinks
Quotes from the Book
You’ll recognize those men, the ones inclined to their dark side, because they’ll expect you to carry their load. They’ll smother your anger with their pain, they’ll make you doubt yourself, and they’ll tell you they love you the whole time. Some do it big, like Ed, but most do it in quiet steps, like your father.
Men in packs can do terrible things, things they wouldn’t have the hate to do alone. It’s no excuse, just something you should know.
The law might not recognize it, but fifteen’s a girl and sixteen a woman, and you get no map from one land to the next. They air-drop you in, booting a bag of Kissing Potion lip gloss and off-the-shoulder blouses after you. As you’re plummeting, trying to release your parachute and grab for that bag at the same time, they holler out you’re pretty, like they’re giving you some sort of gift, some vital key, but really, it’s meant to distract you from yanking your cord. Girls who land broken are easy prey.
in the future, you might not want to wear so much makeup. You don’t want to attract the wrong kind of attention.” Maureen’s shoulders tightened. “Why don’t you tell them to stop looking instead of us to stop shining?
There’s also the truth that 70 percent of serial killer victims are female. You better believe that knowing you’re prey heightens your interest in the predator. You find yourself desperate to make sense of largely random acts of serial murder, believing that if you can understand motivation and hunting patterns, you can protect yourself.
In our neighborhood, the problem wasn’t the person who made the mistake; it was the person who acknowledged the truth.
I stared across the crackling fire at Brenda, the glow lighting up her heart-shaped face. My love for her was carved into my bones.
She stared up at him, at this man-she-knew-who-was-a-stranger, this person who’d risked everything in his world to kidnap another human so he could thrust away like a zoo monkey whenever he wanted. This loser had made a biological act so imperative that he was willing to go to prison to feel the same relief he could get with his own hand.
Was it contagious, the emptiness I felt? Was he worried he’d catch it?
Smile girls, you'll look so much prettier. So I'll damn well decide for myself when I'm ready to smile.
Historian Peter Vronsky hypothesizes that while several factors must align to make a murderer (genetics and frontal lobe injuries being two common ones), World War II was responsible for this golden age of serial killers a generation later.
Their family and friends are the only ones who can understand the depths of their grief, the life’s work of creating meaning in loss, of having their world shaped by violence they couldn’t see coming and did not deserve.
As far as she could tell, men didn’t have close friendships, not like women did, but they still had that human need for connection. Every movie and TV show and magazine article told them it was their job to go out and grab what they wanted at the same time it told them that women were theirs for the taking.
Her raw fear, and even more so how desperately she was working to hide it, made me want to weep.
That’s when I understood the raw truth of it: the men in charge were looking out for themselves.
She’d cracked like a mirror after, and her pieces were so sharp, none of us could get close enough to put her back together again.
Women always try, but men like that are born bad.
Maureen was more alive than any of us. She protected kids from bullies. When men catcalled her, she’d catcall back. She’d demanded we pierce her ears first because she was Maureen.
The applause felt like it was injected straight into my veins.
A hole that probably hid prehistoric water monsters, slithering, sharp-toothed creatures that needed immense depths to survive but that sometimes, only every few years or so, would unfurl a tentacle and wrap it around your ankle and suck you down down down.
(I recommend researching Gilles de Rais if you’re low on nightmare fuel),
The law might not recognize it, but fifteen‘s a girl and sixteen a woman, and you get no map from one land to the next. They air-drop you in, booting a bag of Kissing Potion lip gloss and off-the-shoulder blouses after you. As you‘re plummering, trying to release your parachute and grab for that bag at the same time, they holler out "your are pretty", like they‘re giving you some sort of gift, some vital key, but really, it‘s meant to distract you from yanking your cord. Girls who land broken are easy prey. If you‘re lucky enough to come down on your feet, your instincts scream to bolt straight for the trees. You drop your parachute, pluck that bag from the ground (surely it contains something you need), and run like hell, breath tight and blood pounding because boys-who-are-men are being air-droped here, too. Lord only knows what got loaded into their bags, but it does not matter because they do terrible things in packs, boys-who-are-men, things they‘d never have the hate to do alone...we were racing to survive the open-field sprint from girl to woman.
Belief is a powerful lens; it can shape the world world to it.
With Mom, what went up must come down, and it was a mystery what exact combination would make life too much for her.
That terrible awareness that life could twist on you in a blink wasn’t something a person could forget.
Every waitress had a group of guys who mistook professional courtesy for a personal relationship. She’d never liked it, but she’d thought she understood it. As far as she could tell, men didn’t have close friendships, not like women did, but they still had that human need for connection. Every movie and TV show and magazine article told them it was their job to go out and grab what they wanted at the same time it told them that women were theirs for the taking.
After that, Mrs. Hansen stopped visiting. Mom receded from a lot of my memories and Dad came in clearer focus, making breakfast in Mom’s place, driving me to school on the days it rained. When Mom showed up, she was a force, sparkling at dinner parties, running around the kitchen cooking four-course dinners, but it seemed to cost her. She stayed at that level—50 percent of her—for a couple months.
I hadn’t meant to tell her the last bit. Sometimes Mom was fine taking in that much information. But then there were the other times. I could see her tumblers working. Her face had gone slack. The back of my neck grew cold waiting to see which version was going to erupt. But finally, happily, the correct words dropped into place, and out rolled a perfectly normal sentence. “Wonderful! Your dad and I will come see you girls play.” Did she know she was lying?
Did you know?
- The novel is set in 1977 in Pantown, a real neighborhood of St. Cloud, Minnesota.
- The story makes use of the underground tunnels said to run beneath the Pantown area.
- Author Jess Lourey grew up in St. Cloud, the setting of the book.
- The book is part of Lourey's run of true-crime-inspired Minnesota thrillers, following Unspeakable Things and Bloodline.
- It was published by Thomas & Mercer, Amazon Publishing's mystery and thriller imprint.
About Jess Lourey
More by Jess Lourey
August Moon: Humor and Hijinks
Litani
About the book
The Quarry Girls is a coming-of-age thriller set in the summer of 1977 in Pantown, a tight-knit neighborhood of St. Cloud, Minnesota, honeycombed by old underground tunnels. Sixteen-year-old Heather Cash and her best friend Brenda share a frightening secret about something they glimpsed in the dark, and they swear never to tell anyone. Their pact is strained when a friend disappears, the second local girl to vanish in a single week, and Heather becomes convinced the disappearances are tied to what she and Brenda saw. Searching for answers largely on her own, she discovers that the adults and neighbors she trusted are not who they seem.
Lourey threads the suspense through themes of adolescence, female friendship, and the loss of innocence, contrasting the freedom of late-1970s teenage summers with the menace lurking beneath a seemingly safe community. The novel examines how secrets, denial, and the failure of authority figures leave young women to fend for themselves, and how the people closest to home can pose the greatest danger.
Published by Thomas & Mercer in 2022, the book was written by an author already recognized in the crime field, having won the ITW Thriller, Anthony, and Minnesota Book Awards over her career. The Quarry Girls drew on Lourey's roots in St. Cloud and her interest in true crime, and it was widely reviewed as an atmospheric, tension-driven thriller that builds on the true-crime-inspired approach she used in her earlier novel Unspeakable Things.
Key characters
- Heather CashTeenage protagonist and drummer in a local band
- Brenda TaftHeather's best friend and bandmate who shares her secret
- Maureen HansenBandmate whose disappearance drives the plot
- Gary CashHeather's father, the county district attorney
- JunieHeather's younger sister
- Sheriff Jerome NillsonLocal sheriff entangled in the town's secrets
Book details
- First published
- 2022
- Length
- 335 pages
- Reading time
- 7 hours
- Author
- Jess Lourey
- Genre
- Thriller
- Goodreads rating
- 4.01 (134k ratings)
Critical reception
- Published by Thomas & Mercer in 2022 as a standalone thriller.
- Marketed and reviewed as inspired by true crime, in keeping with Lourey's earlier Minnesota-set thrillers.
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