“Lyon knew she wasn't aware she was being watched, either. She wouldn't have eaten the leaf otherwise, or reached for another.
“Sir, which one is Princess Christina?” Andrew asked Lyon, just as Rhone started in choking on his laughter. Rhone has obviously been watching Christina, too.
“Sir?”
“The blond-headed one,” Lyon muttered, shaking his head. He watched in growing disbelief as Christina daintily popped another leaf into her mouth.
“Which blond-headed one?” Andrew persisted.
“The one eating the shrubs.”
― Julie Garwood, quote from The Lion's Lady
“The chaos surrounding her was confusing. Everyone was suddenly talking at the same time. Perhaps she should try to swoon after all, Christine considered. No, the settee was already taken, and the floor didn't look all that appealing. She settled on wringing her hands. It was the best she could do to look upset.”
― Julie Garwood, quote from The Lion's Lady
“Your eyes have turned as black as a Crow’s,” she blurted out.
He didn’t even blink over her bizarre comment. “Not this time, Christina,” he said in a furious whisper. “Compliments won’t get me off balance again, my little temptress. I swear to God, if you ever again dismiss me so casually, I’m going to––”
“Oh, it wasn’t a compliment,” Christina interrupted, letting him see her irritation. “How presumptuous of you to think it was. The Crow is our enemy.”
― Julie Garwood, quote from The Lion's Lady
“– Diana: “Christina said the strangest thing.”
– Lyon: “Of course she did.”
― Julie Garwood, quote from The Lion's Lady
“what are you doing?"
" making love to you. roll over katie."
" but we...you're..."
" sure am."
" we can't.."
"it's just one night, right?
"yes."
"night's not over”
― Julie Garwood, quote from The Lion's Lady
“It's the wife's duty, isn't it, to be submissive to her husband?" Christina asked.
"It is," Lyon answered. His hands moved to the fastenings on her dress. "Oh, yes, it definitely is."
"Then I shall be submissive, Lyon," Christina announced. "When it suits me.”
― Julie Garwood, quote from The Lion's Lady
“Appearances and manners often cloak a black soul.”
― Julie Garwood, quote from The Lion's Lady
“Everyone was staring at
them, and for that reason she forced herself to smile and to act as though it was nothing at all to
be dragged across the room by a man she'd only just met. When she heard one woman whisper in
a loud voice that she and the Marquess made a striking couple, she lost her smile. Yes, she did
feel like hitting Lyon, but it was certainly uncomplimentary of the woman to make such a
remark.”
― Julie Garwood, quote from The Lion's Lady
“She took a small device out of her bag, slipped it into her pocket.
"Micro recorder?" Roarke clucked his tongue. "I believe that's illegal. Not to mention rude."
"I don't know what you're talking about."
"And unnecessary," he added. He turned his wrist, tapped a tiny button on the side of his watch. "This one is much more efficient. I should know. I manufacture both brands." He smiled as the car stopped at the edge of a small clearing”
― J.D. Robb, quote from Ceremony in Death
“There cannot be any hard and fast rules. But there can be suggestions and useful analogies. The most useful, to my mind, is that of the difference between the English and French judicial systems. In England (and America), the task of the court in criminal cases, which it devolves upon a jury, is to arrive at a verdict of ‘guilty’ or ‘not guilty’ on the evidence presented by prosecuting and defending counsel in turns. Trials are conflicts and verdicts are decisions; the two sides ‘win’ or ‘lose’. In France, and other countries which observe Roman Law, the task of the court in a criminal case is to arrive at the truth, as far as it can be perceived by human eyes, and the business of establishing the outlines of the truth falls not on a jury, which is strictly asked to enter a judgement, but upon a juge d’instruction. This officer of the court, unknown to English law, is accorded very wide powers of interrogation–of the suspect, his family, his associates–and of investigation–of the circumstances and scene of the crime–at which the suspect is often required to participate in a reconstruction. Only when the juge is satisfied that a crime has indeed occurred and that the suspect is responsible will he allow the case to go forward for prosecution. The character of these two different legal approaches is usually defined as ‘accusatorial’ (English) and ‘inquisitorial’ (French) respectively.”
― John Keegan, quote from The Face Of Battle: A Study Of Agincourt, Waterloo And The Somme
“That’s up to you, Jack, but part of doing this kind of work is the willingness to put on blinders. Deal with what’s in front of you. Every terrorist has a mother and father. Maybe kids, maybe people that love him. Hell, six days out of seven he might be a decent citizen, but on that one day he decides to pick up a gun or plant a bomb, he’s a threat. And if you’re the guy standing between him and innocent lives, the threat is all you can afford to worry about. You get what I’m saying?”
― Tom Clancy, quote from Dead or Alive
“Malicious men may die, but malice never.”
― Molière, quote from Tartuffe
“For a day or two Fleury became quite active. He had his book about the advance of civilization in India to consider and this was one reason why he had taken an interest in the behaviour of the Collector. He asked a great number of questions and even bought a notebook to record pertinent information.
"Why, if the Indian people are happier under our rule," he asked a Treasury official, "do they not emigrate from those native states like Hyderabad which are so dreadfully misgoverned and come and live in
British India?"
"The apathy of the native is well known," replied the official stiffly. "He is not enterprising."
Fleury wrote down "apathy" in a flowery hand and then, after a moment's hesitation, added "not enterprising".”
― J.G. Farrell, quote from The Siege of Krishnapur
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