“Only a true best friend can protect you from your immortal enemies.”
― Richelle Mead, quote from Blutsschwestern
“Do you think I'm pretty?
I think you're beautiful
Beautiful?
You are so beautiful, it hurts sometimes.”
― Richelle Mead, quote from Blutsschwestern
“The spell. Victor said you had to want me... to care about me... for it to work." When he didn't say anything, I tried to grip his shirt, but my fingers were too weak. "Did you? Did you want me?"
His words came out thickly. "Yes, Roza. I did want you. I still do. I wish... we could be together."
"Then why did you lie to me?"
We reached the clinic, and he managed to open the door while still holding me. As soon as he stepped inside, he began yelling for help.
"Why did you lie?" I murmured again.
Still holding me in his arms, he looked down at me. I could hear voices and footsteps getting closer.
"Because we can't be together."
"Because of the age thing, right?" I asked. "Because you're my mentor?"
His fingertip gently wiped away a tear that had escaped down my cheek. "That's part of it," he said. "But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her."
I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out.
"No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.”
― Richelle Mead, quote from Blutsschwestern
“The only thing better than imagining Dimitri carrying me in his arms was imagining him shirtless while carrying me in his arms.”
― Richelle Mead, quote from Blutsschwestern
“Did you see that dress?” "I saw the dress.” "Did you like it?” He didn't answer. I took that as a yes. "Am I going to endanger my reputation if I wear it to the dance?” When he spoke, I could barely hear him. "You'll endanger the school.” I smiled and fell asleep.”
― Richelle Mead, quote from Blutsschwestern
“Dimitri: "She might be wild and disrespectful, but if she has potential—"
Rose: "Wild and disrespecful? Who the hell are you anyway? Oursourced help?"
Kirova: "Guardian Belikov is the Princess Lissa's guardian now, her sanctioned guardian."
Rose: "You got cheap foreign labor to protect Lissa?”
― Richelle Mead, quote from Blutsschwestern
“Wow." I hadn't thought Dimitri could be any cooler, but I was wrong. "You beat up your dad. I mean, that's really horrible...what happened. But, wow. You really are a god."
He blinked. "What?"
"Uh, nothing.”
― Richelle Mead, quote from Blutsschwestern
“You…you got rid of that dress fast," I pointed out between heavy breaths. "I thought you liked it."
"I do like it," he said. His breathing was as heavy as mine. "I love it."
And then he took me to the bed.”
― Richelle Mead, quote from Blutsschwestern
“Lissa and I had been friends ever since kindergarten, when our teacher had paired us up together for writing lessons. Forcing five-year-olds to spell Vasilisa Dragomir and Rosemarie Hathaway was beyond cruel, and we’d—or rather, I’d—responded appropriately. I’d chucked my book at out teacher and called her a fascist bastard. I hadn’t known what those words meant, but I’d known how to hit a moving target.
Lissa and I had been inseparable ever since.”
― Richelle Mead, quote from Blutsschwestern
“Hey Mason, wipe the drool off your face. If you're going to think about me naked, do it on your own time." [...]
"This is my time, Hathaway. I'm leading today's session."
"Oh yeah?" I retorted. "Huh. Well, I guess this is a good time to think about me naked, then."
"It's always a good a time to think about you naked," added someone nearby, breaking the tension further.”
― Richelle Mead, quote from Blutsschwestern
“A ghostly smile flickered across his face. "If you weren't so psychotic, you'd be fun to hang around."
"Funny, I feel that way about you too." He didn't say anything else, but the smile grew, and he walked away.”
― Richelle Mead, quote from Blutsschwestern
“The greatest and most powerful revolutions often start very quietly, hidden in the shadows. Remember that.”
― Richelle Mead, quote from Blutsschwestern
“When I saw you fall..."
"You thought, 'Wow, she's a loser.”
― Richelle Mead, quote from Blutsschwestern
“I crossed my arms over my chest. "Are you lost, little girl? The elementary school's over on west campus."
A pink flush spread over her cheeks. "Don't you ever touch me again. You screw with me, I'll screw you right back."
Oh man, what an opening that was.”
― Richelle Mead, quote from Blutsschwestern
“And than suddenly he was there, charging down the hallway like death in a cowboy duster.”
― Richelle Mead, quote from Blutsschwestern
“If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.”
― Richelle Mead, quote from Blutsschwestern
“Well he didn't treat my mother very well. He did some horrible things."
"Like..." I hesitated. "Blood-whore things?"
"Like beating-her-up kinds of things" he replied flatly.
"Oh God," I said "That's horrible. And she...she just let it happen?"
"She did." The corner of his mouth turned into a sly, sad smile. "But I didn't"
"Tell me, tell me you beat the crap out of him"
His smile grew, "I did.”
― Richelle Mead, quote from Blutsschwestern
“Taking a deep breathe, I made one of the hardest decisions of my life.
I walked away.”
― Richelle Mead, quote from Blutsschwestern
“I get in that kind of situation all the time, Comrade. It's not a big deal." Anger replaced my fear. I didn't like being treated like a child.
"Stop calling me that. You don't even know what you're talking about."
"Sure I do. I had to do a report on the R.S.S.R. last year.”
― Richelle Mead, quote from Blutsschwestern
“I fought against her, trying to mount some kind of defense, but it was like fighting Dimitri on crack.”
― Richelle Mead, quote from Blutsschwestern
“I'm really not good with impulse control.”
― Richelle Mead, quote from Blutsschwestern
“He watched as I slipped one of the shoes on. "You have a guardian angel."
"I don't believe in angels," I told him. "I believe in what I can do for myself."
Well then, you have an amazing body." I glanced up at him with a questioning look. "For healing, I mean. I heard about the accident...”
― Richelle Mead, quote from Blutsschwestern
“I didn't like having reasonable arguments thrown at me.”
― Richelle Mead, quote from Blutsschwestern
“The incident with Dawn hadn't been one of my finer moments. I honestly hadn't expected to break any bones when I shoved her into a tree. Still, the incident had given me a dangerous reputation. The story had gained legendary status, and I liked to imagine that it was still being told around campfires late at night. Judging by the look on the girl's face, it was.”
― Richelle Mead, quote from Blutsschwestern
“I like him."
"Like or like?
"Oh, there's a difference?”
― Richelle Mead, quote from Blutsschwestern
“Oh, so that's why you're up here. For a pity party."
"This isn't a joke. I'm serious." I could tell Lissa was getting angry. It was trumping her earlier distress.
He shrugged and leaned casually against the sloping wall. "So am I. I love pity parties. I wish I'd brought the hats. What do you want to mope about first? How it's going to take you a whole day to be popular and loved again? How you'll have to wait a couple weeks before Hollister can ship out some new clothes? If you spring for rush shipping, it might not be so long.”
― Richelle Mead, quote from Blutsschwestern
“I had a standing arrangement with God: I'd agree to believe in him—barely—so long as he let me sleep in on Sundays.”
― Richelle Mead, quote from Blutsschwestern
“Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time."
An hour later, he had his answer.
"Not practicing, huh?"
"Ow,” I groaned, momentarily incapable of normal speech.
He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times.
"I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow.
"You’d hate me more if I held back."
"Yeah, that’s true," I agreed, staggering along as the class put the equipment back.
"You actually did okay."
"What? I just had my ass handed to me."
"Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly.
"Did I mention I hate you?”
He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—"
"They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue.
"Extra sessions with who?"
"That tall guy. Dimitri."
Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?"
"Yeah, so what?"
"So the man is a god."
"Exaggerate much?" I asked.
"No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you."
Great. Something else to improve my day.”
― Richelle Mead, quote from Blutsschwestern
“My muscles informed me they did not want to go through any more exercise today. So I suggest that maybe he should let me off this time. He laughed, and I'm pretty sure it was at me...not with me.
"Why is that funny?"
"Oh," he said, his smile dropping. "You were serious."
"Of course I was! Look, I've technically been awake for two days. Why do we have to start this training now? Let me go to bed." I whined. "It's just one hour."
"How do you feel right now?"
"I hurt like hell."
"You'll feel worse tomorrow."
"So?"
"So, better get a jump on it while you still feel...not as bad."
"What kind of logic is that?" I retorted.”
― Richelle Mead, quote from Blutsschwestern
“Screw you," I told him in a low voice.
"Are you offering?”
"From what I've heard, there isn't much to screw," I shot back.”
― Richelle Mead, quote from Blutsschwestern
Richelle Mead
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“Can they love without a word for it?”
― George R.R. Martin, quote from Dying of the Light
“Ci i owi bez wątpienia pomyślą, że mój rozum, tracący równowagę pod wpływem błahostek, był poniekąd pokrewny owej skale morskiej, o której Ptolemeusz Hefestion opowiada, że opierała się niewzruszenie wszelkim napaściom ludzkim i straszliwszym jeszcze wściekłościom wałów wodnych i wichrów, a drżała jedynie pod dotykiem kwiecia zwanego asfodelą.”
― Edgar Allan Poe, quote from Berenice
“It was a good speech, but the reaction was due to the fact that politics are madness, and even if one does not know it, a country in electoral season experiences flares of lunacy like the great storms that sometimes march across the golden surface of the sun.”
― Mark Helprin, quote from Freddy and Fredericka
“The Bostonians is special because it never was ‘titivated’ for the New York edition, for its humour and its physicality, for its direct engagement with social and political issues and the way it dramatized them, and finally for the extent to which its setting and action involved the author and his sense of himself. But the passage above suggests one other source of its unique quality. It has been called a comedy and a satire – which it is. But it is also a tragedy, and a moving one at that. If its freshness, humour, physicality and political relevance all combine to make it a peculiarly accessible and enjoyable novel, it is also an upsetting and disturbing one, not simply in its treatment of Olive, but also of what she tries to stand for. (Miss Birdseye is an important figure in this respect: built up and knocked down as she is almost by fits and starts.) The book’s jaundiced view of what Verena calls ‘the Heart of humanity’ (chapter 28) – reform, progress and the liberal collectivism which seems so essential an ingredient in modern democracy – makes it contentious to this day. An aura of scepticism about the entire political process hangs about it: salutary some may say; destructive according to others. And so, more than any other novel of James’s, it reminds us of the literature of our own time. The Bostonians is one of the most brilliant novels in the English language, as F. R. Leavis remarked;27 but it is also one of the bleakest. In no other novel did James reveal more of himself, his society and his era, and of the human condition, caught as it is between the blind necessity of progress and the urge to retain the old. It is a remarkably experimental modern novel, written by a man of conservative values. It is judgemental about people with whom its author identified, and lenient towards attitudes hostile to large areas of James’s own intellectual and personal inheritance. The strength of the contradictions embodied in the novel are a guarantee of the pleasure it has to give.”
― Henry James, quote from The Bostonians
“Ik koos het bestaan niet, maar ik besta. Een ongerijmdheid die verantwoordelijk voor zichzelf is, dat ben ik.”
― Simone de Beauvoir, quote from The Blood of Others
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