Quotes from Girl with a Pearl Earring

“He saw things in a way that others did not, so that a city I had lived in all my life seemed a different place, so that a woman became beautiful with the light on her face.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“You're so calm and quiet, you never say. But there are things inside you. I see them sometimes, hiding in your eyes.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“Yes, well, life is a folly. If you live long enough, nothing is surprising.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I had walked along that street all my life, but had never been so aware that my back was to my home”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I wanted to wear the mantle and the pearls. I wanted to know the man who painted her like that.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I heard voices outside our front door - a woman's, bright as polished brass, and a man's, low and dark like the wood of the table I was working on. They were the kind of voices we heard rarely in our house. I could hear rich carpets in their voices, books and pearls and fur.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“He spoke her name as though he held cinnamon in his mouth.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“It was not a house where secrets could be kept easily.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I could not think of anything but his fingers on my neck, his thumb on my lips.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“My father was often impatient during March, waiting for winter to end, the cold to ease, the sun to reappear. March was an unpredictable month, when it was never clear what might happen. Warm days raised hopes until ice and grey skies shut over the town again.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“He had decided to trust me.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I did not mind the cold so much when he was there.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“You know I don’t listen to market gossip,” she began,
“but it is hard not to hear it when my daughter’s name is mentioned.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“There followed a time when everything was dull. The things that had meant something lost importance, though they were still there, like bruises on the body that fade to hard lumps under the skin.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“Pieter would be pleased with the rest of the coins, the debt now settled. I would not have cost him anything. A maid came free.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I slowed my pace. Years of hauling water, wringing out clothes, scrubbing floors, emptying chamber pots, with no chance of beauty or color or light in my life, stretched before me like a landscape of flat land where, a long way off, the sea is visible but can never be reached.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“At first I could not meet his eyes. When I did it was like sitting close to a fire that suddenly blazes up.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“Lick your lips, Griet."
I licked my lips.
"Leave your mouth open."
I was so surprised by this request that my mouth remained open of its own will. I blinked back tears. Virtuous women did not open their mouths in paintings.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I felt as if my parents had pushed me into the street, that a deal had been made and I was being passed into the hands of a man. At least he is a good man, I thought, even if his hands are not as clean as they could be.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“There is a difference between Catholic and Protestant attitudes to painting," he explained as he worked, "but it is not necessarily as great as you may think. Paintings may serve a spiritual purpose for Catholics, but remember too that Protestants see God everywhere, in everything. By painting everyday things-tables and chairs, bowls and pitchers, soldiers and maids-are they not celebrating God's creation as well?”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“It seemed to me that the baker had an honest response to the painting. Van Ruijven tried too hard when he looked at paintings, with his honeyed words and studied expressions. He was too aware of having an audience to perform for, whereas the baker merely said what he thought.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I leaned agains the warm brick wall and gazed up. It was a bright, cloudless day, the sky a mocking blue. It was the kind of day when children ran up and down the streets and shouted, when couples walked out through the town gates, past the windmills and along the canals, when old women sat in the sun and closed their eyes. My father was probably sitting on the bench in front of the house, his face turned towards the warmth. Tomorrow night might be bitterly cold, but today it was spring.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“نپرسیدم تا چه حد برای گرفتن این اطلاعات خودش را به خطر انداخته. زیر لب گفتم، « متشکرم پیتر. » برای نخستین بار بود که نامش را بر زبان آورده بودم.
به چشمانش نگریستم و مهربانی را در آن ها دیدم. در عین حال چیزی را تشخیص دادم که از آن وحشت داشتم – توقع.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I liked sleeping in the attic. There was no Crucifixion scene hanging at the foot of the bed to trouble me. There were no paintings at all, but the clean scent of linseed oil and the musk of the earth pigments. I liked my view of the New Church, and the quiet. No one came up except him. The girls did not visit me as they sometimes had in the cellar, or secretly search through my things. i felt alone there, perched high above the noisy household, able to see it from a distance.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“I knew that he would go out to the tavern, returning with eyes like glittering spoons.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“Я хотіла знати, хоча доки не знала, могла сподіватися.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“Años de acarrear el agua, retorcer la colada, fregar los suelos, vaciar los orinales, sin que la belleza o el color o la luz entraran en mi vida, se extendían ante mí como una paisaje llano en el que se divisa el mar a lo lejos, pero nunca puedes alcanzarlo. Si no podía trabajar fabricando los colores, si no podía estar cerca de él, no sabía cómo iba a poder seguir trabajando en aquella casa.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“Evet,yaşam bir aldatmaca. Eğer yeteri kadar uzun yaşarsan, hiç bir şeyin şaşırtıcı olmadığını öğreniyorsun.”
― Tracy Chevalier, quote from Girl with a Pearl Earring

“Paintings may serve a spiritual purpose for Catholics, but remember too that Protestants see God everywhere, in everything. By painting everyday things—tables and chairs, bowls and pitchers, soldiers and maids—are they not celebrating God’s creation as well?” I”
― Tracy Chevalier, quote from Girl with a Pearl Earring

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Popular quotes

“These women accept their beatings with a simplicity worthy of all praise, and far from considering themselves insulted, admire the strength and energy of the man who can administer such eloquent rebukes. In Russia, not only may a man beat his wife, but it is laid down in the catechism and taught all boys at the time of confirmation as necessary at least once a week, whether she has done anything or not, for the sake of her general health and happiness."

I thought I observed a tendency in the Man of Wrath rather to gloat over these castigations.

"Pray, my dear man," I said, pointing with my whip, "look at that baby moon so innocently peeping at us over the edge of the mist just behind that silver birch; and don't talk so much about women and things you don't understand. What is the use of your bothering about fists and whips and muscles and all the dreadful things invented for the confusion of obstreperous wives? You know you are a civilised husband, and a civilised husband is a creature who has ceased to be a man.

"And a civilised wife?" he asked, bringing his horse close up beside me and putting his arm round my waist, "has she ceased to be a woman?"

"I should think so indeed,--she is a goddess, and can never be worshipped and adored enough.”
― Elizabeth von Arnim, quote from Elizabeth and Her German Garden

“What are you doing here, Kiernan?” I asked dully.
His eyes crinkled up for a second in surprise at my tone. “I came to see you. I know it’s been too long, that I took too long, but…” Two spots of color blossomed on his cheeks, like he didn’t want to go on, but then he forged ahead. “But there were all sorts of ceremonies and things, to welcome her. Everyone was called to court. They even made sure that the Baroness of Mossfeld came,” he added with a puff of laughter and a hopeful glance at me. The holdings of Mossfeld were in the most northern reaches of Thorvaldor and the woman who held them was so eccentric that she had not been seen in court since the crowning of the king. Kiernan and I had spent many hours lying on the grass of the palace gardens, wondering exactly what she was like and what she did with herself stuck out on the boggy, sodden land that was Mossfeld.
But I didn’t smile, and I saw Kiernan swallow before he continued. “Anyway, I couldn’t leave. My father, he said that it would be an insult to--to Nalia--if I left to find you while they were still welcoming her. He finally gave me permission yesterday, and I started out this morning.”
“I see that. But why?” I asked. There was a tone in my voice I didn’t recognize, as two-edged and keen as a sword blade. It would cut Kiernan, yes, but it would also cut me where I held it.
I didn’t care.
“This,” I said, throwing my arm out to indicate the cottage and the tub of dye, “isn’t exactly what you’re used to.” He glanced to where I had gestured, blinking and off balance. I shook my head. “No. You’re all fun, all froth and silliness and jokes.” He blanched, hurt, and I almost did myself. It wasn’t true; there was more to Kiernan than that, and we both knew it. Still, I didn’t stop.
“There aren’t any pretty women to kiss here, Kiernan, or games to play or pranks to set. No plays to see, no music halls to go to. There aren’t even any libraries for you to run away from.” I laughed, and it was a high, shrill sound, one I didn’t recognize. “Oh, don’t worry. It’s not just you. Look around. There’s nothing here anyone sane would want anything to do with.”
“There’s you,” he said quietly. “I came here to find you. I would have gone anywhere,” he added more stridently. “To Two Copper district in Vivaskari or the boggy reaches of Mossfeld or the Nameless God’s frozen hell. You’re my friend. I came to find you.”
― Eilis O'Neal, quote from The False Princess

“made out a shape at the other end of the greenhouse,”
― Jonathan Kellerman, quote from When the Bough Breaks

“Ayúdalo a entender que “nuestra lucha no es contra seres humanos, sino contra poderes, contra autoridades, contra potestades que dominan este mundo de tinieblas, contra fuerzas espirituales malignas en las regiones celestiales” (Efesios 6:12). Oro para que esté fuerte en el Señor y que se ponga toda la armadura de Dios, para que pueda hacer frente a las artimañas del diablo en el día malo. Ayúdalo a ceñir sus lomos con el cinturón de la verdad y protegerse con la coraza de justicia, calzados sus pies con la disposición de proclamar el evangelio de la paz. Ayúdalo a tomar el escudo de la fe, con el cual pueda apagar todas las flechas encendidas del maligno. Oro para que tome el yelmo de la salvación, y la espada del Espíritu, la cual es la Palabra de Dios, orando siempre en el Espíritu con toda oración y súplica, vigilando y manteniéndose”
― Stormie Omartian, quote from The Power of a Praying Wife

“Between you and me,
the words,
like mortar,
separating, holding together
those pieces of the structure ourselves.
To say them,
to cast their shadows on the page,
is the act of binding mutual passions,
is cognizance, yourself/myself,
of our sameness under skin;
it rears possible cathedrals
indicating infinity with steeply-high styli.
For when tomorrow comes it is today,
and if it is not the drop
that is eternity
glistening at the pen’s point,
then the ink of our voices
surrounds like an always night,
and mortar marks the limit of our cells.”
― Roger Zelazny, quote from Creatures of Light and Darkness

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