“Sometimes you need darkness to see things better:”
― Donato Carrisi, quote from The Lost Girls of Rome
“Yet he knew things he would have preferred not to know. Things about men and the evil they do. Things so terrible as to make anyone's confidence waver, and contaminate anyone's heart forever. He looked at the people around him, people who lived without that burden of knowledge, and envied them.”
― Donato Carrisi, quote from The Lost Girls of Rome
“Il silenzio sa essere ostile.
Se non impari a tenerlo lontano, si insinua nelle fessure del rapporto, riempie le crepe e le allarga.
Col tempo crea una distanza e non te ne accorgi.”
― Donato Carrisi, quote from The Lost Girls of Rome
“out similar characteristics in everyone. For example, law students were undisciplined and competitive, medical students strict and lacking a sense of humor, philosophy”
― Donato Carrisi, quote from The Lost Girls of Rome
“Good always has a price, Marcus. Evil comes free.”
― Donato Carrisi, quote from The Lost Girls of Rome
Donato Carrisi
Born place: in Martina Franca, Italy
Born date March 25, 1973
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“Self knowledge is always bad news.”
― John Barth, quote from Giles Goat-Boy
“I was always fishing for something on the radio. Just like trains and bells, it was part of the soundtrack of my life. I moved the dial up and down and Roy Orbison's voice came blasting out of the small speakers. His new song, "Running Scared," exploded into the room.
Orbison, though, transcended all the genres - folk, country, rock and roll or just about anything. His stuff mixed all the styles and some that hadn't even been invented yet. He could sound mean and nasty on one line and then sing in a falsetto voice like Frankie Valli in the next. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop and he meant business. One of his previous songs, "Ooby Dooby" was deceptively simple, but Roy had progressed. He was now singing his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. Typically, he'd start out in some low, barely audible range, stay there a while and then astonishingly slip into histrionics. His voice could jar a corpse, always leave you muttring to yourself something like, "Man, I don't believe it." His songs had songs within songs. They shifted from major to minor key without any logic. Orbison was deadly serious - no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him.”
― Bob Dylan, quote from Chronicles, Volume One
“This account of him [Thomas More] developed as I wrote: what first attracted me was a person who could not be accused of any incapacity for life, who indeed seized life in great variety and almost greedy quantities, who nevertheless found something in himself without which life was valueless and when that was denied him was able to grasp his death.”
― Robert Bolt, quote from A Man for All Seasons
“A critical faculty is a terrible thing. When I was eleven there were no bad films, just films I didn't want to see, there was no bad food, just Brussels sprouts and cabbage, and there were no bad books - everything I read was great. Then suddenly, I woke up in the morning and all that had changed. How could my sister not hear that David Cassidy was not in the same class as Black Sabbath? Why on EARTH would my English teacher think that 'The History of Mr Polly' was better than 'Ten Little Indians' by Agatha Christie? And from that moment on, enjoyment has been a much more elusive quality.”
― Nick Hornby, quote from Fever Pitch
“You can't love someone without imaginative sympathy, without beginning to see the world from another point of view. You can't be a good lover, a good artist or a good politician without this capacity (you can get away with it, but that's not what I mean). Show me the tyrants who have been great lovers.”
― Julian Barnes, quote from A History of the World in 10½ Chapters
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