Joseph Campbell · 224 pages
Rating: (1.9K votes)
“All life stinks and you must embrace that with compassion.”
― Joseph Campbell, quote from Pathways to Bliss: Mythology and Personal Transformation
“Revolution doesn't have to do with smashing something; it has to do with bringing something forth. If you spend all your time thinking about that which you are attacking, then you are negatively bound to it. You have to find the zeal in yourself and bring that out.”
― Joseph Campbell, quote from Pathways to Bliss: Mythology and Personal Transformation
“In our society of fixed texts and printed words, it is the function of the poet to see the life value of the facts round about, and to deify them, as it were, to provide images that relate the everyday to the eternal.”
― Joseph Campbell, quote from Pathways to Bliss: Mythology and Personal Transformation
“Maslow's five values are the values for which people live when they have nothing to live for. Nothing has seized them, nothing has caught them, nothing has driven them spiritually mad and made them worth talking to.”
― Joseph Campbell, quote from Pathways to Bliss: Mythology and Personal Transformation
“What is it we are questing for? It is the fulfillment of that which is potential in each of us. Questing for it is not an ego trip; it is an adventure to bring into fulfillment your gift to the world, which is yourself. There is nothing you can do that's more important than being fulfilled. You become a sign, you become a signal, transparent to transcendence; in this way you will find, live, become a realization of your own personal myth.”
― Joseph Campbell, quote from Pathways to Bliss: Mythology and Personal Transformation
Joseph Campbell
Born place: in White Plains, NY, The United States
Born date March 26, 1904
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“As George removed the cork and began very slowly to pour the thick brown stuff into the spoon,”
― Roald Dahl, quote from George's Marvellous Medicine
“I think life should be more like TV. I think all of life's problems ought to be solved in 30 minutes with simple homilies, don't you? I think weight and oral hygiene ought to be our biggest concerns. I think we should all have powerful, high-paying jobs, and everyone should drive fancy sports cars. All our desires should be instantly gratified. Women should always wear tight clothing, and men should carry powerful handguns. Life overall should be more glamorous, thrill-packed, and filled with applause, don't you think?... Then again, if real life was like that, what would we watch on television?”
― Bill Watterson, quote from The Indispensable Calvin and Hobbes
“I thought, “I want to die. I want to die more than ever before. There’s no chance now of a recovery. No matter what sort of thing I do, no matter what I do, it’s sure to be a failure, just a final coating applied to my shame. That dream of going on bicycles to see a waterfall framed in summer leaves—it was not for the likes of me. All that can happen now is that one foul, humiliating sin will be piled on another, and my sufferings will become only the more acute. I want to die. I must die. Living itself is the source of sin.”
― Osamu Dazai, quote from No Longer Human
“Spontaneity is the province of youth”
― Jacqueline Carey, quote from Kushiel's Chosen
“The famous field altar came from the Jewish firm of Moritz Mahler in Vienna, which manufactured all kinds of accessories for mass as well as religious objects like rosaries and images of saints.
The altar was made up of three parts, lberally provided with sham gilt like the whole glory of the Holy Church.
It was not possible without considerable ingenuity to detect what the pictures painted on these three parts actually represented. What was certain was that it was an altar which could have been used equally well by heathens in Zambesi or by the Shamans of the Buriats and Mongols.
Painted in screaming colors it appeared from a distance like a coloured chart intended for colour-blind railway workers. One figure stood out prominently - a naked man with a halo and a body which was turning green, like the parson's nose of a goose which has begun to rot and is already stinking. No one was doing anything to this saint. On the contrary, he had on both sides of him two winged creatures which were supposed to represent angels. But anyone looking at them had the impression that this holy naked man was shrieking with horror at the company around him, for the angels looked like fairy-tale monsters and were a cross between a winged wild cat and the beast of the apocalypse.
Opposite this was a picture which was meant to represent the Holy Trinity. By and large the painter had been unable to ruin the dove. He had painted a kind of bird which could equally well have been a pigeon or a White Wyandotte. God the Father looked like a bandit from the Wild West served up to the public in an American film thriller.
The Son of God on the other hand was a gay young man with a handsome stomach draped in something like bathing drawers. Altogether he looked a sporting type. The cross which he had in his hand he held as elegantly as if it had been a tennis racquet.
Seen from afar however all these details ran into each other and gave the impression of a train going into a station.”
― Jaroslav Hašek, quote from The Good Soldier Švejk
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