“Being right was largely a matter of explanations.”
― Saul Bellow, quote from Mr. Sammler's Planet
“The terms which, in his inmost heart, each man knows. As I know mine. As all know. For that is the truth of it — that we all know, God, that we know, that we know, we know, we know.”
― Saul Bellow, quote from Mr. Sammler's Planet
“Greatness without models? Inconceivable. One could not be the thing itself - Reality. One must be satisfied with symbols. Make it the object of imitation to reach and release the high qualities. Make peace therefore with intermediacy and representations. Otherwise the individual must be the failure he now sees and knows himself to be.”
― Saul Bellow, quote from Mr. Sammler's Planet
“The Indian temperament is so excitable, you know.”
― Saul Bellow, quote from Mr. Sammler's Planet
“But fathers are soft on daughters. Look how Dad favors Angela. He gave her ten times more. Because she reminded him of Mae West. He was always smiling at her boobs. He wasn't aware of it. Mother and I saw it.”
― Saul Bellow, quote from Mr. Sammler's Planet
“He was looking for the Knight of Faith, the real prodigy. That real prodigy, having set its relations with the infinite, was entirely at home in the finite. Able to carry the jewel of faith, making the motions of the infinite, and as a result needing nothing but the finite and the usual. Whereas others sought the extraordinary in the world. Or wished to be what was gaped at.”
― Saul Bellow, quote from Mr. Sammler's Planet
Saul Bellow
Born place: in Lachine, Quebec, Canada
Born date June 10, 1915
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“Choose a life. Choose a job. Choose a career. Choose a family. Choose a fucking big television. Choose washing machines, cars, compact disc players and electrical tin openers... Choose DSY and wondering who the fuck you are on a Sunday morning. Choose sitting on that couch watching mind-numbing, spirit crushing game shows, stucking junk food into your mouth. Choose rotting away in the end of it all, pishing your last in a miserable home, nothing more than an embarrassment to the selfish, fucked up brats you spawned to replace yourself, choose your future. Choose life... But why would I want to do a thing like that?”
― Irvine Welsh, quote from Trainspotting
“Grief teaches the steadiest minds to waver.”
― Sophocles, quote from Antigone
“Kaladin frowned. “Wait. Are you wearing cologne? In prison?”
“Well, there was no need to be barbaric, just because I was incarcerated.”
“Storms, you’re spoiled,” Kaladin said, smiling.
“I’m refined, you insolent farmer,” Adolin said. Then he grinned. “Besides, I’ll have you know that I had to use cold water for my baths while here.”
“Poor boy.”
― Brandon Sanderson, quote from Words of Radiance
“Edgar, do you actually think that how long a person grieves is a measure of how much they loved someone? There's no rule book that says how to do this." She laughed, bitterly. "Wouldn't that be great? No decisions to make. Everything laid right out for us. But there's no such thing. You want facts, don't you? Rules. Proof. You're like your father that way. Just because a thing can't be logged, charted, and summarized doesn't mean it isn't real. Half the time we walk around in love with the idea of a thing instead of the reality of it. But sometimes things don't turn out that way. You have to pay attentin to what's real, what's in the world. Not some imaginary alternative, as if it's a choice we could make.”
― David Wroblewski, quote from The Story of Edgar Sawtelle
“Meanwhile, Mme Mao and her cohorts were renewing their efforts to prevent the country from working. In industry, their slogan was: "To stop production is revolution itself." In agriculture, in which they now began to meddle seriously: "We would rather have socialist weeds than capitalist crops." Acquiring foreign technology became "sniffing after foreigners' farts and calling them sweet." In education: "We want illiterate working people, not educated spiritual aristocrats." They called for schoolchildren to rebel against their teachers again; in January 1974, classroom windows, tables, and chairs in schools in Peking were smashed, as in 1966. Mme Mao claimed this was like "the revolutionary action of English workers destroying machines in the eighteenth century." All this demagoguery' had one purpose: to create trouble for Zhou Enlai and Deng Xiao-ping and generate chaos. It was only in persecuting people and in destruction that Mme Mao and the other luminaries of the Cultural Revolution had a chance to "shine." In construction they had no place.
Zhou and Deng had been making tentative efforts to open the country up, so Mme Mao launched a fresh attack on foreign culture. In early 1974 there was a big media campaign denouncing the Italian director Michelangelo Antonioni for a film he had made about China, although no one in China had seen the film, and few had even heard of it or of Antonioni. This xenophobia was extended to Beethoven after a visit by the Philadelphia Orchestra.
In the two years since the fall of Lin Biao, my mood had changed from hope to despair and fury. The only source of comfort was that there was a fight going on at all, and that the lunacy was not reigning supreme, as it had in the earlier years of the Cultural Revolution. During this period, Mao was not giving his full backing to either side.
He hated the efforts of Zhou and Deng to reverse the Cultural Revolution, but he knew that his wife and her acolytes could not make the country work.
Mao let Zhou carry on with the administration of the country, but set his wife upon Zhou, particularly in a new campaign to 'criticize Confucius." The slogans ostensibly denounced Lin Biao, but were really aimed at Zhou, who, it was widely held, epitomized the virtues advocated by the ancient sage. Even though Zhou had been unwaveringly loyal, Mao still could not leave him alone. Not even now, when Zhou was fatally ill with advanced cancer of the bladder.”
― Jung Chang, quote from Wild Swans: Three Daughters of China
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