Michael Azerrad · 522 pages
Rating: (11.4K votes)
“Rock'n'roll is a teenage sport, meant to be played by teenagers of all ages--they could be 15, 25 or 35. It all boils down to whether they've got the love in their hearts, that beautiful teenage spirit... -Calvin Johnson”
― Michael Azerrad, quote from Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
“Los Angeles wasn’t a sun-splashed utopia anymore—it was an alienated, smog-choked sprawl rife with racial and class tensions, recession, and stifling boredom.”
― Michael Azerrad, quote from Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
“Music can inspire people to wake up and say, ‘Somebody’s lying.’ This is the point I’d like to make with my music,” Watt told Rolling Stone in 1985. “Make you think about what’s expected of you, of your friends. What’s expected of you by your boss. Challenge those expectations. And your own expectations. Man, you should challenge your own ideas about the world every day.”
― Michael Azerrad, quote from Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
“Boon and Watt had the bad—or perhaps good—fortune to come of age during one of rock’s most abject periods. “That Seventies stuff, the Journey, Boston, Foreigner stuff, it was lame,” Watt says. “If it weren’t for those type of bands we never would have had the nerve to be a band. But I guess you need bad things to make good things. It’s like with farming—if you want to grow a good crop, you need a lot of manure.”
― Michael Azerrad, quote from Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
“I’m not religious about God,” Boon agreed, “I’m religious about Man.” “We believe in average guys,” said Watt. “What happens is, the system makes them all fuckheads.” “And I want to try to snap them out of that,” said Boon. “That’s why I write these songs, OK?”
― Michael Azerrad, quote from Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991
“Wars are facts we cannot fuck away, Perry; nor laugh away, either.”
― Angela Carter, quote from Wise Children
“He sang 'Stairway to Heaven' in four different languages but never knew where that staircase stood.”
― Sherman Alexie, quote from Reservation Blues
“Miss Strike. It's nice to see you again. It looks as if you turned out to be dangerous after all."
"You remember." Kiki was impressed.
"I would never forget a student," said Principal Wickham. "Particularly one with such unusual ambitions.”
― Kirsten Miller, quote from The Empress's Tomb
“Wearing Deni's huge vicuna coat with the si cap over my ears, in cold biting winds of December New York, Irwin and Simon led me up to the Russian Tea Room to meet Salvador Dali.
He was sitting with his chin on a finely decorated tile headed cane, blue and white, next to his wife at the Cafe table. He had a cane, blue and white, next to his wife at the Cafe table. He had a little wax moustache, thin. When the waiter asked him what he wanted he said 'One grapefruit...peenk!' and he had big blue eyes like a baby, a real or Spaniard. He told us no artist was great unless he made money. Was he talking about Uccello, Ghianondri, Franca? We didn't even know what money really was or what to do with it. Dali had already read an article about the 'insurgent' 'beats' and was interested. When Irwin told him (in Spanish) we wanted to meet Marlon Brando (who ate in this Russian Tea Room) he said, waving three fingers at me, 'He is more beautiful than M. Brando.'
I wondered why he said that but he probably had a tiff with old Marlon. But what he meant was my eyes, which were blue, like his, and my hair, which is black, like his, and when I looked into his eyes, and he looked into my eyes, we couldn't stand all that sadness. In fact, when Dali and I look in the mirror we can't stand all that sadness. To Dali sadness is beautiful.”
― Jack Kerouac, quote from Desolation Angels
“The spirit flowed more freely and made for a more spontaneous style of worship.”
― John Grisham, quote from The Confession
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