Down the Drain
Quotes from the Book
I can’t lose the thing I’ve held onto for so long, you know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story, you know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it”? I look to her glassy eyes, her face of wide open empathy. “It’s my life,” I say. “This has been my whole life.
People will risk everything for a little bit of something beautiful.
The excuses we make for them are outrageous, but they’re nothing compared with the ones we make for ourselves.
Because even if I sometimes use the word abuse to describe certain things that were done to me, in someone else’s mouth the word turns ugly and absolute. It swallows up everything that happened.
Somehow I sensed what was coming for me even then. Really, though, what girl doesn’t? It looms over you, that threat of violence. They drill the danger into your head until it starts to feel inevitable. You grow up wondering when it’s finally going to happen.
I wonder how much victimhood they’d be willing to grant a girl like me.
It’s strange to know that whenever I remember myself at fifteen, I’ll think of this.
I need it to be a love story. I need it to be that.
Sometimes it feels like that’s all I’m doing every time I reach out—trying to haunt, to drag him back in time, asking him to tell me again what happened. Make me understand it once and for all. Because I’m still stuck here. I can’t move on.
To be groomed is to be loved and handled like a precious, delicate thing
She didn't understand the horror of watching your body star in something your mind didn't agree to.
How much strength does it take to hurt a little girl? How much strength does it take for the girl to get over it? Which one of them do you think is stronger?
It's both creepy and out of my control, this ability I have to notice so much about other people when I'm positive no one notices anything at all about me.
He touched me first, said he wanted to kiss me, told me he loved me. Every first step was taken by him. I don’t feel forced, and I know I have the power to say no, but that isn’t the same as being in charge. But maybe he has to believe that. Maybe there’s a whole list of things he has to believe.
Hide all you want, but the truth will always find you.
Kneeling before me, he lays his head on my lap and says, ‘I’m going to ruin you.
There must be a point where you’re allowed to be defined by something other than what he did to you.
Girls in those stories are always victims, and I am not. And it doesn’t have anything to do with what Strane did or didn’t do to me when I was younger. I’m not a victim because I never wanted to be, and If I didn’t want to be, then I’m not. That’s how it works. The difference between rape and sex is state of mind. You can’t rape the willing, right?
He’s the only person who ever understood that desire. Not to die, but to already be dead.
He's always going to be old. He has to be. That's the only way I can stay young and dripping with beauty.
He wants to make sure he’ll always be there, no matter what. He wants to leave his fingerprints all over me, every piece of muscle and bone.
I’m starting to understand that the longer you get away with something, the more reckless you become, until it’s almost as if you want to get caught.
An older man using a girl to feel better about himself - how easily the story becomes a cliché if you look at it without the soft focus of romance
I'm a speckled seal swimming past the breakers, a seabird with a wingspan so long I can fly for miles. I'm the new moon, hidden and safe from him, from everyone.
I don’t say it, but sometimes I feel like that’s exactly what he’s doing to me—breaking me apart, putting me back together as someone new.
This, I think, is the cost of telling, even in the guise of fiction. Once you do, it’s the only thing about you anyone will ever care about. It defines you whether you want it to or not.
So when a woman chooses victimhood, she is therefore freed from personal responsibility, which then compels others to take care of her, which is why once a woman chooses victimhood, she will continue to choose it again and again.
We're born, we live, we die, he says and the choices we make in the middle, all those things we agonize over day after day, none of those matter in the end
My worst habit, according to my mother, is how I deflect compliments with self-deprecation. I need to learn how to accept praise. It boils down to confidence, she says, or lack thereof.
I´m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
Did you know?
- My Dark Vanessa was Kate Elizabeth Russell's debut novel and became a national bestseller.
- The novel was selected for translation in 22 countries and optioned for film.
- It weaves in references to literary works including Lolita, Pale Fire, and The Bell Jar.
- Russell was shortlisted for the 2021 Dylan Thomas Prize for the book.
- Oprah Winfrey rescinded an initial Book Club selection of the novel amid social-media controversy.
- Russell later disclosed the novel was informed by her own teenage experience of sexual abuse.
About Kate Elizabeth Russell
About the book
My Dark Vanessa is the 2020 debut novel by Kate Elizabeth Russell. Told in the unreliable first-person voice of Vanessa Wye, it moves between 2000, when fifteen-year-old Vanessa is a scholarship student at a Maine boarding school drawn into a relationship with her forty-two-year-old English teacher Jacob Strane, and 2017, when an allegation against Strane by another former student forces the adult Vanessa to confront what happened to her.
The novel interrogates grooming, consent, memory, and the stories survivors tell themselves to survive. Vanessa clings to a romanticized narrative of love even as the reader recognizes the abuse, and the book threads literary touchstones such as Nabokov's Lolita and Sylvia Plath's The Bell Jar through its exploration of how power, language, and self-deception shape a victim's understanding of her own life.
Published in the wake of the #MeToo movement, the novel became a national bestseller and drew widespread critical praise from outlets including The New York Times, NPR, and The Atlantic, with Russell shortlisted for the 2021 Dylan Thomas Prize. Its release was also marked by controversy: an author alleged similarities to her memoir, though reviewers and the Associated Press found no evidence of plagiarism, and Russell later disclosed that the book was informed by her own adolescent experience of abuse.
Key characters
- Vanessa WyeThe narrator, a boarding-school student at fifteen and an adult of thirty-two looking back
- Jacob StraneVanessa's forty-two-year-old English teacher who abuses her
- Taylor BirchA former student whose public allegation against Strane reopens the past
Book details
- First published
- 2020
- Length
- 373 pages
- Reading time
- 7 hours
- Author
- Kate Elizabeth Russell
- Genre
- Fiction
- Goodreads rating
- 4.09 (444k ratings)
Critical reception
- Received positive reviews in major publications including The New York Times, NPR, and The Atlantic.
- Russell was shortlisted for the 2021 Dylan Thomas Prize.
- Before publication, author Wendy C. Ortiz alleged similarities to her memoir, but reviewers and the Associated Press found no evidence of plagiarism.
Keep reading
Down the Drain
Weather Girl
The Revolution of Ivy
Such a Pretty Girl
All the Rage
The Fact of a Body: A Murder and a Memoir
Far From You
The Guest List
Dare Me
The Girl on the Train
Notes on Heartbreak
The Coincidence of Callie & Kayden
Confess
If I Break
The Edge of Never
Mouthful of Forevers
All Broke Down
Ramona Blue
The Spirit Bares Its Teeth
A Great and Terrible Beauty
Volition
Love Letters to a Serial Killer
Unravel
The Girls' Guide to Hunting and Fishing
Aftermath
The Return
The Girl Before
The Yearbook
Cam Girl
The Grace Year
Honey
Glint
Crave
Manwhore
Crash
Sadie
The Evolution of Mara Dyer
Not That Kind of Girl: A Young Woman Tells You What She's "Learned"
You Know Me Well
Unravel Me
Dear Medusa
This Time It's Real
Raw
Faking It
Take Me With You
The Quiet Tenant
New Moon
Her Body and Other Parties
I Keep My Exoskeletons to Myself
Veiled
The Girls I've Been
Life of the Party
Your Voice in My Head
Mind Games
Metal Slinger
Forbidden
Funny Story
Breakable
Tell Me What You Did
The Black Prince

