G. Willow Wilson · 120 pages
Rating: (67.5K votes)
“There's this ayah from the Quran that my dad always quotes when he sees something bad on TV. A fire or a flood or a bombing. "Whoever kills one person, it is as if he has killed all of mankind... And whoever saves one person, it is as if he has saved all of mankind." When I was a little kid, that always made me feel better. Because no matter how bad things get there are always people who rush in to help. And according to my dad they are blessed.”
― G. Willow Wilson, quote from Ms. Marvel, Vol. 1: No Normal
“Good is not a thing you are. It's a thing you do.”
― G. Willow Wilson, quote from Ms. Marvel, Vol. 1: No Normal
“Who am I? It seems like an easy question. And then I realize... Maybe what I said to those cops wasn't a joke. Maybe the name belongs to whoever has the courage to fight.
And so I tell them.
I tell them who I am.”
― G. Willow Wilson, quote from Ms. Marvel, Vol. 1: No Normal
“We are faith. We speak all languages of beauty and hardship.”
― G. Willow Wilson, quote from Ms. Marvel, Vol. 1: No Normal
G. Willow Wilson
Born place: in The United States
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“But it appears to me that for our patient truth is what he can persuade others to believe: yet at the same time he is a man of some parts, and I suspect that were you to attack him through his reason, were you to persuade him to abandon this self-defeating practice, with its anxiety, its probability of detection, and to seek only a more legitimate approval, then we should have no need for belladonna or any other anhidrotic.”
― Patrick O'Brian, quote from The Mauritius Command
“Dr. Bone Specialist came in, made me stand up and hobble across the room, checked my reflexes, and then made me lie down on the table. He bent my right knee this way and that, up and down, all the way out to the side and in. Then he did the same with my left leg. He ordered X rays then started to leave the room. I panicked. I MUST GET DRUGS.
"What can I take for the pain?" I asked him before he got out the door.
"You can take some over the counter ibuprofen," he suggested. "But I wouldn't take more than nine a day."
I choked. Nine a day? I'd been popping forty. Nine a day? Like hell. I couldn't even go to the bathroom on my own, I hadn't slept in three weeks, and my normally sunny cheery disposition had turned into that of a very rabid dog. If I didn't get good drugs and get them now, it was straight to Shooter's World and then Walgreens pharmacy for me.
"I don't think you understand," I explained. "I can't go to work. I have spent the last four days with my mother who is addicted to QVC, watching jewelry shows, doll shows and make-up shows. I almost ordered a beef-jerky maker! Give me something, or I'm going to use your calf muscles to make the first batch!"
Without further ado, he hastily scribbled out a prescription for some codeine and was gone. I was happy.
My mother, however, had lost the ability to speak.”
― Laurie Notaro, quote from The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life
“She was still thinking of your safety p. 362”
― Jessica Grant, quote from Come, Thou Tortoise
“All over America, people were pulling credentials out of their pockets and sticking them under someone else's nose to prove they had been somewhere or done something. And I thought someday everyone in America will suddenly jump up and say, 'I don't take any shit!' and start pushing and cursing and clawing at the man next to him.”
― William S. Burroughs, quote from And the Hippos Were Boiled in Their Tanks
“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.”
― Roland Barthes, quote from Mythologies
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