“Ah, but life is like that! It does not permit you to arrange and order it as you will. It will not permit you to escape emotion, to live by the intellect and by reason! You cannot say, 'I will feel so much and no more.' Life, Mr. Welman, whatever else it is, is not reasonable. [Hercule Poirot]”
― Agatha Christie, quote from Sad Cypress
“To care passionately for another human creature brings always more sorrow than joy; but at the same time, Elinor, one would not be without experience. Anyone who has never really loved has never really lived..”
― Agatha Christie, quote from Sad Cypress
“The human face is, after all, nothing more nor less than a mask.”
― Agatha Christie, quote from Sad Cypress
“The point is that one's got an instinct to live. One does not live because one's reason assents to living. People who, as we say, 'would be better dead,' don’t want to die! People who apparently have got everything to live for just let themselves fade out of life because they have not got the energy to fight.”
― Agatha Christie, quote from Sad Cypress
“I find most of the human race extraordinarily repulsive. They probably reciprocate this feeling.”
― Agatha Christie, quote from Sad Cypress
“When you're in the middle of a nightmare, something ordinary is the only hope. Anyway, ordinary things are the best. I've always thought so.”
― Agatha Christie, quote from Sad Cypress
“You weren't quite accurate just now."
"I? Not accurate?" Poirot sounded affronted.”
― Agatha Christie, quote from Sad Cypress
“Why harrow oneself by looking on the worst side?... Because it is sometimes necessary.”
― Agatha Christie, quote from Sad Cypress
“A little difficult to know where you were with Elinor. She didn't reveal much of what she thought and felt about things. He liked that about her. He hated people who reeled off their thoughts and feelings to you, who took it for granted that you wanted to know all their mechanism. Reserve was always more interesting.”
― Agatha Christie, quote from Sad Cypress
“Everything costs so much—clothes and one’s face—and just silly things like cinemas and cocktails—and even gramophone records!’ Roddy”
― Agatha Christie, quote from Sad Cypress
“.... she was like a flower.
And suddenly, for a vivid minute, Hercule Poirot had a new conception of
the dead girl. In that halting rustic voice the girl Mary lived and bloomed
again. "She was like a flower."
There was suddenly a poignant sense of loss, of something exquisite
destroyed. In his mind phrase after phrase succeeded each other. Peter
Lord's "She was a nice kid." Nurse Hopkins's "She could have gone on the
films any time." Mrs. Bishop's venomous "No patience with her airs and
graces." And now last, putting to shame, laying aside those other views,
the quiet, wondering, "She was like a flower.”
― Agatha Christie, quote from Sad Cypress
“بغضّ النظر عن الطرف الذى يقف فيه المرء فإن عليه مواجهة الحقائق!”
― Agatha Christie, quote from Sad Cypress
“المغزى هو أن لدى المرء غريزة للعيش. لا يعيش المرء لأن عقله وافق على الحياة. إن من نقول عنهم:"إن من الأفضل لهم أن يموتوا" لا يريدون الموت،وأولئك الذين يمتلكون-ظاهرياً-كل ما يمكن أن يُعاش لأجله نراهم يتركون أنفسهم يذبلون حتى الموت لأنهم يفتقرون إلى طاقة الكفاح والمقاومة.”
― Agatha Christie, quote from Sad Cypress
“A volte si apre un abisso fra il passato e il futuro. Quando una persona si è incamminata nella valle all'ombra della morte, e ne torna fuori alla luce del sole...è allora, mon cher, che comincia una nuova vita. Il passato non serve più.”
― Agatha Christie, quote from Sad Cypress
“Un pò difficile capire come stavano le cose quando c'era di mezzo Elinor. In realtà non rivelava mai molto di ciò che pensava o sentiva. E questo gli piaceva in lei. Perché detestava le persone che vuotavano il sacco, e rivelavano subito le proprie opinioni o manifestavano i propri sentimenti...le persone che davano praticamente per scontato che l'interlocutore desiderasse sapere com'era articolato il loro meccanismo interiore. Il riserbo era sempre stato più interessante.”
― Agatha Christie, quote from Sad Cypress
Agatha Christie
Born place: in Torquay, Devon, England, The United Kingdom
Born date September 15, 1890
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“[...] I look in the mirror every day, when I brush my teeth or wash my face or comb my hair. It's just I tend to look at myself in pieces and avoid joining them up all together. I don't know why; it just feels safer that way.
But tonight I force myself to look at the whole thing. And suddenly I see how the bits and pieces add up to someone I'm not familiar with, someone I never intended to be.”
― Kathleen Tessaro, quote from Elegance
“Some secrets are like fossils and the stone has become too heavy to turn over.”
― Delphine de Vigan, quote from No and Me
“Докато си мислех така, появиха се миризмите и зловонията. Всичките. Гонеха се, отстъпваха си място, бягаха и се връщаха: миризмата на тераса с гълъби , и зловонието на белина, което опознах що за зловоние е, след като се ожених. И миризмата на кръв, която беше като предизвестие за миризмата на смъртта. И миризмата на сяра от ракетите и фишеците – тогава на площад „Диамант“, и миризмата на хартия от хартиените цветя, и миризмата на суха зеленина, която се ронеше по земята и образуваше килим от дребни листенца, които бяха зеленината, избягала от клонката. И силната миризма на морето. Погладих очите си с ръка. Питах се защо зловонията се наричат зловония, а миризмите – миризми и защо да не може да се казва зловония на миризмите и миризми на зловонията, и тогава се появи миризмата на Антони, когато беше бъден и после миризмата на Антони, когато спеше. – бях казал на Кимет, че може би дървоядите вместо да работят отвън навътре, работят отвътре навън и през кръглите дупчици си показват главите и се замислят за белите, които вършат. – И миризмата на децата, когато бяха малки – на мляко и на лиги, на прясно мляко и на вкиснато мляко. – Госпожа Енрикета ми беше казала, че имаме няколко живота, преплетени един в друг, но смърт или женитба, понякога, не винаги, ги разделя и истинският живот, освободен от всякакви връзки с онези няколко лоши живота, с които е обвързан, може да живее, както би трябвало да живее винаги, ако онези няколко лоши живота го бяха оставили на мира. Казваше още, че те се карат и ни измъчват, а ние нищо не знаем, как то не знаем нито за работата на сърцето, нито за голямото вълнение на червата… И миризмата на чаршафите, по б рали моето тяло и тялото на Антони, онази миризма на уморен чаршаф, който всмуква миризмата на човека. И миризмата на косите върху възглавницата, и миризмата на всички тези боклучета, които краката оставят в края на леглото, и миризмата на носените дрехи, оставени през нощта на някой стол… И миризмата на зърното, на картофите и на бутилката със сода каустик… Дръжката на ножа беше дървена, закована с три пирончета със сплескани глави, за да не може никога повече да се откачи от острието.”
― Mercè Rodoreda, quote from The Time of the Doves
“Everything is something worth considering - even if it's eventually ruled out" -Simon”
― Tricia Rayburn, quote from Siren
“Name me. Gaze into my eyes, study my smile and dimples and tell me what you see. I look like an Emma. I look like an Amy. I look like a Katherine. I look like a Kathryn. I look like your best friend's sister, your sister's best friend. Introduce me. Yell for me. Let me run away and call me back. Run your fingers through my hair and whisper my name.
Call me whatever you want; it's just a name, after all.”
― David Cristofano, quote from The Girl She Used to Be
On Basilisk Station
The Innocence of Fat...
The Fallen
The Group
Taint
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