The Mysterious Affair at Styles
Quotes from the Book
Ah, but life is like that! It does not permit you to arrange and order it as you will. It will not permit you to escape emotion, to live by the intellect and by reason! You cannot say, 'I will feel so much and no more.' Life, Mr. Welman, whatever else it is, is not reasonable. [Hercule Poirot]
To care passionately for another human creature brings always more sorrow than joy; but at the same time, Elinor, one would not be without experience. Anyone who has never really loved has never really lived..
The human face is, after all, nothing more nor less than a mask.
The point is that one's got an instinct to live. One does not live because one's reason assents to living. People who, as we say, 'would be better dead,' don’t want to die! People who apparently have got everything to live for just let themselves fade out of life because they have not got the energy to fight.
I find most of the human race extraordinarily repulsive. They probably reciprocate this feeling.
When you're in the middle of a nightmare, something ordinary is the only hope. Anyway, ordinary things are the best. I've always thought so.
You weren't quite accurate just now." "I? Not accurate?" Poirot sounded affronted.
Why harrow oneself by looking on the worst side?... Because it is sometimes necessary.
A little difficult to know where you were with Elinor. She didn't reveal much of what she thought and felt about things. He liked that about her. He hated people who reeled off their thoughts and feelings to you, who took it for granted that you wanted to know all their mechanism. Reserve was always more interesting.
Everything costs so much—clothes and one’s face—and just silly things like cinemas and cocktails—and even gramophone records!’ Roddy
.... she was like a flower. And suddenly, for a vivid minute, Hercule Poirot had a new conception of the dead girl. In that halting rustic voice the girl Mary lived and bloomed again. "She was like a flower." There was suddenly a poignant sense of loss, of something exquisite destroyed. In his mind phrase after phrase succeeded each other. Peter Lord's "She was a nice kid." Nurse Hopkins's "She could have gone on the films any time." Mrs. Bishop's venomous "No patience with her airs and graces." And now last, putting to shame, laying aside those other views, the quiet, wondering, "She was like a flower.
A volte si apre un abisso fra il passato e il futuro. Quando una persona si è incamminata nella valle all'ombra della morte, e ne torna fuori alla luce del sole...è allora, mon cher, che comincia una nuova vita. Il passato non serve più.
Un pò difficile capire come stavano le cose quando c'era di mezzo Elinor. In realtà non rivelava mai molto di ciò che pensava o sentiva. E questo gli piaceva in lei. Perché detestava le persone che vuotavano il sacco, e rivelavano subito le proprie opinioni o manifestavano i propri sentimenti...le persone che davano praticamente per scontato che l'interlocutore desiderasse sapere com'era articolato il loro meccanismo interiore. Il riserbo era sempre stato più interessante.
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Curtain
Infinite Jest
Disgrace
V.
Travels With My Aunt
The Adolescent
Point Counter Point
The Mysterious Mr. Quin
Pnin
The Moonstone
The Death of the Heart
The Setting Sun
A Fraction of the Whole
Gaudy Night
The Woman Destroyed
Selected Stories
The Lying Life of Adults
The Sea, the Sea
Farewell Waltz
The Gum Thief
Life for Sale
Tropic of Cancer
The Man in the High Castle
That Hideous Strength
Lady Chatterley's Lover
Death on the Installment Plan
London Fields
The Collector
The Imperfectionists
The Secret History
The Magus
The Story of the Lost Child
The Dinner
How Hard Can Love Be?
Brief Interviews with Hideous Men
What Was She Thinking? [Notes on a Scandal]
Jude the Obscure
American Pastoral
In the Miso Soup
Watermelon
Giovanni's Room
The Post-Birthday World
The Mandarins
The Gone-Away World
The Broom of the System
Old Babes in the Wood: Stories
The Dead in Their Vaulted Arches
Worm
Herzog
Death on the Nile
Filth
The Golden Notebook
Trust: Betrayed
The Importance of Being Earnest and Other Plays
Drowning Instinct
Selected Stories of Anton Chekhov
Embers
Beautiful Losers
Smilla's Sense of Snow
Concrete

