Quotes from Istanbul: Memories and the City

“The first thing I learned at school was that some people are idiots; the second thing I learned was that some are even worse. ”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Life can't be all that bad,' i'd think from time to time. 'Whatever happens, i can always take a long walk along the Bosphorus.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Hüzün does not just paralyze the inhabitants of Instanbul, it also gives them poetic license to be paralyzed.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“After a time,my hand had become as skilled as my eyes.So if I was drawing a very fine tree , it folt as if my hand was moving without me directly it.As I wathced the pencil race across the page,I would look on it in amazement ,as if the drawing were the proof of another presence , as if someone else had taken up residence in my body.As I marvelled at his work aspiring to beome his equal , another part of my brain was busy inspecting the curves of the branches , the placement of mountains , the composition as a whole , reflecting that I had created this scene on a blank piece of paper.My mind was at the tip of my pen , acting before I could think ; at the same time it could survey what I had already done.This second line of perception , this ability to analyse my progress , was the pleasure this small artist felt when he looked at the discovery of his courage and freedom.To step outside myslef , to know the second pesron who had taken up residence inside me , was to retrace the dividing line that appeared as my pencil slipped across the paper.like a boy sledding in the snow.
pg.135”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“And before long , the msuic , the views rushing past the window , my fathers voice and the narrow cobblestone streets all merged into one , and it seemed to me that while we would never find answers to these fundamental questions , it was good for us to ask them anyway .
pg. 284”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“If I see my city as beautiful and bewitching, then my life must be so too.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Benim için kitap okurken hala önemli olan anlamaktan çok, okuduğum şeye uygun düşler kurmaktır.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“It was in Cihangir that i first learned Istanbul was not an anonymous multitude of walled-in lives - a jungle of apartments where no one knew who was dead or who was celebrating what - but an archipelago of neighbourhoods in which everyone knew each other.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“...i have in all honesty believed that two people with similar names must have similar characters, that an unfamiliar word - be it Turkish or foreign - must be semantically similar to a word spelt like it, that the soul of a dimpled woman must carry something of the soul of another dimpled woman i knew before, that all fat people are the same, that all poor people belong to a fraternity about which i know nothing, that there must be a link between peas and Brazil - not just because Brazil is Breziliya in Turkish and the word for pea is bezelye but also because the Brazilian flag has, it seems, an enormous pea on it....”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“In the beginning the point was not to have a point, to escape the world in which everyone had to have a job, a desk, an office.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“My prolonged study of these photographs led me to appreciate the importance of perserving certain moments for prosperity , and as time moved forwards I also came to see what a powerful influence these framed scenes exerted over us as we went about our daily lives.
To watch my uncle pose my brother a maths problem , and at the same time to see him in a picture taken thirty-two years earlier ; to watch my father scanning the newspaper and trying , with a half-smile , to catch the tail of a joke rippling across the crowded room,and at that very same moment to see a picture of him to me that my grandmother had framed and frozen these memories so that we could weave them into the present.When,in the tones ordinarily preserved for discussing the founding of a nation , my grandmother spoke of my grandfather who had died so young,and pointed at the frames on the tables and the walls , it seemed that she , likes me , was pulled in two directions , wanting to get on with life but also longing to capture the moment of perfection , savouring the ordinary life but still honouring the ideal.But even as I pondered these dilemmas-if you plucked a special moment from life and framed it , were you defying death , decay and the passage of time. or were you submitting to them ?-I grew very bored with them.
pg.13”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“البيت مهم بالنسبة لي لأنه مركز العالم في رأسي أكثر من كونه جمال غرف وأغراض”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Zengin olmak belki de sürekli bir "gibi yapmak" haliydi.(s.188)”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“For me it has always been a city of ruins and of end-of-empire melancholy. I’ve spent my life either battling with this melancholy or (like all İstanbullus) making it my own. At”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“To be able to see the Bosphorus, even from afar—for İstanbullus this is a matter of spiritual import that may explain why windows looking out onto the sea are like the mihrabs in mosques, the altars in Christian churches, and the tevans in synagogues, and why all the chairs, sofas, and dining tables in our Bosphorus-facing sitting rooms are arranged to face the view.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“hüzün, which denotes a melancholy that is communal rather than private. Offering no clarity, veiling reality instead, hüzün brings us comfort, softening the view like the condensation on a window when a teakettle has been spouting steam on a winter’s day. Steamed-up windows make me feel hüzün, and I still love getting up and walking over to those windows to trace words on them with my finger. As I shape words and figures on the steamy window, the hüzün inside me dissipates and I can relax; after I have done all my writing and drawing, I can erase it all with the back of my hand and look outside. But the view itself can bring its own hüzün. It is time to come to a better understanding of this feeling that the city of Istanbul carries as its fate.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“The difference lies in the fact that in Istanbul the remains of a glorious past civilization are everywhere visible. No matter how ill-kept, no matter how neglected or hemmed in they are by concrete monstrosities, the great mosques and other monuments of the city, as well as the lesser detritus of empire in every side street and corner—the little arches, fountains, and neighborhood mosques—inflict heartache on all who live among them. These”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“ESAELP GNITTIPS ON

This mysterious decree would incite me to defy it and spit on the ground at once, but because the police were stationed two steps away in front of the Governor's Mansion, I'd just stare at it uneasily instead. Now I began to fear that spit would suddenly climb out of my throat and land on the ground without my even willing it. But as I knew, spitting was mostly a habit of grown-ups of the same stock as those brainless, weak-willed, insolent children who were always being punished by my teacher. Yes, we would sometimes see people spitting on the streets, or hawking up phlegm because they had no tissues, but this didn't happen often enough to merit a decree of this severity, even outside the Governor's Manson. Later on, when I read about the Chinese spitting pots and discovered how commonplace spitting was in other parts of the world, I asked myself why they'd gone to such lengths to discourage spitting in Istanbul, where it had never been popular.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“When you see a beautiful woman in the street, don’t look at her hatefully as if you’re about to kill her and don’t exhibit excessive longing either; just give her a little smile, avert your eyes, and walk on [1974]. Taking”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Whenever I find myself talking of the beauty and the poetry of the Bosphorus and Istanbul’s dark streets, a voice inside me warns against exaggeration, a tendency perhaps motivated by a wish not to acknowledge the lack of beauty in my own life. If I see my city as beautiful and bewitching, then my life must be so too. A”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Tužna projekcija života za pjesnika je primamljivija od samog života.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Writers like Pierre Loti, by contrast, make no secret of loving Istanbul and the Turkish people for the opposite reason: for the preservation of their eastern particularity and their resistance to becoming western.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Okul denen yerin aslında temel soruları cevaplamadığını, yalnızca onları hayatın gereği olarak benimsememize yardım ettiğini çıkarmıştım.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“In every garden, on every street, we see mothers holding tightly to their children’s hands (fifty years later, Théophile Gautier posited that Melling preferred painting women with children, finding them less unsettling and more deserving of respect than women walking alone).”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Melling’s is an insider’s eye. But because the İstanbullus of his time did not know how to paint themselves or their city—indeed, had no interest in doing so—the techniques he brought with him from the West still give these candid paintings a foreign air. Because he saw the city like an İstanbullu but painted it like a clear-eyed Westerner, Melling’s Istanbul is not only a place graced by hills, mosques, and landmarks we can recognize, it is a place of sublime beauty.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“Çünkü benim gibilerin daha sonra yaşayabileceği ikinci hayat, elindeki kitaptan başka bir şey değildir.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“But it is these four heroes, whom I will discuss from time to time in this book, whose poems, novels, stories, articles, memoirs, and encyclopedias opened my eyes to the soul of the city in which I live. For these four melancholic writers drew their strength from the tensions between the past and the present, or between what Westerners like to call East and West; they are the ones who taught me how to reconcile my love for modern art and western literature with the culture of the city in which I live.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

“I’ve never left Istanbul, never left the houses, streets, and neighborhoods of my childhood.”
― Orhan Pamuk, quote from Istanbul: Memories and the City

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“ان مشكلة ما اذا كان نظام اقتصادي وسياسي يطور قضية الحرية لا يمكن حلها في الاطار السياسي والاقتصادي وحده. المعيار الوحيد لتحقيق الحرية هو اذا كان الفرد ام لا يشارك بفعالية في تحديد حياته وحياة المجتمع, ولا يتم هذا بالفعل الصوري للتصويت فحسب, بل في نشاطه اليومي وفي عمله وفي علاقته بالآخرين ايضا. ان الديمقراطية السياسية الحديثة اذا قصرت نفسها على المجال السياسي المحض لا تستطيع بما فيه الكفاية او نواجهه بنتائج اللاجدوى الاقتصادية للفرد المتوسط. ولكن المفاهيم الاقتصادية المحض مثل تشريك وسائل الانتاج ليست كافية بالمثل. انني لا افكر هنا كثيرا في الاستخدام المخادع لكلمة الاشتراكية كما طبقت -بسبب المسائل التكتيكية- في الاشتراكية الوطنية. ان ما في ذهني هو روسيا حيث اصبحت اشتراكية كلمة مخادعة, لانه بالرغم من ان تشريك وسائل الانتاج قد تم, فان هناك بيرقراطية قوية بالفعل تستغل الجماهير الواسعة من السكان, وهذا يمنع بالضرورة تطور الحرية والنزعة الفردية حتى لو كانت السيطرة الحكومية فعالة في المصلحة الاقتصادية لغالبية السكان.”
― Erich Fromm, quote from Escape from Freedom

“Why drink to cover it up because hurting is feeling and feeling is living, and isn’t it good to be alive?’” Colton”
― K. Bromberg, quote from Crashed

“In every four there is one the slowest, and one the swiftest; and while the race is always to the slowest, the trouble is always with the swiftest.”
― Lew Wallace, quote from Ben-Hur: A Tale of the Christ

“Někdy si ráda představuju, že bydlím s přízraky. Ne s těmi ze své minulosti - v takové nevěřím -, ale s průhlednými kusy myšlenek a knih visícími ve vzduchu jako hedvábné loutky.”
― Scarlett Thomas, quote from The End of Mr. Y

“There I sat, probably looking so dreadful that nothing had the courage to stand by me; not even the candle, which I had just done the service of lighting it, would have anything to do with me. It burned away there by itself, as in an empty room. My last hope was always the window. I imagined that outside there, there still might be something that belonged to me, even now, even in this sudden poverty of dying. But scarcely had I looked thither when I wished the window had been barricaded, blocked up, like the wall. For now I knew that things were going on out there in the same indifferent way, that out there, too, there was nothing but my loneliness. The loneliness I had brought upon myself and to the greatness of which my heart no longer stood in any sort of proportion. People came to my mind whom I had once left, and I did not understand how one could forsake people.”
― Rainer Maria Rilke, quote from The Notebooks of Malte Laurids Brigge

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